such as she had been, lives largely for her lovers, that is to say at home, which means that she comes in time to live for her home. The things that one sees in the house of a 'respectable' woman, things which may of course appear to her also to be of importance, are those which are in any event of the utmost importance to the courtesan. The culminating point of her day is not the moment in which she dresses herself for all the world to see, but that in which she undresses herself for a man. She must be as smart in her wrapper, in her nightgown, as in her outdoor attire. Other women display their jewels, but as for her, she lives in the intimacy of her pearls. This kind of existence imposes on her as an obligation and ends by giving her a fondness for luxury which is secret, that is to say which comes near to being disinterested. Mme. Swann extended this to include her flowers. There was always beside her chair an immense bowl of crystal filled to the brim with Parma violets or with long white daisy-petals scattered upon the water, which seemed to be testifying, in the eyes of the arriving guest, to some favourite and interrupted occupation, such as the cup of tea which Mme. Swann would, for her own amusement, have been drinking there by herself; an occupation more intimate still and more mysterious, so much so that one felt oneself impelled to apologise on seeing the flowers exposed there by her side, as one would have apologised for looking at the title of the still open book which would have revealed to one what had just been read by—and so, perhaps, what was still in the mind of Odette. And unlike the book the flowers were living things; it was annoying, when one entered the room to pay Mme. Swann a visit, to discover that she was not alone, or if one came home with her not to find the room empty, so prominent a place in it, enigmatic and intimately associated with hours in the life of their mistress of which one knew nothing, did those flowers assume which had not been made ready for Odette's visitors but, as it were, forgotten there by her, had held and would hold with her again private conversations which one was afraid of disturbing, the secret of which one tried in vain to read, fastening one's eyes on the moist purple, the still liquid water-colour of the Parma violets. By the end of October Odette would begin to come home with the utmost punctuality for tea, which was still known, at that time, as 'five-o'clock tea,' having once heard it said, and being fond of repeating that if Mme. Verdurin had been able to form a salon it was because people were always certain of finding her at home at the same hour. She imagined that she herself had one also, of the same kind, but freer, senza rigore as she used to say. She saw herself figuring thus as a sort of Lespinasse, and believed that she had founded a rival salon by taking from the du Defiant of the little group several of her most attractive men, notably Swann himself, who had followed her in her secession and into her retirement, according-to a version for which one can understand that she had succeeded in gaining credit among her more recent friends, ignorant of what had passed, though without convincing herself. But certain favourite parts are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten. On days on which Mme. Swann had not left the house, one found her in a wrapper of crêpe-de-Chine, white as the first snows of winter, or, it might be, in one of those long pleated garments of mousseline-de-soie, which seemed nothing more than a shower of white or rosy petals, and would be regarded to-day as hardly suitable for winter, though quite wrongly. For these light fabrics and soft colours gave to a woman—in the stifling warmth of the drawing-rooms of those days, with their heavily curtained doors, rooms of which the most effective thing that the society novelists of the time could find to say was that they were "exquisitely cushioned"—the same air of coolness that they gave to the roses which were able to stay in the room there by her side, despite the winter, in the glowing flesh tints of their nudity, as though it were already spring. By reason of the muffling of all sound in the carpets, and of the remoteness of her cosy retreat, the lady of the house, not being apprised of your entry as she is to-day, would continue to read almost until you were standing before her chair, which enhanced still further that sense of the romantic, that charm of a sort of secret discovery, which we find to-day in the memory of those gowns, already out of fashion even then, which Mme. Swann was perhaps alone in not having discarded, and which give us the feeling that the woman who wore them must have been the heroine of a novel because most of us have scarcely set eyes on them outside the pages of certain of Henry Gréville's tales. Odette had, at this time, in her drawing-room, when winter began, chrysanthemums of enormous size and a variety of colours such as Swann, in the old days, certainly never saw in her drawing-room in the Rue La Pérouse. My admiration for them—when I went to pay Mme. Swann one of those melancholy visits during which, prompted by my sorrow, I discovered in her all the mystical poetry of her character as the mother of that Gilberte to whom she would say on the morrow: "Your friend came to see me yesterday,"—sprang, no doubt, from my sense that, rose-pale like the Louis XIV silk that covered her chairs, snow-white like her crêpe-de-Chine wrapper, or of a metallic red like her samovar, they superimposed upon the decoration of the room another, a supplementary scheme of decoration, as rich, as delicate in its colouring, but one which was alive and would last for a few days only. But I was touched to find that these chrysanthemums appeared less ephemeral than, one might almost say, lasting, when I compared them with the tones, as pink, as coppery, which the setting sun so gorgeously displays amid the mists of a November afternoon, and which, after seeing them, before I had entered the house, fade from the sky, I found again inside, prolonged, transposed on to the flaming palette of the flowers. Like the fires caught and fixed by a great colourist from the impermanence of the atmosphere and the sun, so that they should enter and adorn a human dwelling, they invited me, those chrysanthemums, to put away all my sorrows and to taste with a greedy rapture during that 'tea-time' the too fleeting joys of November, of which they set ablaze all around me the intimate and mystical glory. Alas, it was not in the conversations to which I must listen that I could hope to attain to that glory; they had but little in common with it. Even with Mme. Cottard, and although it was growing late, Mme. Swann would assume her most caressing manner to say: "Oh, no, it's not late, really; you mustn't look at the clock; that's not the right time; it's stopped; you can't possibly have anything else to do now, why be in such a hurry?" as she pressed a final tartlet upon the Professor's wife, who was gripping her card-case in readiness for flight.
"One simply can't tear oneself away from this house!" observed Mme. Bontemps to Mme. Swann, while Mme. Cottard, in her astonishment at hearing her own thought put into words, exclaimed: "Why, that's just what I always say myself, what I tell my own little judge, in the court of conscience!" winning the applause of the gentlemen from the Jockey Club, who had been profuse in their salutations, as though confounded at such an honour's being done them, when Mme. Swann had introduced them to this common and by no means attractive little woman, who kept herself, when confronted with Odette's brilliant friends, in reserve, if not on what she herself called 'the defensive,' for she always used stately language to describe the simplest happenings. "I should never have suspected it," was Mme. Swann's comment, "three Wednesdays running you've played me false." "That's quite true, Odette; it's simply ages, it's an eternity since I saw you last. You see, I plead guilty; but I must tell you," she went on with a vague suggestion of outraged modesty, for although a doctor's wife she would never have dared to speak without periphrasis of rheumatism or of a chill on the kidneys," that I have had a lot of little troubles. As we all have, I dare say. And besides that I've had a crisis among my masculine domestics. I'm sure, I'm no more imbued with a sense of my own authority than most ladies; still I've been obliged, just to make an example you know, to give my Vatel notice; I believe he was looking out anyhow for a more remunerative place. But his departure nearly brought about the resignation of my entire ministry. My own maid refused to stay in the house a moment longer; oh, we have had some Homeric scenes. However I held fast to the reins through thick and thin; the whole affair's been a perfect lesson, which won't be lost on me, I can tell you. I'm afraid I'm boring you with all these stories about servants, but you know as well as I do what a business it is when one is obliged to set about rearranging one's household.
"Aren't we to see anything of your delicious child?" she wound up. "No, my delicious child is dining with a friend," replied Mme. Swann, and then, turning to me: "I believe she's written to you, asking you to come and see her to-morrow. And your babies?" she went on to Mme. Cottard. I breathed a sigh of relief. These words by which Mme. Swann proved to me that I could see Gilberte whenever I chose gave me precisely the comfort which I had come to seek, and which at that time made my visits to Mme. Swann so necessary. "No, I'm afraid not;