who can “do business” with him—then you may quote pious people’s opinions to me. In God’s name, if the Stock Exchange, and railway stagging, and the advertisements in the Protestant Hue-and-Cry, and the frantic Mammon-hunting which has been for the last fifty years the peculiar pursuit of the majority of Quakers, Dissenters, and Religious Churchmen, are not The World, what is? I don’t complain of them, though; Puritanism has interdicted to them all art, all excitement, all amusement—except money-making. It is their dernier ressort, poor souls!
‘But you must explain to us naughty fox-hunters how all this agrees with the good book. We see plainly enough, in the meantime, how it agrees with “poor human nature.” We see that the “religious world,” like the “great world,” and the “sporting world,” and the “literary world,”
“Compounds for sins she is inclined to,
By damning those she has no mind to;”
and that because England is a money-making country, and money-making is an effeminate pursuit, therefore all sedentary and spoony sins, like covetousness, slander, bigotry, and self-conceit, are to be cockered and plastered over, while the more masculine vices, and no-vices also, are mercilessly hunted down by your cold-blooded, soft-handed religionists.
‘This is a more quiet letter than usual from me, my dear coz, for many of your reproofs cut me home: they angered me at the time; but I deserve them. I am miserable, self-disgusted, self-helpless, craving for freedom, and yet crying aloud for some one to come and guide me, and teach me; and who is there in these days who could teach a fast man, even if he would try? Be sure, that as long as you and yours make piety a synonym for unmanliness, you will never convert either me or any other good sportsman.
‘By the bye, my dear fellow, was I asleep or awake when I seemed to read in the postscript of your last letter, something about “being driven to Rome after all”? . . . Why thither, of all places in heaven or earth? You know, I have no party interest in the question. All creeds are very much alike to me just now. But allow me to ask, in a spirit of the most tolerant curiosity, what possible celestial bait, either of the useful or the agreeable kind, can the present excellent Pope, or his adherents, hold out to you in compensation for the solid earthly pudding which you would have to desert? . . . I daresay, though, that I shall not comprehend your answer when it comes. I am, you know, utterly deficient in that sixth sense of the angelic or supralunar beautiful, which fills your soul with ecstasy. You, I know, expect and long to become an angel after death: I am under the strange hallucination that my body is part of me, and in spite of old Plotinus, look with horror at a disembodiment till the giving of that new body, the great perfection of which, in your eyes, and those of every one else, seems to be, that it will be less, and not more of a body, than our present one. . . . Is this hope, to me at once inconceivable and contradictory, palpable and valuable enough to you to send you to that Italian Avernus, to get it made a little more certain? If so, I despair of your making your meaning intelligible to a poor fellow wallowing, like me, in the Hylic Borboros—or whatever else you may choose to call the unfortunate fact of being flesh and blood. . . . Still, write.’
CHAPTER III: NEW ACTORS, AND A NEW STAGE
When Argemone rose in the morning, her first thought was of Lancelot. His face haunted her. The wild brilliance of his intellect struggling through foul smoke-clouds, had haunted her still more. She had heard of his profligacy, his bursts of fierce Berserk-madness; and yet now these very faults, instead of repelling, seemed to attract her, and intensify her longing to save him. She would convert him; purify him; harmonise his discords. And that very wish gave her a peace she had never felt before. She had formed her idea; she had now a purpose for which to live, and she determined to concentrate herself for the work, and longed for the moment when she should meet Lancelot, and begin—how, she did not very clearly see.
It is an old jest—the fair devotee trying to convert the young rake. Men of the world laugh heartily at it; and so does the devil, no doubt. If any readers wish to be fellow-jesters with that personage, they may; but, as sure as old Saxon women-worship remains for ever a blessed and healing law of life, the devotee may yet convert the rake—and, perhaps, herself into the bargain.
Argemone looked almost angrily round at her beloved books and drawings; for they spoke a message to her which they had never spoken before, of self-centred ambition. ‘Yes,’ she said aloud to herself, ‘I have been selfish, utterly! Art, poetry, science—I believe, after all, that I have only loved them for my own sake, not for theirs, because they would make me something, feed my conceit of my own talents. How infinitely more glorious to find my work-field and my prize, not in dead forms and colours, or ink-and-paper theories, but in a living, immortal, human spirit! I will study no more, except the human heart, and only that to purify and ennoble it.’
True, Argemone; and yet, like all resolutions, somewhat less than the truth. That morning, indeed, her purpose was simple as God’s own light. She never dreamed of exciting Lancelot’s admiration, even his friendship for herself. She would have started as from a snake, from the issue which the reader very clearly foresees, that Lancelot would fall in love, not with Young Englandism, but with Argemone Lavington. But yet self is not eradicated even from a woman’s heart in one morning before breakfast. Besides, it is not ‘benevolence,’ but love—the real Cupid of flesh and blood, who can first
‘Touch the chord of self which, trembling,
Passes in music out of sight.’
But a time for all things; and it is now time for Argemone to go down to breakfast, having prepared some dozen imaginary dialogues between herself and Lancelot, in which, of course, her eloquence always had the victory. She had yet to learn, that it is better sometimes not to settle in one’s heart what we shall speak, for the Everlasting Will has good works ready prepared for us to walk in, by what we call fortunate accident; and it shall be given us in that day and that hour what we shall speak.
Lancelot, in the meantime, shrank from meeting Argemone; and was quite glad of the weakness which kept him upstairs. Whether he was afraid of her—whether he was ashamed of himself or of his crutches, I cannot tell, but I daresay, reader, you are getting tired of all this soul-dissecting. So we will have a bit of action again, for the sake of variety, if for nothing better.
Of all the species of lovely scenery which England holds, none, perhaps, is more exquisite than the banks of the chalk-rivers—the perfect limpidity of the water, the gay and luxuriant vegetation of the banks and ditches, the masses of noble wood embosoming the villages, the unique beauty of the water-meadows, living sheets of emerald and silver, tinkling and sparkling, cool under the fiercest sun, brilliant under the blackest clouds.—There, if anywhere, one would have expected to find Arcadia among fertility, loveliness, industry, and wealth. But, alas for the sad reality! the cool breath of those glittering water-meadows too often floats laden with poisonous miasma. Those picturesque villages are generally the perennial hotbeds of fever and ague, of squalid penury, sottish profligacy, dull discontent too stale for words. There is luxury in the park, wealth in the huge farm-steadings, knowledge in the parsonage: but the poor? those by whose dull labour all that luxury and wealth, ay, even that knowledge, is made possible—what are they? We shall see, please God, ere the story’s end.
But of all this Lancelot as yet thought nothing. He, too, had to be emancipated, as much as Argemone, from selfish dreams; to learn to work trustfully in the living Present, not to gloat sentimentally over the unreturning Past. But his time was not yet come; and little he thought of all the work which lay ready for him within a mile of the Priory, as he watched the ladies go out for the afternoon, and slipped down to the Nun’s-pool on his crutches to smoke and fish, and build castles in the air.
The Priory, with its rambling courts and gardens, stood on an island in the river. The upper stream flowed in a straight artificial channel through the garden, still and broad, towards the Priory mill; while just above the Priory wall half the river fell over a high weir, with all its appendages of bucks and hatchways, and eel-baskets, into the Nun’s-pool, and then swept round under the ivied walls, with their fantastic turrets and gables, and little loopholed