press
To array himself in evening dress.
11 In Russia large fires are lighted in winter time in front of the theatres for the benefit of the menials, who, considering the state of the thermometer, cannot be said to have a jovial time of it. But in this, as in other cases, “habit” alleviates their lot, and they bear the cold with a wonderful equanimity.
XX
Faithfully shall I now depict,
Portray the solitary den
Wherein the child of fashion strict
Dressed him, undressed, and dressed again?
All that industrial London brings
For tallow, wood and other things
Across the Baltic’s salt sea waves,
All which caprice and affluence craves,
All which in Paris eager taste,
Choosing a profitable trade,
For our amusement ever made
And ease and fashionable waste —
Adorned the apartment of Eugene,
Philosopher just turned eighteen.
XXI
China and bronze the tables weight,
Amber on pipes from Stamboul glows,
And, joy of souls effeminate,
Phials of crystal scents enclose.
Combs of all sizes, files of steel,
Scissors both straight and curved as well,
Of thirty different sorts, lo! brushes
Both for the nails and for the tushes.
Rousseau, I would remark in passing,12
Could not conceive how serious Grimm
Dared calmly cleanse his nails ‘fore him,
Eloquent raver all-surpassing —
The friend of liberty and laws
In this case quite mistaken was.
12 “Tout le monde sut qu’il (Grimm) mettait du blanc; et moi, qui n’en croyait rien, je commencai de le croire, non seulement par l’embellissement de son teint, et pour avoir trouve des tasses de blanc sur la toilette, mais sur ce qu’entrant un matin dans sa chambre, je le trouvais brossant ses ongles avec une petite vergette faite expres, ouvrage qu’il continua fierement devant moi. Je jugeai qu’un homme qui passe deux heures tous les matins a brosser ses ongles peut bien passer quelques instants a remplir de blanc les creux de sa peau.” — Confessions de J. J. Rousseau
XXII
The most industrious man alive
May yet be studious of his nails;
What boots it with the age to strive?
Custom the despot soon prevails.
A new Kaverine Eugene mine,
Dreading the world’s remarks malign,
Was that which we are wont to call
A fop, in dress pedantical.
Three mortal hours per diem he
Would loiter by the looking-glass,
And from his dressing-room would pass
Like Venus when, capriciously,
The goddess would a masquerade
Attend in male attire arrayed.
XXIII
On this artistical retreat
Having once fixed your interest,
I might to connoisseurs repeat
The style in which my hero dressed;
Though I confess I hardly dare
Describe in detail the affair,
Since words like pantaloons, vest, coat,
To Russ indigenous are not;
And also that my feeble verse —
Pardon I ask for such a sin —
With words of foreign origin
Too much I’m given to intersperse,
Though to the Academy I come
And oft its Dictionary thumb.13
13 Refers to Dictionary of the Academy, compiled during the reign of Catherine II under the supervision of Lomonossoff.
XXIV
But such is not my project now,
So let us to the ball-room haste,
Whither at headlong speed doth go
Eugene in hackney carriage placed.
Past darkened windows and long streets
Of slumbering citizens he fleets,
Till carriage lamps, a double row,
Cast a gay lustre on the snow,
Which shines with iridescent hues.
He nears a spacious mansion’s gate,
By many a lamp illuminate,
And through the lofty windows views
Profiles of lovely dames he knows
And also fashionable beaux.
XXV
Our hero stops and doth alight,
Flies past the porter to the stair,
But, ere he mounts the marble flight,
With hurried hand smooths down his hair.
He enters: in the hall a crowd,
No more the music thunders loud,
Some a mazurka occupies,
Crushing and a confusing noise;
Spurs of the Cavalier Guard clash,