He felt the laudable desire
From mere vacuity of mind
The wit of others to acquire.
A case of books he doth obtain —
He reads at random, reads in vain.
This nonsense, that dishonest seems,
This wicked, that absurd he deems,
All are constrained and fetters bear,
Antiquity no pleasure gave,
The moderns of the ancients rave —
Books he abandoned like the fair,
His book-shelf instantly doth drape
With taffety instead of crape.
XXXIX
Having abjured the haunts of men,
Like him renouncing vanity,
His friendship I acquired just then;
His character attracted me.
An innate love of meditation,
Original imagination,
And cool sagacious mind he had:
I was incensed and he was sad.
Both were of passion satiate
And both of dull existence tired,
Extinct the flame which once had fired;
Both were expectant of the hate
With which blind Fortune oft betrays
The very morning of our days.
XL
He who hath lived and living, thinks,
Must e’en despise his kind at last;
He who hath suffered ofttimes shrinks
From shades of the relentless past.
No fond illusions live to soothe,
But memory like a serpent’s tooth
With late repentance gnaws and stings.
All this in many cases brings
A charm with it in conversation.
Oneguine’s speeches I abhorred
At first, but soon became inured
To the sarcastic observation,
To witticisms and taunts half-vicious
And gloomy epigrams malicious.
XLI
How oft, when on a summer night
Transparent o’er the Neva beamed
The firmament in mellow light,
And when the watery mirror gleamed
No more with pale Diana’s rays,17
We called to mind our youthful days —
The days of love and of romance!
Then would we muse as in a trance,
Impressionable for an hour,
And breathe the balmy breath of night;
And like the prisoner’s our delight
Who for the greenwood quits his tower,
As on the rapid wings of thought
The early days of life we sought.
17 The midsummer nights in the latitude of St. Petersburg are a prolonged twilight.
XLII
Absorbed in melancholy mood
And o’er the granite coping bent,
Oneguine meditative stood,
E’en as the poet says he leant.18
’Tis silent all! Alone the cries
Of the night sentinels arise
And from the Millionaya afar19
The sudden rattling of a car.
Lo! on the sleeping river borne,
A boat with splashing oar floats by,
And now we hear delightedly
A jolly song and distant horn;
But sweeter in a midnight dream
Torquato Tasso’s strains I deem.
18 Refers to Mouravieff’s “Goddess of the Neva.” At St. Petersburg the banks of the Neva are lined throughout with splendid granite quays.
19 A street running parallel to the Neva, and leading from the Winter Palace to the Summer Palace and Garden.
XLIII
Ye billows of blue Hadria’s sea,
O Brenta, once more we shall meet
And, inspiration firing me,
Your magic voices I shall greet,
Whose tones Apollo’s sons inspire,
And after Albion’s proud lyre 20
Possess my love and sympathy.
The nights of golden Italy
I’ll pass beneath the firmament,
Hid in the gondola’s dark shade,
Alone with my Venetian maid,
Now talkative, now reticent;
From her my lips shall learn the tongue
Of love which whilom Petrarch sung.
20 The strong influence exercised by Byron’s genius on the imagination of Pushkin is well known. Shakespeare and other English dramatists had also their share in influencing his mind, which, at all events in its earlier developments, was of an essentially imitative type. As an example of his Shakespearian tastes, see his poem of “Angelo,”