is to say, Mrs. Harris, lying exhausted on her bed, in the first sweet relief of freedom from pain, merely covered with the counterpane, and not yet "put comfortable," hears a noise apparently proceeding from the back-yard, and says, in a flushed and hysterical manner: "What 'owls are those? Who is a-'owling? Not my ugebond?" Upon which the doctor, looking round one of the bottom posts of the bed, and taking Mrs. Harris's pulse in a reassuring manner, says, with much admirable presence of mind: "Howls, my dear madam? – no, no, no! What are we thinking of? Howls, my dear Mrs. Harris? Ha, ha, ha! Organs, ma'am, organs. Organs in the streets, Mrs. Harris; no howls."
My dear Thackeray,
The wisdom of Parliament, in that expensive act of its greatness which constitutes the Guild, prohibits that corporation from doing anything until it shall have existed in a perfectly useless condition for seven years. This clause (introduced by some private-bill magnate of official might) seemed so ridiculous, that nobody could believe it to have this meaning; but as I felt clear about it when we were on the very verge of granting an excellent literary annuity, I referred the point to counsel, and my construction was confirmed without a doubt.
It is therefore needless to enquire whether an association in the nature of a provident society could address itself to such a case as you confide to me. The prohibition has still two or three years of life in it.
But, assuming the gentleman's title to be considered as an "author" as established, there is no question that it comes within the scope of the Literary Fund. They would habitually "lend" money if they did what I consider to be their duty; as it is they only give money, but they give it in such instances.
I have forwarded the envelope to the Society of Arts, with a request that they will present it to Prince Albert, approaching H.R.H. in the Siamese manner.
My dear Forster,
I beg to report two phenomena:
1. An excellent little play in one act, by Marston, at the Lyceum; title, "A Hard Struggle;" as good as "La Joie fait Peur," though not at all like it.
2. Capital acting in the same play, by Mr. Dillon. Real good acting, in imitation of nobody, and honestly made out by himself!!
I went (at Marston's request) last night, and cried till I sobbed again. I have not seen a word about it from Oxenford. But it is as wholesome and manly a thing altogether as I have seen for many a day. (I would have given a hundred pounds to have played Mr. Dillon's part).
Love to Mrs. Forster.
My dear Marston,
I most heartily and honestly congratulate you on your charming little piece. It moved me more than I could easily tell you, if I were to try. Except "La Joie fait Peur," I have seen nothing nearly so good, and there is a subtlety in the comfortable presentation of the child who is to become a devoted woman for Reuben's sake, which goes a long way beyond Madame de Girardin. I am at a loss to let you know how much I admired it last night, or how heartily I cried over it. A touching idea, most delicately conceived and wrought out by a true artist and poet, in a spirit of noble, manly generosity, that no one should be able to study without great emotion.
It is extremely well acted by all concerned; but Mr. Dillon's performance is really admirable, and deserving of the highest commendation. It is good in these days to see an actor taking such pains, and expressing such natural and vigorous sentiment. There is only one thing I should have liked him to change. I am much mistaken if any man – least of all any such man – would crush a letter written by the hand of the woman he loved. Hold it to his heart unconsciously and look about for it the while, he might; or he might do any other thing with it that expressed a habit of tenderness and affection in association with the idea of her; but he would never crush it under any circumstances. He would as soon crush her heart.
You will see how closely I went with him, by my minding so slight an incident in so fine a performance. There is no one who could approach him in it; and I am bound to add that he surprised me as much as he pleased me.
I think it might be worth while to try the people at the Français with the piece. They are very good in one-act plays; such plays take well there, and this seems to me well suited to them. If you would like Samson or Regnier to read the play (in English), I know them well, and would be very glad indeed to tell them that I sent it with your sanction because I had been so much struck by it.
My dear Regnier,
I want you to read the enclosed little play. You will see that it is in one act – about the length of "La Joie fait Pour." It is now acting at the Lyceum Theatre here, with very great success. The author is Mr. Westland Marston, a dramatic writer of reputation, who wrote a very well-known tragedy called "The Patrician's Daughter," in which Macready and Miss Faucit acted (under Macready's management at Drury Lane) some years ago.
This little piece is so very powerful on the stage, its interest is so simple and natural, and the part of Reuben is such a very fine one, that I cannot help thinking you might make one grand coup with it, if with your skilful hand you arranged it for the Français. I have communicated this idea of mine to the author, "et là-dessus je vous écris." I am anxious to know your opinion, and shall expect with much interest to receive a little letter from you at your convenience.
Mrs. Dickens, Miss Hogarth, and all the house send a thousand kind loves and regards to Madame Regnier and the dear little boys. You will bring them to London when you come, with all the force of the Français – will you not?
My dear Regnier,
Let me thank you with all my heart for your most patient and kind letter. I made its contents known to Mr. Marston, and I enclose you his reply. You will see that he cheerfully leaves the matter in your hands, and abides by your opinion and discretion.
You need not return his letter, my friend. There is great excitement here this morning, in consequence of the failure of the Ministry last night to carry the bill they brought in to please your Emperor and his troops. I, for one, am extremely glad of their defeat.
"Le vieux P – ," I have no doubt, will go staggering down the Rue de la Paix to-day, with his stick in his hand and his hat on one side, predicting the downfall of everything, in consequence of this event. His handwriting shakes more and more every quarter, and I think he mixes a great deal of cognac with his ink. He always gives me some astonishing piece of news (which is never true), or some suspicious public prophecy (which is never verified), and he always tells me he is dying (which he never is).
Adieu, my dear Regnier, accept a thousand thanks from me, and believe me, now and always,
My dearest Macready,
I have safely received your cheque this morning, and will hand it over forthwith to the honorary secretary of the hospital. I hope you have read the little speech in the hospital's publication of it. They had it taken by their own shorthand-writer, and it is done verbatim.
You may be sure that it is a good and kind charity. It is amazing to me that it is not at this day ten times as large and rich as it is. But I hope and trust that I have happily been able to give it a good thrust onward into a great course. We all send our most affectionate love to all the house. I am devising all sorts of things in my mind, and am in a state of energetic restlessness