freshness and serenity of those early mornings in the water meadows: the profusion of pale pink flowers, the clumps of bright yellow kingcups, the dew-soaked grass. Details accrued, without his willing: the occasional squawk from some disgruntled coot on the nearby river, the distant call of a cuckoo.
In old age, naturally, these visions became rather less frequent than they had been hitherto. Then, some years ago, he had attended a rehearsal of one of his plays in the town, and she had appeared once more. He recognised her immediately. ‘Who is she?’ he had asked Harry Tilley, who was directing the play, and Tilley told him that she was Gertrude Bugler, daughter of Arthur and Augusta Bugler, who ran the Central Hotel in South Street. His heart had turned over. His mind was so confused he hardly knew what else Tilley had said, although he seemed to remember one remark: ‘It’ll be a lucky man who ends up putting a ring on her finger.’ He watched her in rehearsal after rehearsal. He scarcely noticed the other actors and actresses, and when he talked to her, her attentive eyes left him half dumb. He found her sympathetic, interesting, eager – everything a young woman should be.
He had never bothered to unfold this history to Florence, when there had been no reason for so doing. A suitable moment had never presented itself, and besides, experience had taught him that in general it was best not to talk to her about private matters, especially those which lay deep in the past; she was easily upset, and inclined to misinterpret things.
Three evenings after Gertie’s visit, he was in his bedroom on the first floor of the house. Wearing night-shirt, dressing gown and slippers, and holding a glass of whisky, he was seated on a wooden chair. He had a small woollen blanket over his legs. Two oil lamps were lit, one stationed by the bed and the other on a side table, and in the pool of light cast by the latter, Florence, seated in another chair, was reading aloud. She too was in her night-clothes, and in addition to a blanket over her legs she had the fox stole wrapped round her neck. Wessex, deep in sleep, one of his sandy-brown ears flopped over an eye, lay on the floor between them.
Ever since the start of their marriage she had read to him at night, usually for about an hour, occasionally for longer. It was part of the routine of their existence together, and an agreeable way of bringing the day to a natural close. Sometimes she read a novel, sometimes from a volume of poetry, so long as it was not too modern. The book that she was presently reading was one of the novels of Jane Austen, ‘Pride and Prejudice’, and for once it was her choice, not his. The old man was enjoying it a great deal. When he had read it last, a very long time ago, he had found Miss Austen a little narrow and strait-laced, but now she seemed to him an adroit observer of the human scene, and he was particularly amused to discern in himself a certain resemblance to the character of Mr. Bennet, the distant and reserved father of Jane and Elizabeth. In a pause between chapters, he said as much: ‘Do you not think I resemble Mr. Bennet, to a degree?’
Florence saw the likeness instantly. ‘Yes – you do, a little. Quite a lot, in fact.’
He nodded, pleased.
‘I very much hope I do not resemble Mrs. Bennet,’ she responded.
‘Not in the least.’
‘She is such an empty-brained chatterbox.’
‘You are not in the least like Mrs. Bennet.’
‘Thank you,’ she said. ‘What a relief! Shall I go on?’
‘If you like.’
Moments such as this, the old man thought, were part of the success of his life with Florence. She was a good reader, sympathetic to the cadences of the prose, with a gentle, soothing voice. When she had been up in London for her operation, when he had been alone, he had tried reading to himself, both silently and out loud, but it had not worked. Late in the day his eyesight was not good enough to follow the print easily, and in any case it was not the same; just as tickling oneself fails to amuse the tickler, so reading to himself seemed a less than satisfactory affair.
He reached out for the glass of whisky, an inch of which he always drank at night and which helped him sleep. Florence never seemed to sleep that well, although he suspected that she slept better than she claimed. He watched her as she bent over the book. Her hair lacked lustre, her complexion was dull, and she had bags under her eyes. This neuritis – and then the lump in her neck! Despite the operation, she seemed as frightened as ever. Why else did she keep it perpetually wrapped up?
The doctors, he was sure, had not helped. The old man had a natural distrust of doctors that probably went back to the days of his youth, when the English countryside was home to travelling quacks who sold medicines that upon chemical examination were found to consist of no more than flour and water. Although those disreputable pedlars no longer existed, it remained the case that doctors made their livelihoods out of the illnesses of their patients, and a cynic might have suggested that it was in the interests of doctors that their patients should remain unwell as long as possible. The old man sometimes felt that there was more than a little truth in the notion. Florence seemed to derive such pleasure from her visits to her London doctors.
It was inevitable that the contrast with Gertie, who was such a picture of health, should cross his mind. Of course, he reminded himself, she was younger than Florence by perhaps two decades. Florence was forty-five. How old was Gertie? Twenty-four, twenty-five? In a trick that no doubt came from his long career as a writer, he slipped into a kind of trance in which he pretended that she, not Florence, was sitting here now, reading to him.
‘Thomas!’ she broke into his reverie. ‘Do you want me to go on?’
‘If you are happy to.’
‘I thought you were asleep.’
‘I was listening. I was thinking of Mr. Bennet.’
‘What were you thinking about him?’
‘O … nothing much.’
She read on awhile, and he did his best to pay attention, or to seem to do so, but his thoughts came and went of their own accord. He noted the sparkle of the whisky as he turned the glass; he noted the gleam of Wessex’s nose; he noted the shadows moving on the wall by his bed, among them two of Florence, each cast by a different oil lamp, one darker and stronger than the other. There was also his own double-shadow, shifting. It was common enough to see shadows as reminders of death, but what if they were more than that? What if shadows were owned not only by the quick but also by the dead, or if attached to one side of a shadow was the body of the living man, and to the other his dead self?
He explored the fancy that shadows lived outside time, possessing knowledge and consciousness; that they were not mute but had tongues, and could whisper what they knew of the invisible country beyond. It was a possible subject for a poem, the shadow soliloquising on its corporeal self, and if he had had the energy he would have fetched a pen.
Curious ideas such as these often entered the old man’s mind when Florence was reading. They were like clouds drifting in a clear sky; he enjoyed looking at their shapes and structures, without any sense that they had any great significance.
‘I think I shall stop now. Her sentences are so long.’ She put her hand to the stole. ‘My throat is a little painful tonight. I sometimes feel as if there is something still there.’
‘You should try whisky.’
‘I hate whisky. You know I hate the taste of whisky.’
The old man saw that he had said the wrong thing, or the right thing in the wrong tone. He kept quiet, which seemed the best course.
‘You don’t think there is anything still there?’ she asked anxiously.
‘I am sure there is not. If there were, the doctors would have found it.’
She closed the book and got up from her chair. She smoothed the front of her night-gown, turned down one of the oil lamps and seemed about to leave for her bedroom. Then she paused.
‘Thomas,’ she said, ‘I have been thinking about the trees. We must get them cut back this winter. This is the time to do it. This is the time.’
Although