impossible to render, at the woman whose features and expression gave no sign whatever of relenting. There is one thing remarkable about women: they never reason about their blameworthy actions,—feeling carries them off their feet; even in their dissimulation there is an element of sincerity; and in women alone crime may exist without baseness, for it often happens that they do not know how it came about that they committed it.
“I am going to Saint-James, to a ball the Chouans give to-morrow night, and—”
“But,” said Corentin, interrupting her, “that is fifteen miles distant; had I not better accompany you?”
“You think a great deal too much of something I never think of at all,” she replied, “and that is yourself.”
Marie’s contempt for Corentin was extremely pleasing to Hulot, who made his well-known grimace as she turned away in the direction of her own house. Corentin followed her with his eyes, letting his face express a consciousness of the fatal power he knew he could exercise over the charming creature, by working upon the passions which sooner or later, he believed, would give her to him.
As soon as Mademoiselle de Verneuil reached home she began to deliberate on her ball-dress. Francine, accustomed to obey without understanding her mistress’s motives, opened the trunks, and suggested a Greek costume. The Republican fashions of those days were all Greek in style. Marie chose one which could be put in a box that was easy to carry.
“Francine, my dear, I am going on an excursion into the country; do you want to go with me, or will you stay behind?”
“Stay behind!” exclaimed Francine; “then who would dress you?”
“Where have you put that glove I gave you this morning?”
“Here it is.”
“Sew this green ribbon into it, and, above all, take plenty of money.” Then noticing that Francine was taking out a number of the new Republican coins, she cried out, “Not those; they would get us murdered. Send Jeremie to Corentin—no, stay, the wretch would follow me—send to the commandant; ask him from me for some six-franc crowns.”
With the feminine sagacity which takes in the smallest detail, she thought of everything. While Francine was completing the arrangements for this extraordinary trip, Marie practised the art of imitating an owl, and so far succeeded in rivalling Marche-a-Terre that the illusion was a good one. At midnight she left Fougeres by the gate of Saint-Leonard, took the little path to Nid-aux-Crocs, and started, followed by Francine, to cross the Val de Gibarry with a firm step, under the impulse of that strong will which gives to the body and its bearing such an expression of force. To leave a ball-room with sufficient care to avoid a cold is an important affair to the health of a woman; but let her have a passion in her heart, and her body becomes adamant. Such an enterprise as Marie had now undertaken would have floated in a bold man’s mind for a long time; but Mademoiselle de Verneuil had no sooner thought of it than its dangers became to her attractions.
“You are starting without asking God to bless you,” said Francine, turning to look at the tower of Saint-Leonard.
The pious Breton stopped, clasped her hands, and said an “Ave” to Saint Anne of Auray, imploring her to bless their expedition; during which time her mistress waited pensively, looking first at the artless attitude of her maid who was praying fervently, and then at the effects of the vaporous moonlight as it glided among the traceries of the church building, giving to the granite all the delicacy of filagree. The pair soon reached the hut of Galope-Chopine. Light as their steps were they roused one of those huge watch-dogs on whose fidelity the Bretons rely, putting no fastening to their doors but a simple latch. The dog ran to the strangers, and his bark became so threatening that they were forced to retreat a few steps and call for help. But no one came. Mademoiselle de Verneuil then gave the owl’s cry, and instantly the rusty hinges of the door made a creaking sound, and Galope-Chopine, who had risen hastily, put out his head.
“I wish to go to Saint-James,” said Marie, showing the Gars’ glove. “Monsieur le Comte de Bauvan told me that you would take me there and protect me on the way. Therefore be good enough to get us two riding donkeys, and make yourself ready to go with us. Time is precious, for if we do not get to Saint-James before to-morrow night I can neither see the ball nor the Gars.”
Galope-Chopine, completely bewildered, took the glove and turned it over and over, after lighting a pitch candle about a finger thick and the color of gingerbread. This article of consumption, imported into Brittany from the North, was only one more proof to the eyes in this strange country of a utter ignorance of all commercial principles, even the commonest. After seeing the green ribbon, staring at Mademoiselle de Verneuil, scratching his ear, and drinking a beaker of cider (having first offered a glass to the beautiful lady), Galope-Chopine left her seated before the table and went to fetch the required donkeys.
The violet gleam cast by the pitch candle was not powerful enough to counteract the fitful moonlight, which touched the dark floor and furniture of the smoke-blackened cottage with luminous points. The little boy had lifted his pretty head inquisitively, and above it two cows were poking their rosy muzzles and brilliant eyes through the holes in the stable wall. The big dog, whose countenance was by no means the least intelligent of the family, seemed to be examining the strangers with as much curiosity as the little boy. A painter would have stopped to admire the night effects of this scene, but Marie, not wishing to enter into conversation with Barbette, who sat up in bed and began to show signs of amazement at recognizing her, left the hovel to escape its fetid air and the questions of its mistress. She ran quickly up the stone staircase behind the cottage, admiring the vast details of the landscape, the aspect of which underwent as many changes as spectators made steps either upward to the summits or downward to the valleys. The moonlight was now enveloping like a luminous mist the valley of Couesnon. Certainly a woman whose heart was burdened with a despised love would be sensitive to the melancholy which that soft brilliancy inspires in the soul, by the weird appearance it gives to objects and the colors with which it tints the streams.
The silence was presently broken by the braying of a donkey. Marie went quickly back to the hut, and the party started. Galope-Chopine, armed with a double-barrelled gun, wore a long goatskin, which gave him something the look of Robinson Crusoe. His blotched face, seamed with wrinkles, was scarcely visible under the broad-brimmed hat which the Breton peasants still retain as a tradition of the olden time; proud to have won, after their servitude, the right to wear the former ornament of seignorial heads. This nocturnal caravan, protected by a guide whose clothing, attitudes, and person had something patriarchal about them, bore no little resemblance to the Flight into Egypt as we see it represented by the sombre brush of Rembrandt. Galope-Chopine carefully avoided the main-road and guided the two women through the labyrinth of by-ways which intersect Brittany.
Mademoiselle de Verneuil then understood the Chouan warfare. In threading these complicated paths, she could better appreciate the condition of a country which when she saw it from an elevation had seemed to her so charming, but into which it was necessary to penetrate before the dangers and inextricable difficulties of it could be understood. Round each field, and from time immemorial, the peasants have piled mud walls, about six feet high, and prismatic in shape; on the top of which grow chestnuts, oaks and beeches. The walls thus planted are called hedges (Norman hedges) and the long branches of the trees sweeping over the pathways arch them. Sunken between these walls (made of a clay soil) the paths are like the covered ways of a fortification, and where the granite rock, which in these regions comes to the surface of the ground, does not make a sort of rugged natural pavement, they become so impracticable that the smallest vehicles can only be drawn over them by two pairs of oxen or Breton horses, which are small but usually vigorous. These by-ways are so swampy that foot-passengers have gradually by long usage made other paths beside them on the hedge-banks which are called “rotes”; and these begin and end with each division into fields. In order to cross from one field to another it is necessary to climb the clay banks by means of steps which are often very slippery after a rain.
Travellers have many other obstacles to encounter in these intricate paths. Thus surrounded, each field is closed by what is called in the West an echalier. That is a trunk or stout branch of a tree, one