of the linen canopy.
The next day, the tour operators had laid on an evening camel ride into the desert.
‘Are you sure this is a good idea?’ Carol asked, spearing a fresh chunk of pineapple on her fork over breakfast. ‘You know what you’re like with your leg.’
Derek smiled at her. ‘I’ll be fine, sweetheart.’ He leant back in his chair and stretched his arms out wide. ‘I feel like a new man.’
Getting on the camel had been the hardest part for both of them. The animals were trained to sit still while clueless tourists attempted to clamber on to the saddles, but then there was a moment as each camel stood up when you felt as though you were going to be pitched over and thrown onto the ground below. Carol shrieked loudly, much to the amusement of the Berber guides. But Derek took it all in his stride. He’d grown up on a farm, Carol reminded herself, feeling a little foolish at all the fuss she’d made.
They’d trekked for an hour, just as dusk was beginning to creep in across the flat horizon, giving the smooth, sandy slopes a reddish hue, lit up from the inside like paper lanterns. The desert light resembled nothing she’d ever seen: translucent, shimmering, as though the landscape had been freshly painted that morning and they were the first to walk through it.
Neither of them spoke for the length of the trek. They didn’t need to. They could sense, without talking, the calm happiness radiating from the other.
Later, they sat around a campfire and were given delicious couscous to eat in clay bowls. The Berber guides sang and played drums and encouraged the others to dance. Derek, exhausted from the ride, declined but Carol found herself wiggling and jiving and clapping her hands along with a pair of dreadlocked Scandinavian backpackers.
They slept in sleeping bags underneath the open sky. The stars, like everyone had said they would be, were brighter but Carol was most taken with the blueness behind them, which was clearer, deeper than at home. She sensed, if only she could reach out and touch it, the sky would feel like velvet against her fingers.
When they got back and printed out their photos, none of the images did justice to their shared memories. It is one of the things that makes her most sad, she thinks now, shifting uneasily underneath the duvet: the knowledge that there is no one else alive who would have experienced the same things as she had, with whom she could lean across the table and say, ‘Do you remember when … ?’ and be assured of a complicit smile, a nod of the head, a hand patted with familiarity and love.
Milton has stopped purring and fallen asleep. Carol, shifting her right leg, feels the jab and tingle of pins and needles. There is a moistness on her cheek. When she wipes at it with the back of her hand, she is surprised by the confirmation of tears.
Stupid, really, she tells herself. Stupid to cry over something that you can’t do anything about. She takes a deep, raggedy breath. She feels wide awake.
Admitting defeat, Carol looks at the alarm clock. It is one minute past five in the morning.
Beatrice sits on a plastic bench in Trafalgar Square, waiting for the night bus to take her back to Bermondsey. Her legs are aching from an eight-hour shift of cleaning and folding, wiping and sponging. But the most tiring part, she finds, is the endless tramping up and down the long, windowless corridors that wind through the hotel, each one identical to the last so that it would be easy to forget where you were unless you had the room numbers to remind you. At work she misses the daylight most of all. The building seems hermetically sealed, kept alive only by recycled air. At Catholic school back in Uganda, she’d read a book by Virginia Woolf that talked about a hotel being a place where even the flies that sat on your nose had been on someone else’s skin the day before. That is how the Rotunda felt: arid, stuffy, loveless.
Normally, she didn’t mind it too much. She had been a waitress for a short time at the Hotel Protea in Kampala when it opened, serving ladlefuls of posho to rich tourists and Kenyan businessmen, and she had got used to the peculiar rhythm of hotel etiquette, the small niceties that would ensure a bigger tip. Once, a white man had left her a $50 note simply because she had brought him a citronella candle when the mosquitoes started buzzing. She had noticed him when he walked into the restaurant, skinny and worried-looking, wearing a beige money belt and two mushroom-coloured bands round his wrists that were meant to protect tourists from insect bites except they never did. His face had been flush with relief when she brought the candle. It gave Beatrice pleasure to see it and, for a brief moment, she had felt valued.
The Mayfair Rotunda was different because she worked behind the scenes and hardly ever got tips. Every day, she cleaned up after people, emptying their bins of used condoms, scooping out their hair from the plugholes, wiping the mirrors free of toothpaste flecks. It was draining work with minimal satisfaction. Beatrice liked things to look clean but then she would come back the next day and the room would be in disarray, as if she had never been, as if she didn’t exist.
Today had been particularly bad. The man in Room 423 … she shudders to think of him, pressed up so close against her she could feel the bristle of his stubble against her neck, could smell the rottenness of his breath. A coil of anger tightens in the pit of her stomach. How she hated men like that, men who believed they could take what they wanted and treat her like meat. She feels humiliated – not for herself but for them, that they could be so pathetic.
It is part of the job, she has come to realise. Bitter experience has taught her it is better not to resist but to be pliant, to allow them to do their silly business and get it over with. All the maids have the same problem: oversexed businessmen and adulterous foreigners. They tend to clean in pairs now, each one doing an adjoining room, so that if anything ever gets nasty or goes further than you want it to, you can scream out and bang the walls. Otherwise, if you’re not being asked to do anything you don’t want to, it can be a handy way to make extra money. Some of the girls have regular clients. Ewelina, from Poland, has a guy called Franz who comes over from Austria every month and has given her a Rolex watch. Beatrice is pretty sure it is fake but hasn’t the heart to tell her.
But the man today – the fat one in the robe, with hairs growing out of his nose – had not paid Beatrice. Once it was over, he’d tightened his belt, patted her on the bottom and leered at her, as though she had been a willing participant, as though she had wanted him to rub against her until he came. Stupid idiot. Beatrice had stared at him sullenly until he’d been forced to look away. She left the room without replacing his bottle of Chablis or drawing his curtains. She hoped she wouldn’t get in trouble for that.
She glances up at the digital display board to find out how long the next bus will be but it is broken so she has to sit here, patiently, waiting for a bus that might or might not come in the next half-hour. Waiting always seems to take so much longer when you don’t know how long it will be for, she thinks.
Mrs Dalloway, that was what the book had been called. It had seemed so far removed from her own experience and yet here she is, living in the same city it described, all those years ago. London wasn’t recognisable to her when she first arrived, despite having read so much about it. It was so much bigger than it had appeared on the page, so much more foreign, and although Beatrice should have been intimidated by this, she found instead that she took a kind of comfort from the hugeness of the city. She craved London’s anonymity, the constant reinvention of the streets, the silence of strangers that would, in any other context, have been unfriendly but which gave Beatrice space to breathe for what felt like the first time in years. She grew to love the overlooked beauty of the urban sprawl, the mismatched things you wouldn’t expect: the evening sunlight glinting against a steel girder on the Westway, the flat sheets of cardboard in the Waterloo subway where people slept huddled against the wind, the angry graffiti scrawled across a tube carriage, the flaking paint on advertising billboards, the tin-foil glimmer of a flickering street-lamp bulb against white birch bark. All of it felt to Beatrice like freedom.
She wonders what happened to her copy of Mrs Dalloway. She’d had to leave it behind, like everything else. She had been good at school.