as Tom and Diana.
In 1927, Diana spent six months studying in Paris, where she said she learnt more than in six years of lessons at Asthall. For the first time in her life she was free of the strict chaperoning imposed by her parents and of having to jockey for position among her sisters. The painter Paul-César Helleu, a friend of Thomas Gibson-Bowles, was an important influence during her visit. He took her to the Louvre and Versailles, introduced her to his artist friends and admired her looks, making her aware for the first time of the effect of her exceptional beauty. When she returned to Swinbrook, Diana was more impatient than ever to get away from its schoolroom atmosphere. The following year, at the end of her first season, a proposal of marriage gave her the chance to escape. Bryan Guinness, the sensitive and diffident elder son of Lord Moyne and heir to a brewing fortune, fell deeply in love with her. A poet and novelist, Bryan was part of a group of Nancy’s Oxford friends that included Evelyn Waugh, John Betjeman, Roy Harrod, Harold Acton, James Lees-Milne, Henry Yorke and Robert Byron, young men whose interests represented everything that Diana aspired to. She and Bryan were married in January 1929 and divided their time between London and Biddesden, a fine eighteenth-century house in Wiltshire, where Diana was able to give free rein to her talent for decorating and entertaining. Unity, Jessica and Deborah often went to stay with the young couple and in 1930 Pamela settled in a nearby cottage to run the Biddesden farm. Nancy was a less frequent visitor. Caught up in her unhappy affair with Hamish and very short of money, it was galling to see Diana settled in a splendid house, surrounded by a loving husband and two healthy babies. However, the picture of happiness that Diana and Bryan presented was not as bright as it appeared. Although they were undoubtedly in love, there was a basic incompatibility between them that soon made itself felt. Increasingly, Bryan wanted to stay at home with only his family for company while Diana, who was eager to travel and fill her house with friends, found this domesticity all too reminiscent of the life she had so recently managed to escape.
In the spring of 1932, Diana sat next to Sir Oswald Mosley at a dinner party in London. The former Conservative MP and Labour Minister, whose New Party had been resoundingly defeated in the previous year’s general election, was preparing to break with parliamentary politics and launch the British Union of Fascists (BUF). Diana fell under the spell of this seasoned womanizer and compelling talker who seemed to her to have all the answers to Britain’s problems. In Mosley, she found the combination of a powerful man she could love and a cause to which she could dedicate herself, a pattern that Unity and Jessica – and to a lesser extent Nancy – were to conform to in their different ways. Mosley was married and made it clear that he would not leave his wife. Undeterred, and encouraged by Mosley, Diana decided to divorce Bryan in order to be available for her lover whenever he could spare the time from politics, family and the other women in his life. By throwing in her lot with Mosley, Diana was prepared to sacrifice her social position, distance herself from her beloved Tom, who disapproved of her leaving Bryan, alienate her parents – who refused to allow her two youngest sisters to visit her – and even risk losing her sons. She once wrote of her decision, ‘I probably ought to have behaved differently but I never regretted it’. Of the family, only Nancy supported Diana’s choice and became a regular visitor to the house in Eaton Square that Diana took after her divorce. It was no doubt easier for Nancy to be close to her sister when she was unpopular than when she was at the height of her success.
Unity was described by her mother as a sensitive, introverted little girl, who used to slip under the dining-room table if anything was said at meals that upset or embarrassed her. By the time she was eight, and had graduated to the schoolroom, she had become naughty and disruptive, her shyness concealed beneath a tough shell of sullen defiance. More solemn than her sisters, she lacked their quick wit and enjoyed practical rather than verbal jokes. In an effort to stand out, she behaved outrageously. When she was fourteen, partly because she was so difficult at home and partly because she wanted to go away, Lady Redesdale decided to make an exception among her daughters and sent Unity to boarding school. The three establishments she attended were no more successful at controlling her than her governesses had been and she was expelled from all of them. In 1932, she followed her older sisters and was launched into society: ‘a huge and a rather alarming debutante’, according to Jessica. Social life bored her and she had not grown out of the need to draw attention to herself. The only party she enjoyed was a Court ball, where she distinguished herself by stealing Buckingham Palace writing paper. In early 1933, to fill in the months before another Season, she enrolled at a London art school. Diana’s house in Eaton Square was forbidden to the two youngest Mitfords because of the scandal of her divorce and involvement with Mosley, but Unity, freed from parental supervision, was able to call on her sister whenever she liked. On one of her visits she met Mosley and became an instant convert to his ideas. The fascist cause had the attraction of being disapproved of by her parents, as well as providing her with the thrill of being connected to its charismatic leader. For Diana, who at the time was cut off from most of her family, Unity’s enthusiastic support was reassuring.
During the eight years covered by these early letters, Jessica, the second-youngest sister, went from being a cheerful, mischievous eight-year-old to an angry, rebellious adolescent. While there was nothing unusual about this – her sisters had also gone through periods of teenage moodiness – the boredom of home life and the frustration of not being allowed to go to school instilled in Jessica a lasting sense of grievance. Although in her memoirs of 1960, Hons and Rebels, she may have exaggerated the fortress – like aspect of Swinbrook and overlooked the laughter and genuine companionship that existed between herself, Unity and Deborah – whom she likened to ‘ill-assorted animals tied to a common tethering post’ – there is no doubt that life there for the three youngest Mitfords was more circumscribed than Asthall had been for the eldest four. A few months after Diana, who had always been her preferred older sister, left home to get married, twelve-year-old Jessica’s determination to rebel took a tangible form and she opened a ‘running-away’ account at Drummond’s Bank. In her memoirs, she recalled that by this time her social conscience had been awakened by newspaper accounts of the economic depression gripping Britain. She dated her interest in socialism to reading, at the age of fourteen, Beverley Nichols’ pacifist novel, Cry Havoc!, and noted that it was she, not Unity, who first became interested in politics. Nichols’ book was not in fact published until 1933, the year Jessica turned sixteen, by which time Unity had taken up fascism and the struggle between the two ideologies was already being played out on a wider stage than the Swinbrook schoolroom. But no matter which of them was the first to take up an extreme position, Unity and Jessica had, like many sisters, quarrelled relentlessly as children and their political disagreement was in many ways a continuation of earlier squabbles. Beneath their rivalry, however, was a deep and lasting affection which remained intact, even after they had embraced diametrically opposite sides in the conflict of the day.
After their disappointment at her birth – the Redesdales had been hoping for another boy – Deborah was the only one among the sisters never to cause her parents any heartache, and was probably their favourite daughter. She was a contented child with a loving nature, for whom the idea of school was anathema. She was happy so long as she was with the ponies, dogs, goats, guinea pigs and other animals that were as important to her as the human inhabitants of Swinbrook. While she possessed just as passionate and resolute a nature as her sisters, the key to Deborah’s well-adjusted disposition was the ability to accept life as she found it. The youngest of a large family, she soon learnt, as she wrote in a memoir of her childhood, that ‘as everything in life is unfair, perhaps the sooner it is realized the better’, and unlike her politically engaged sisters she never felt the urge to go out and right the injustices of the world. Unencumbered by spite or malice, Deborah possessed a cheerfulness and buoyancy of spirits that never deserted her. As a small child, she worshipped Nancy and sought out her company, only to be teased or treated with amused condescension in return. Her staunchest ally against her eldest sister’s persecution was Jessica; the two remained very close throughout childhood and adolescence, when they shared an easy, happy relationship, expressed through ‘Honnish’ jokes, songs and poems.
My dear Diana,