A heavy thud overhead stopped my speculations. I could hear the sound of many people walking up and down the stairs, glasses being broken and heavy knocking on the wall. The noise intensified. It sounded almost as if the Red Guards were tearing the house down rather than merely looting its contents. I became alarmed and decided to try to secure my release by deception.
I knocked on the door. There was such a din in the house that no one heard me. I knocked harder and harder. When I heard a movement outside the door, I called out, ‘Open the door!’
The handle was turned slowly and the door opened a narrow gap. A girl Red Guard in pigtails asked what I wanted. I told her I had to go to the bathroom. She let me out after cautioning me not to interfere with their revolutionary activities.
The Red Guards had taken from the storeroom the crates containing my father’s books and papers and were trying to open them with pliers in the hall. Through the open drawing room door, I saw a girl on a ladder removing the curtains. Two bridge tables were in the middle of the room. On them were laid a collection of cameras, watches, clocks, binoculars and silverware which the Red Guards had gathered from all over the house. These were the ‘valuables’ they intended to present to the State.
Mounting the stairs, I was astonished to see several Red Guards taking pieces of my porcelain collection out of their padded boxes. One young man had arranged a set of four K’ang Hsi winecups in a row on the floor and was stepping on them. I was just in time to hear the crunch of delicate porcelain under the sole of his shoe. The sound pierced my heart. Impulsively I leapt forward and caught his leg just as he raised his foot to crush the next cup. He toppled. We fell in a heap together. My eyes searched for the other winecups to make sure we had not broken them in our fall, and, momentarily distracted, I was not able to move aside when the boy regained his balance and kicked me right in my chest. I cried out in pain. The other Red Guards dropped what they were doing and gathered around us, shouting at me angrily for interfering in their revolutionary activities. One of the teachers pulled me up from the floor. With his face flushed in anger, the young man waved his fist, threatening me with a severe beating. The teacher raised her voice to restore order. She said to me, ‘What do you think you are doing? Are you trying to protect your possessions?’
‘No, no, you can do whatever you like with my things. But you mustn’t break these porcelain treasures. They are old and valuable and cannot be replaced,’ I said rather breathlessly. My chest throbbed with pain.
‘Shut up! Shut up!‘ A chorus of voices drowned my voice.
‘Our Great Leader said, “Lay out the facts; state the reasons”, I summoned all my strength and yelled at the top of my voice to be heard.
The teacher raised her hand to silence the Red Guards and said, ‘We will allow you to lay out the facts and state the reasons.’ The Red Guards glared at me.
I picked up one of the remaining winecups and cradled it in my palm. Holding my hand out, I said, ‘This winecup is nearly three hundred years old. You seem to value the cameras, watches and binoculars, but better cameras, better watches and more powerful binoculars are being made every year. No one in this world can make another winecup like this one again. This is a part of our cultural heritage. Every Chinese should be proud of it.’
The young man whose revolutionary work of destruction I had interrupted said angrily, ‘You shut up! These things belong to the old culture. They are the useless toys of the feudal Emperors and the modern capitalist class and have no significance to us, the proletarian class. They cannot be compared to cameras and binoculars which are useful for our struggle in time of war. Our Great Leader Chairman Mao taught us, “If we do not destroy, we cannot establish.” The old culture must be destroyed to make way for the new socialist culture.’
Another Red Guard said, ‘The purpose of the Great Proletarian Cultural Revolution is to destroy the old culture. You cannot stop us!’
I was trembling with anxiety and frantically searching my mind for some convincing argument to stop this senseless destruction. But before I could utter another futile word, I saw another young man coming down the stairs from the third floor with my Blanc de Chine Goddess of Mercy, Kwan Yin, in his hand. I turned to him and asked uneasily, ‘What are you going to do with that figure?’
He swung his arm holding the Kwan Yin carelessly in the air and declared, ‘This is a figure of Buddhist superstition. I’m going to throw it into the dustbin.’
The Kwan Yin was a perfect specimen and a genuine product of the Têh Hua kiln in Fukien province. It was the work of the famous seventeenth-century Ming sculptor Chen Wei and bore his seal on the back of the figure. The beauty of the creamy-white figure was beyond description. The serene expression of the face was so skilfully captured that it seemed to be alive. The folds of the robe flowed so naturally that one forgot it was carved out of hard biscuit. The glaze was so rich and creamy that the whole figure looked as if it were soft to the touch. This figure of Kwan Yin I always kept in its padded box, deeming it too valuable to be displayed. I took it out only when knowledgeable friends interested in porcelain asked to look at it.
‘No, no, please! You mustn’t do that! I beg you.’ I was so agitated that my voice was shrill. The Red Guard just fixed me with a stony stare and continued to swing his arm casually, holding the Kwan Yin now with only two fingers.
Pleading was not going to move the Red Guards. If I wanted to communicate, I must speak their language. The time had come to employ diplomacy, it seemed to me. If the Red Guards thought I opposed them, I would never succeed in saving the treasures. By this time, I no longer thought of them as my own possessions. I did not care to whom they were to belong after tonight as long as they would be saved from destruction.
‘Please, Red Guards! Believe me, I’m not opposed to you. You have come here as representatives of our Great Leader. How could I oppose the representatives of Chairman Mao? I understand the purpose of the Cultural Revolution. Did I not surrender the keys willingly when you asked for them?’ I said.
‘Yes, you did that,’ conceded the teacher with a nod. The Red Guards gathered around us seemed to relax a little.
Somewhat encouraged, I went on, ‘All these old things belong to the past era. The past is old. It must go to make way for the new culture of socialism. But they could be taken away without immediate destruction. Remember, they were not made by members of the capitalist class. They were made by the hands of the workers of a bygone age. Should you not respect the labour of those workers?’
A Red Guard at the back of the group shouted impatiently, ‘Don’t listen to her flowery words. She is trying to confuse us. She is trying to protect her possessions.’
I quickly turned to him and said, ‘No, no! Your being in my house has already improved my socialist awareness. It was wrong of me to have kept all these beautiful and valuable things to myself. They rightly belong to the people. I beg you to take them to the Shanghai Museum. You can consult their experts. If the experts advise you to destroy them, there will still be time to do so.’
A girl said, ‘The Shanghai Museum is closed. The experts there are being investigated. Some of them are also class enemies. In any case, they are intellectuals. Our Great Leader has said, “The capitalist class is the skin; the intellectuals are the hairs that grow on the skin. When the skin dies, there will be no hair.” The capitalist class nourishes the intellectuals, so they belong to the same side. Now we are going to destroy the capitalist class. Naturally the intellectuals are to be destroyed too.’
The quotation of Mao she mentioned was new to me, but this was no time to think of that. I pursued my purpose by saying, ‘In that case, consult someone you can trust, someone in a position of authority. Perhaps one of the Vice-Mayors of Shanghai. Surely there are many private collections in the city. There must be some sort of policy for dealing with them.’
‘No, no! You are a stupid class enemy! You simply do not understand. You are arguing and advising us to consult either other class enemies or the revisionist officials of the government. You talk about official policy. The only valid official policy is in this book.’ The young man took his book of Mao’s quotations