on Coleridge's part. Not to dwell at all on what might be very legitimately regarded as indirect expressions of the sentiment, we shall present here, in order to add emphasis to De Quincey's position, some of the extracts which have most impressed us. From the poem in the Early Poems 'To an Infant,' are these lines:
'Man's breathing miniature! thou mak'st me sigh—
A babe art thou—and such a thing am I,
To anger rapid and as soon appeased,
For trifles mourning and by trifles pleased,
Break friendship's mirror with a tetchy blow,
Yet snatch what coals of fire on pleasure's altar glow.'
Still more emphatic is this passage from the poem, 'Frost at Midnight':
'My babe so beautiful! it thrills my heart
With tender gladness thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags; so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all and all things in Himself.
Great Universal Teacher! he shall mould
Thy spirit, and by giving make it ask.'
In another place, when speaking of the love of mother for child and that of child for mother, awakened into life by the very impress of that love in voice and touch, he concludes with the line:
'Why was I made for Love and Love denied to me?'
And, most significant of all, is that Dedication in 1803 of his Early Poems to his brother, the Rev. George Coleridge of Ottery St. Mary, when he writes, after having dwelt on the bliss this brother had enjoyed in never having been really removed from the place of his early nurture:
'To me the Eternal Wisdom hath dispensed
A different fortune, and more different mind—
Me, from the spot where first I sprang to light
Too soon transplanted, ere my soul had fixed
Its first domestic loves; and hence, through life
Chasing chance-started friendships. A brief while
Some have preserved me from life's pelting ills,
But like a tree with leaves of feeble stem,
If the clouds lasted, and a sudden breeze
Ruffled the boughs, they on my head at once
Dropped the collected shower: and some most false,
False and fair-foliaged as the manchineel,
Have tempted me to slumber in their shade
E'en 'mid the storm; then breathing subtlest damps
Mixed their own venom with the rain from Heaven,
That I woke poisoned! But (all praise to Him
Who gives us all things) more have yielded me
Permanent shelter: and beside one friend,
Beneath the impervious covert of one oak
I've raised a lowly shed and know the name
Of husband and of father; not unhearing
Of that divine and nightly-whispering voice,
Which from my childhood to maturer years
Spake to me of predestinated wreaths,
Bright with no fading colours!
Yet, at times,
My soul is sad, that I have roamed through life
Still most a stranger, most with naked heart,
At mine own home and birthplace: chiefly then
When I remember thee, my earliest friend!
Thee, who didst watch my boyhood and my youth;
Did'st trace my wanderings with a father's eye;
And, boding evil yet still hoping good,
Rebuked each fault and over all my woes
Sorrowed in silence!'
And certainly all this only gains emphasis from the entry we have in the 'Table Talk' under date August 16, 1832, and under the heading, 'Christ's Hospital, Bowyer':
'The discipline of Christ's Hospital in my time was ultra-Spartan; all domestic ties were to be put aside. "Boy!" I remember Bowyer saying to me once when I was crying the first day of my return after the holidays. "Boy! the school is your father! Boy! the school is your mother! Boy! the school is your brother! the school is your sister! the school is your first cousin, and all the rest of your relations! Let's have no more crying!"'
II. MR. FINLAY'S HISTORY OF GREECE
In attempting to appraise Mr. Finlay's work comprehensively, there is this difficulty. It comes before us in two characters; first, as a philosophic speculation upon history, to be valued against others speculating on other histories; secondly, as a guide, practical altogether and not speculative, to students who are navigating that great trackless ocean the Eastern Roman history. Now under either shape, this work traverses so much ground, that by mere multiplicity of details it denies to us the opportunity of reporting on its merits with that simplicity of judgment which would have been available in a case of severer unity. So many separate situations of history, so many critical continuations of political circumstances, sweep across the field of Mr. Finlay's telescope whilst sweeping the heavens of four centuries, that it is naturally impossible to effect any comprehensive abstractions, as to principles, from cases individual by their nature and separated by their period not less than by their relations in respect to things and persons. The mere necessity of the plan in such a work ensures a certain amount of dissent on the part of every reader; he that most frequently goes along with the author in his commentary, will repeatedly find himself diverging from it in one point or demurring to its inferences in another. Such, in fact, is the eternal disadvantage for an author upon a subject which recalls the remark of Juvenal:
'Vester porro labor fecundior, historiarum
Scriptores: petit hic plus temporis, atque olei plus:
Sic ingens rerum numerus jubet, atque operum lex.'
It is this ingens rerum numerus that constitutes at once the attraction of these volumes, and the difficulty of dealing with them in any adequate or satisfactory manner.
Indeed, the vistas opened up by Mr. Finlay are infinite; in that sense it is that he ascribes inexhaustibility to the trackless savannahs of history. These vast hunting-grounds for the imaginative understanding are in fact but charts and surveyors' outlines meagre and arid for the timid or uninspired student. To a grander intellect these historical delineations are not maps but pictures: they compose a forest wilderness, veined and threaded by sylvan lawns, 'dark with horrid shades,' like Milton's haunted desert in the 'Paradise Regained,' at many a point looking back to the towers of vanishing Jerusalem, and like Milton's desert, crossed dimly at uncertain intervals by forms doubtful and (considering the character of such awful deserts) suspicious.
Perhaps the reader, being rather 'dense,' does not understand, but we understand ourselves, which is the root of the matter. Let us try again: these