Nick knew all of this although he had never been the recipient of any confidences from her. He simply knew it through intuition.
Nick let his thoughts dwell on Katharine. He understood why Victor saw great potential in her as a movie actress. Nick was not blind to Katharine’s attributes, which were manifold. However, conversely, his personal reaction to her was quite different from everyone else’s. Her extraordinary beauty had not beguiled him, nor had her enormous charm captivated him. In essence, she had failed to touch him as a man, and very simply he was not sure of her as a woman. Nick had detected an inherent coldness in her personality. It was a frigidity really, and, to him, this seemed all the more peculiar in view of her apparent sensuality. Except that instinctively he felt this was a façade she presented to the world, was bound up with her looks and had nothing to do with her true nature. The sensuality was on the surface. It did not run deep in her. On the few occasions he had been in her company, he had become increasingly aware of other traits which disturbed him. It struck him, unexpectedly, that there was a dichotomy in Katharine’s makeup. There was no denying her warmth and gaiety. Yet at other times she appeared strangely removed, to him, as if she had the ability to stand away from herself, as though she viewed everthing with cool indifference. No, immense detachment. He thought now: She is isolated and uninvolved with anyone on a human level.
He shook his head in bewilderment. Oh, Christ, I’m being over imaginative, he decided. There’s nothing wrong with the girl really. She’s excessively ambitious perhaps, but then who isn’t in this business. With a small shock Nick admitted he did not particularly like her, and this revelation astonished him. There was no real basis for his active dislike, and yet dislike her he did.
As he stood, sipping his drink and staring out of the window, striving to analyse his feelings, Nicholas Latimer did not know that it would take him years to fully comprehend his complex emotions in regard to Katharine Tempest.
Katharine stood in the tiny kitchen of her flat in Lennox Gardens, waiting for the kettle to boil for her morning tea. She put a piece of bread in the toaster, and then, standing on tiptoe, she reached up into the cupboard, taking out a cup and saucer, and a plate. She opened the refrigerator door, removed the butter dish and a stone jar of Dundee marmalade, and placed them on a tray with the other china, her movements swift yet graceful.
The kitchen was so small that there was only enough space for one person in it, but because it was so sparklingly fresh and neat and free of the unnecessary clutter Katharine detested, it seemed much less claustrophobic than it actually was. When Katharine had taken the flat two years earlier, she had had the walls and the cabinets painted a pale duck-egg blue, and this delicate colour helped to open up the confined dimensions, as did the matching marbleized linoleum on the floor. Blue cotton curtains, gauzy and weightless, framed the small window, and on the windowsill itself there was a selection of red geraniums in clay pots, and these introduced a spark of vivid colour and springlike greenery.
Katharine stepped to the window and glanced out. The flat was on the top floor and had once been the attics of the house, before it had been converted into flats. Consequently, she had a charming bird’s eye view from her little eyrie, and one which faced onto the enclosed gardens situated in the centre of the semi-circular terrace of imposing Victorian mansions. In the summer months she looked down onto great leafy domes and cupolas shimmering with iridescent green light as the sunshine filtered through the lacy texture of the interwoven branches weighted with verdant leaves. On this February morning, the gardens were bereft, the trees stripped of beauty and life. But their black and bony branches did reach up into the prettiest sky she had seen in a long time. The dark and tumescent clouds which had shrouded London in perpetual greyness for weeks had miraculously been blown away. For once it was not raining.
It’s almost like an April morning, Katharine thought with a happy smile, and she decided there and then that she would walk to the restaurant for her luncheon appointment at one o’clock. She debated what to wear and settled on the new outfit her dressmaker had delivered last week. She was mentally reviewing the accessories which would best go with it, when the kettle’s piercing whistle cut into her musings, and she turned off the gas, filled the teapot, put the toast on the plate and carried the breakfast tray into the living room.
Despite the sunlight flooding in through the windows, this room had an air of overwhelming coldness. Essentially, this was induced by the colour scheme and the overall style of the decoration, which was austere. Everything in the room was of the purest white. Gleaming white-lacquered walls flowed down to meet a thick white carpet covering the entire floor. White silk draperies rippled icily at the windows, and white wool sheathed the long sofa and several armchairs. The latter were sleek and modern in design, as was all of the furniture in the room, including two end tables flanking the sofa, a large square coffee table and an étagère set against one wall. These pieces were made of chrome and glass, and they introduced a hard and glittering aspect that further emphasized an atmosphere excessively glacial in its overtones.
There were few accent colours in this setting, so evocative of a frozen landscape, and these were dark and muted tones of steel grey and black, and did little to counteract the chilly monotony that prevailed. Tall pewter lamps on the glass end tables were topped with steel grey linen shades, and the same metallic grey was repeated in the velvet cushions on the sofa and chairs. Black and white etchings of knights in armour, framed in chrome, marched along one wall, while a huge cylindrical glass vase containing spidery black branches stood sentinel in one corner. The étagère displayed a pair of black-lacquered candlesticks sprouting white candles and a black-lacquered Japanese bowl. There were no photographs of family or friends, none of the usual intimate objects that provide evidence of past, treasured memories, or a personal life. The room, in all truth, had the sterility of a nun’s barren and virginal cell, and it echoed the adjoining bedroom, also washed completely in pure white and unrelieved by any contrasting colours whatsoever. Katharine had furnished and decorated the flat herself, and if anyone had told her it was icy and lifeless and intimidating, she would have gaped at them askance. She loved the pristine effect she had so carefully created, considered it to be elegant and sophisticated, saw only beauty in its purity and cleanliness, elements so necessary to her well being.
Hurrying across the room, she put the tray on the coffee table and sat down on the sofa. There was a dreamy faraway expression on her face, and as she sipped her tea she allowed herself to drift with her meandering thoughts. Katharine was feeling marvellous. Euphoria and excitement had carried her through the week and now, on this Thursday morning, it seemed to her that every day that had passed since Saturday night had been a huge success.
Both Francesca and the Earl had loved her performance as Helen of Troy, and the dinner at Les Ambassadeurs, with Victor acting as the host, had been memorable. Most important to Katharine, the Earl had taken to her immediately, and she knew he had been charmed, and therefore she did not envision him creating any problems or interfering in her relationship with Kim.
Katharine was not wrong in her belief that the Earl of Langley had liked her. In fact, they had been impressed with each other, the conservative English peer of the realm and the young American beauty, and their easy accord had created a warm and friendly atmosphere, had made for a relaxed evening. Everyone had enjoyed themselves to such a degree that Victor had extended the party into the early hours, and had taken them upstairs to the Milroy to dance to Paul Adams and his orchestra. Katharine, the actress incarnate, had surpassed herself, intuitively striking the perfect balance between reticence and gaiety.
The following day, Victor had taken her to lunch at Claridge’s, the sole purpose being to discuss more fully the screen test, and to enumerate the many differences between acting on a stage and before a camera. He had held forth at great length, offering her many helpful and instructive guidelines. Katharine had been touched by this thoughtful-ness on his part, and grateful to him for his sound advice. He had arranged to meet with her again, for another session before the test itself, which had been confirmed for Friday of the coming week, eight days away. Tomorrow evening the Earl was taking her to dinner with Kim and Francesca, before returning to Yorkshire