as an expert in politics and on the ideal of an articulation between scholarly analysis and political prescription. As regards his personal trajectory, the early 1950s in a way repeated the crisis he had experienced upon returning from his Brazilian fieldwork in 1939. Indeed, the return to France from his second Brazilian expedition had been characterized, as is often the case with anthropologists, by an intense personal and intellectual crisis, which led to his separation from his first wife, Dina, and to abortive attempts at writing literature, all of which dealt with the question of vocation and individual accomplishment.64 A few months later, his escape and exile to New York forced him to undertake the work of personal, professional and theoretical reconstruction.65 The early 1950s again disrupted his life on every front, and the writing of Tristes Tropiques, which coincided with a reconfiguration of his personal life, undoubtedly played a therapeutic role, enabling him to emerge from that state while also laying the bases for a total form of structuralism, one which abandoned any inclination to law-making sociology. From then on, the work of Lévi-Strauss flowed in two veins: one, the search for intelligibility based on the remains of a catastrophic history (and, to his mind, the genocide of Amerindians was not essentially different from the destruction of European Jews)66 – a search whose governing principle is described in The Savage Mind and whose result is the core of the Mythologiques volumes, which are based on myths and everything anthropological inquiry has been able to yield in terms of testimonies on ancient practices prior to the Conquest; and, two, sombre reflections on the human species as a whole in relation to its environment and to all living things, which were to form the core of Race and Culture, as well as of some of the articles in The View from Afar and certain passages of The Story of Lynx. In 1949, the anthropologist fancied himself a diplomat who “spoke all the languages” and could contribute to cooperation between societies. Now, with a human species “full of itself” and doomed by its own excesses, he saw himself as an agent working on behalf of non-humans, faithful to the “lessons” he had learned from the small communities he studied, which never considered mankind as “the lord and master of Creation, free to accord itself an exorbitant privilege over all the manifestations of nature and life.”67
The texts collected in the present volume were written before this bifurcation; they speak to a time when Lévi-Strauss still conceived of history as a force whose course could be influenced. He would subsequently come to abandon this idea, turning instead to a logical order that was to be found against history, at least against the history that was playing out at the global level, conceived as the theatre of confrontation on which the imbalance of forces was such that it led to the annihilation of the communities involved, scattering symbolic forms that could then only be collected in fragments.
This is the ultimate sense of the “zero” that was so essential to the genesis of structuralism: Roman Jakobson’s “phoneme zero” and Roland Barthes’s “writing degree zero,” each of which referred to specific things of course. For Lévi-Strauss, the zero signifier represented the enabling condition for any comparison between distinct symbolic entities. But the term also seemed apt in that it subsumes fundamentally contradictory historical connotations, which suggest renewal and rebirth, of course, but also unthinkable horror, whether we think of Rossellini’s Germany, Year Zero, Blanchot’s man “at point zero,”68 or Cayrol’s man “in the zero state” – not only the promise of tabula rasa, for which Lévi-Strauss yearned at the end of the war, but also and at the same time a sense of foreboding for which the impending ecological catastrophe only provides terrifying confirmation: the tragic awareness that civilization carries within itself its own destruction.
Notes
1 1 Didier Eribon, Conversations with Claude Lévi-Strauss, Chicago, University of Chicago Press, 1991, p. 68.
2 2 Claude Lévi-Strauss, Structural Anthropology, New York, Basic Books, 1963, p. 328.
3 3 Eribon, Conversations with Claude Lévi-Strauss, p. 91.
4 4 Claude Lévi-Strauss, The Savage Mind, London, Weidenfeld & Nicolson, 1966, p. 247.
5 5 See Gildas Salmon, “Symbole et signe dans l’anthropologie structurale,” Europe, nos. 1005–6 (2013), pp. 110–21.
6 6 The title Structural Anthropology Zero emerged in 2011 in the course of a discussion with Laurent Jeanpierre and Frédéric Keck, as we envisaged the publication of a critical edition of these little-known articles. With this original project having fallen through, I am grateful to them for letting me use the title on which we had settled together.
7 7 Introduction to the Work of Marcel Mauss, London, Routledge, 1987.
8 8 Those who have offered commentary on this article, which represents a pivotal moment in twentieth-century French philosophy, include Maurice Merleau-Ponty, Claude Lefort, Gilles Deleuze, Jacques Derrida, Jacques Lacan, Roland Barthes, Pierre Bourdieu, Jean Bazin and Jacques Rancière.
9 9 See especially Pierre Clastres, Society against the State: Essays in Political Anthropology, New York, Zone Books, 1987.
10 10 Carlos Fausto and Marcela Coelho de Souza, “Reconquistando o campo perdido: o qui Lévi-Strauss deve aos ameríndios,” Revista de Antropologia, São Paulo, XLVII/1 (2004), pp. 98–9. See Vincent Debaene, “Claude Lévi-Strauss aujourd’hui,” Europe, nos. 1005–6 (2013), pp. 11–36.
11 11 The page number in parentheses refers to the present edition.
12 12 Eribon, Conversations with Claude Lévi-Strauss, p. 56. See also Roman Jakobson and Claude Lévi-Strauss, Correspondance, 1942–1982, Paris, Seuil, 2018, pp. 174–85.
13 13 This silence was by no means specific to Lévi-Strauss and indeed characterized all the contributions to the special edition of Esprit (though this was not the case for contemporary publications in Temps Modernes about the United States). Letters to his parents show that Lévi-Strauss had read Claude McKay, for example, and happily spent time in Harlem, particularly at the Savoy Ballroom, but, as in his writings of the 1930s on São Paulo, which occasionally mention black and mixed-race populations, he seems to conceive of racial discrimination as a historical remnant rather than as a pressing social and political issue.
14 14 The references for the original publications are available at the end of this volume.
15 15 See the polemical review of The Cambridge History of the Native Peoples of the Americas, Vol. 3: South America, published in L’Homme (nos. 158–9, pp. 439–42). Lévi-Strauss was to make a total of five contributions to the Handbook of South American Indians: the three articles that are included here rely in large part on material collected first-hand; they do not draw on the long article summarizing the available information on the tribes of the upper Xingu or on the ethnobotanical study (which was published in the sixth volume in 1950) on the native uses of wild plants in tropical America.
16 16 Eribon, Conversations with Claude Lévi-Strauss, p. 44.
17 17 On this long article of 1945 and the originality of what Lévi-Strauss calls “the French point of view” (p. 50), see Vincent Debaene, Far Afield: French Anthropology between Science & Literature, Chicago, University of Chicago Press, 2014, pp. 51–66.
18 18 The argument that follows is directly inspired by the work of Laurent Jeanpierre on the intellectual sociology of exile, in particular “Les structures d’une pensée d’exilé: la formation du structuralisme de Claude Lévi-Strauss,” French Politics, Culture and Society, 28/1 (2010), pp. 58–76.
19 19 See Laurent Jeanpierre, “La politique culturelle française aux Etats-Unis de 1940 à 1947,” in Alain Dubosclard et al., Entre rayonnement et réciprocité: contributions à l’histoire de la diplomatie culturelle, Paris, Publications de la Sorbonne, 2002, pp. 85–116.
20 20 See Jeanpierre, “Les structures d’une pensée d’exilé,” pp. 63–5.
21 21 An interesting chronicle of his progress can be found in the abundant correspondence he had with his parents, then in hiding in the remote Cévennes region of France. See Claude Lévi-Strauss, “Chers tous deux”: lettres à ses parents (1931–1942),