speaking, staring at his big, rough farmer’s hands.
Molly spoke, without moving where she lay in the corner beside him. ‘We must of took the wrong fork back yonder.’
Drew nodded.
Molly’s lips were almost as white as her face. Only they were dry, where her skin was damp with sweat. Her voice was flat with no expression in it.
‘Drew,’ she said. ‘Drew, what are we a-goin to do now?’
Drew stared at his hands. A farmer’s hands, with the farm blown out from under them by the dry, hungry wind that never got enough good loam to eat.
The kids in the back seat woke up and pried themselves out of the dusty litter of bundles and bedding. They poked their heads over the back of the seat and said:
‘What are we stoppin’ for, Pa? Are we gonna eat now. Pa? Pa, we’re awful hungry. Can we eat now, Pa?’
Drew closed his eyes. He hated the sight of his hands.
Molly’s fingers touched his wrist. Very light, very soft. ‘Drew, maybe in the house there they’d spare us somethin’ to eat?’
A white line showed around his mouth. ‘Beggin’,’ he said harshly. ‘Ain’t none of us ever begged before. Ain’t none of us ever goin’ to.’
Molly’s hand tightened on his wrist. He turned and saw her eyes. He saw the eyes of Susie and little Drew, looking at him. Slowly all the stiffness went out of his neck and his back. His face got loose and blank, shapeless like a thing that has been beaten too hard and too long. He got out of the car and went up the path to the house. He walked uncertainly, like a man who is sick, or nearly blind.
The door of the house was open. Drew knocked three times. There was nothing inside but silence, and a white window curtain moving in the slow, hot air.
He knew it before he went in. He knew there was death in the house. It was that kind of silence.
He went through a small, clean living room and down a little hall. He wasn’t thinking anything. He was past thinking. He was going toward the kitchen, unquestioning, like an animal.
Then he looked through an open door and saw the dead man.
He was an old man, lying out on a clean white bed. He hadn’t been dead long; not long enough to lose the last quiet look of peace. He must have known he was going to die, because he wore his grave clothes – an old black suit, brushed and neat, and a clean white shirt and a black tie.
A scythe leaned against the wall beside the bed. Between the old man’s hands there was a blade of wheat, still fresh. A ripe blade, golden and heavy in the tassel.
Drew went into the bedroom, walking soft. There was a coldness on him. He took off his broken, dusty hat and stood by the bed, looking down.
The paper lay open on the pillow beside the old man’s head. It was meant to be read. Maybe a request for burial, or to call a relative. Drew scowled over the words, moving his pale, dry lips.
To him who stands beside me at my death bed:
Being of sound mind, and alone in the world as it has been decreed, I, John Buhr, do give and bequeath this farm, with all pertaining to it, to the man who is to come. Whatever his name or origin shall be, it will not matter. The farm is his, and the wheat; the scythe, and the task ordained thereto. Let him take them freely, and without question – and remember that I, John Buhr, am only the giver, not the ordainer. To which I set my hand and seal this third day of April, 1938.
[Signed] John Buhr, Kyrie eleison!
Drew walked back through the house and opened the screen door. He said. ‘Molly, you come in. Kids, you stay in the car.’
Molly came inside. He took her to the bedroom. She looked at the will, the scythe, the wheat field moving in a hot wind outside the window. Her white face tightened up and she bit her lips and held on to him. ‘It’s too good to be true. There must be some trick to it.’
Drew said, ‘Our luck’s changin’, that’s all. We’ll have work to do, stuff to eat, somethin’ over our heads to keep rain off.’ He touched the scythe. It gleamed like a half-moon. Words were scratched on its blade: WHO WIELDS ME – WIELDS THE WORLD! It didn’t mean much to him, right at that moment.
‘Drew,’ Molly asked, staring at the old man’s clasped hands, ‘why – why’s he holdin’ that wheat-stalk so hard in his fingers?’
Just then the heavy silence was broken by the sound of the kids scrambling up the front porch. Molly gasped.
They lived in the house. They buried the old man on a hill and said some words over him, and came back down and swept the house and unloaded the car and had something to eat, because there was food, lots of it, in the kitchen; and they did nothing for three days but fix the house and look at the land and lie in the good beds, and then look at one another in surprise that all this was happening this way, and their stomachs were full and there was even a cigar for him to smoke in the evenings.
There was a small barn behind the house and in the barn a bull and three cows; and there was a well-house, a spring-house, under some big trees that kept it cool. And inside the well-house were big sides of beef and bacon and pork and mutton, enough to feed a family five times their size for a year, two years, maybe three. There was a churn and a box of cheese there, and big metal cans for the milk.
On the fourth morning Drew Erickson lay in bed looking at the scythe, and he knew it was time for him to work because there was ripe grain in the long field: he had seen it with his eyes, and he did not want to get soft. Three days’ sitting were enough for any man. He roused himself in the first fresh smell of dawn and took the scythe and held it before him as he walked out into the field. He held it up in his hands and swung it down.
It was a big field of grain. Too big for one man to tend, and yet one man had tended it.
At the end of the first day of work, he walked in with the scythe riding his shoulder quietly, and there was a look on his face of a puzzled man. It was a wheat field the like of which he had never seen. It ripened only in separate clusters, each set off from the others. Wheat shouldn’t do that. He didn’t tell Molly. Nor did he tell her the other things about the field. About how, for instance, the wheat rotted within a few hours after he cut it down. Wheat shouldn’t do that, either. He was not greatly worried. After all, there was food at hand.
The next morning the wheat he had left rotting, cut down, had taken hold and come up again in little green sprouts, with tiny roots, all born again.
Drew Erickson rubbed his chin, wondered what and why and how it acted that way, and what good it would be to him – he couldn’t sell it. A couple of times during the day he walked far up in the hills to where the old man’s grave was, just to be sure the old man was there, maybe with some notion he might get an idea there about the field. He looked down and saw how much land he owned. The wheat stretched three miles in one direction toward the mountains, and was about two acres wide, patches of it in seedlings, patches of it golden, patches of it green, patches of it fresh-cut by his hand. But the old man said nothing concerning this; there were a lot of stones and dirt in his face now. The grave was in the sun and the wind and silence. So Drew Erickson walked back down to use the scythe, curious, enjoying it because it seemed important. He didn’t know just why, but it was. Very, very important.
He couldn’t just let the wheat stand. There were always new patches of it ripened, and in his figuring out loud to no one in particular he said, ‘If I cut the wheat for the next ten years, just as it ripens up, I don’t think I’ll pass the same spot twice. Such a damn big field.’ He shook his head. ‘That wheat ripens just so. Never too much of it so I can’t cut all the ripe stuff each day. That leaves nothin’ but green grain. And the next mornin’, sure enough, another patch of ripe stuff …’
It was damned foolish to cut the grain when it rotted as quick as it fell. At the end of the week he decided to let it go a few days.
He