Loren R. Fisher

Genesis, A Royal Epic


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our funeral text, the “Raphaim of the netherworld” and “the assembly of the Didanites” are summoned for the ritual. At Ugarit the most important ancestor of that assembly would be Keret.32 Therefore, I think that there is a real possibility that the Keret Epic was used on such occasions.

      Genesis 48:16 is not the only place where the burial ritual is implied. In Gen 21:12b it says,

      Whatever Sarah demands of you,

      listen to her voice,

      because through Isaac,

      descendants will call forth to you.

      There are many other reasons for seeing in Genesis royal literature, and these items will be mentioned in the notes to the translation. But now, I want to turn to the structure of Genesis, and this will show some additional evidence as to the royal nature of the material.

      The Structure of Genesis

      At the end of this introduction there is an outline of Genesis titled “The Final Form of Genesis.” This outline will be helpful, because in this section on structure and in the notes to the translation, I will refer to the section numbers of this outline.

      1. Elohim brought order out of Chaos (Gen 1:1—2:3).

      2. All humans and the other animals are mortal. The humans have a special vocation and have obtained all knowledge. This made the development of civilization a reality (Gen 2:4—4:26).

      3. Genesis has its pre-flood sages, and it has accounted for the heroes of old (Gen 5:1—6:4).

      4. The Genesis story of the flood is very interesting, and its flood hero, Noah, has given the Hebrews all of the pre-flood knowledge. Thus David, their king, “has wisdom like the wisdom of a messenger of the gods to know all things that are on earth” (2 Sam 14:17, 20). This is a new beginning (Gen 6:5—9:29).

      5. The scribes were aware of post-flood developments and the world situation of their day (i.e., David’s day), and they were also interested in background materials for understanding the fathers of the kings of Israel (Gen 10:1—11:26).

      1) All three have similar titles:

      a) “These are the Stories of Terah,” Gen 11:27—25:11.

      (Terah is the father of Abraham, but the stories are about Abraham.)

      b) “These are the Stories of Isaac,” Gen 25:19—35:29.

      (Isaac is the father of Esau and Jacob, but most of the stories are about Jacob.)

      c) “These are the Stories of Jacob,” Gen 37:2—50:26.

      (Jacob is the father of the twelve brothers, but most of the stories are about Joseph.)

      In this sequence we are missing a document between a) and b) that could be given the title “These are the Stories of Abraham.” If we had such a document the stories would be about Isaac. Some material from such a document has survived and can be found in Genesis 24 and 26 (see chart two at the end of this Introduction).

      2) All three cycles have structural and thematic parallels in the following order:

      a) All are interested in the birth of an heir, but great difficulties are always present (famine, seduction [Sarah, Rebekah, and Joseph], and infertility).

      b) There is always the point made that the “elder shall serve the younger” (Gen 25:19–34 and 37:2–36). This was not the normal custom, but royal literature is not normal (even David was the youngest).

      c) The hero either buys or receives land (e.g., the burial cave [Gen 23] and Shechem [Gen 33:18–20]).

      d) Similar conclusions containing three parts: a burial scene (Gen 23:1–20; 35:16–20; 50:1–14), additional material on the heir(s) (Gen 24:1—25:6; 35:21–26; 50:15–21), and a death scene (Gen 25:7–11; 35:27–29; 50:22–26).

      This last section (d) of these stories is very important. From our earlier discussion, it is clear that proper burial was important for the blessing of the next “father.” Without such a blessing there would not be another heir.