could be met with, where of the shifting mundane dust little had penetrated.
Pao-yü felt, in his dream, quite delighted. “This place,” he mused, “is pleasant, and I may as well spend my whole lifetime in here! though I may have to lose my home, I’m quite ready for the sacrifice, for it’s far better being here than being flogged, day after day, by father, mother, and teacher.”
While he pondered in this erratic strain, he suddenly heard the voice of some human being at the back of the rocks, giving vent to this song:
Like scattering clouds doth fleet a vernal dream;
The transient flowers pass like a running stream;
Maidens and youths bear this, ye all, in mind;
In useless grief what profit will ye find?
Pao-yü perceived that the voice was that of a girl. The song was barely at an end, when he soon espied in the opposite direction, a beautiful girl advancing with majestic and elastic step; a girl quite unlike any ordinary mortal being. There is this poem, which gives an adequate description of her:
Lo she just quits the willow bank;
and sudden now she issues from the flower-bedecked house;
As onward alone she speeds, she startles the birds perched in the
trees, by the pavilion;
to which as she draws nigh, her shadow flits by the verandah!
Her fairy clothes now flutter in the wind! a fragrant perfume like unto musk or olea is wafted in the air;
Her apparel lotus-like is sudden wont to move; and the jingle of her ornaments strikes the ear.
Her dimpled cheeks resemble, as they smile, a vernal peach; her kingfisher coiffure is like a cumulus of clouds; her lips part cherry-like; her pomegranate-like teeth conceal a fragrant breath.
Her slender waist, so beauteous to look at, is like the skipping snow wafted by a gust of wind; the sheen of her pearls and kingfisher trinkets abounds with splendour, green as the feathers of a duck, and yellow as the plumes of a goose;
Now she issues to view, and now is hidden among the flowers; beautiful she is when displeased, beautiful when in high spirits; with lissome step, she treads along the pond, as if she soars on wings or sways in the air.
Her eyebrows are crescent moons, and knit under her smiles; she speaks, and yet she seems no word to utter; her lotus-like feet with ease pursue their course; she stops, and yet she seems still to be in motion; the charms of her figure all vie with ice in purity, and in splendour with precious gems;
Lovely is her brilliant attire, so full of grandeur and refined grace.
Loveable her countenance, as if moulded from some fragrant substance, or carved from white jade; elegant is her person, like a phoenix, dignified like a dragon soaring high.
What is her chastity like? Like a white plum in spring with snow nestling in its broken skin; Her purity? Like autumn orchids bedecked with dewdrops.
Her modesty? Like a fir-tree growing in a barren plain;
Her comeliness? Like russet clouds reflected in a limpid pool.
Her gracefulness? Like a dragon in motion wriggling in a stream;
Her refinement? Like the rays of the moon shooting on to a cool river.
Sure is she to put Hsi Tzu to shame! Bound to put Wang Ch’iang to the blush! What a remarkable person! Where was she born? and whence does she come?
One thing is true that in Fairy-land there is no second like her! that in the Purple Courts of Heaven there is no one fit to be her peer!
Forsooth, who can it be, so surpassingly beautiful!
Pao-yü, upon realising that she was a fairy, was much elated; and with eagerness advanced and made a bow.
“My divine sister,” he ventured, as he put on a smile. “I don’t know whence you come, and whither you are going. Nor have I any idea what this place is, but I make bold to entreat that you would take my hand and lead me on.”
“My abode,” replied the Fairy, “is above the Heavens of Divested Animosities, and in the ocean of Discharged Sorrows. I’m the Fairy of Monitory Vision, of the cave of Drooping Fragrance, in the mount of Emitted Spring, within the confines of the Great Void. I preside over the voluptuous affections and sensual debts among the mortal race, and supervise in the dusty world, the envies of women and the lusts of man. It’s because I’ve recently come to hear that the retribution for voluptuousness extends up to this place, that I betake myself here in order to find suitable opportunities of disseminating mutual affections. My encounter with you now is also not a matter of accident! This spot is not distant from my confines. I have nothing much there besides a cup of the tender buds of tea plucked by my own hands, and a pitcher of luscious wine, fermented by me as well as several spritelike singing and dancing maidens of great proficiency, and twelve ballads of spiritual song, recently completed, on the Dream of the Red Chamber; but won’t you come along with me for a stroll?”
Pao-yü, at this proposal, felt elated to such an extraordinary degree that he could skip from joy, and there and then discarding from his mind all idea of where Mrs. Ch’in was, he readily followed the Fairy.
They reached some spot, where there was a stone tablet, put up in a horizontal position, on which were visible the four large characters: “The confines of the Great Void,” on either side of which was one of a pair of scrolls, with the two antithetical sentences:
When falsehood stands for truth, truth likewise becomes false;
When naught be made to aught, aught changes into naught!
Past the Portal stood the door of a Palace, and horizontally, above this door, were the four large characters: “The Sea of Retribution, the Heaven of Love.” There were also a pair of scrolls, with the inscription in large characters:
Passion, alas! thick as the earth, and lofty as the skies, from ages past to the present hath held incessant sway;
How pitiful your lot! ye lustful men and women envious, that your voluptuous debts should be so hard to pay!
Pao-yü, after perusal, communed with his own heart. “Is it really so!” he thought, “but I wonder what implies the passion from old till now, and what are the voluptuous debts! Henceforward, I must enlighten myself!”
Pao-yü was bent upon this train of thoughts when he unwittingly attracted several evil spirits into his heart, and with speedy step he followed in the track of the fairy, and entered two rows of doors when he perceived that the Lateral Halls were, on both sides, full of tablets and scrolls, the number of which he could not in one moment ascertain. He however discriminated in numerous places the inscriptions: The Board of Lustful Love; the Board of contracted grudges; The Board of Matutinal sobs; the Board of nocturnal tears; the Board of vernal affections; and the Board of autumnal anguish.
After he had perused these inscriptions, he felt impelled to turn round and address the Fairy. “May I venture to trouble my Fairy,” he said, “to take me along for a turn into the interior of each of these Boards? May I be allowed, I wonder, to do so?”
“Inside each of these Boards,” explained the Fairy, “are accumulated the registers with the records of all women of the whole world; of those who have passed away, as well as of those who have not as yet come into it, and you, with your mortal eyes and human body, could not possibly be allowed to know anything in anticipation.”
But would Pao-yü, upon hearing these words, submit to this decree? He went on to implore her permission again and again, until the Fairy casting her eye upon the tablet of the board in front of her observed, “Well, all right! you may go into this board and reap some transient pleasure.”
Pao-yü was indescribably joyous, and, as he raised his head, he perceived that the text on the tablet consisted of the