Diane G. Chen

Luke


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“hastily” or “eagerly.” Either would fit Mary’s disposition, given the situation. One might wonder how a young teenager could make that journey of seventy to eighty miles, over a course of three to four days, safely or readily, as ancient travel could be slow and dangerous. Perhaps she joins a caravan or she has a chaperone. The author does not elaborate, except that the next scene places her in the home of Elizabeth. At the least, this visit reflects Mary’s faith in Gabriel’s words, for she would not have been privy to Elizabeth’s pregnancy since her relative has sequestered herself from public view (1:24).

      Although Mary begins the song with her personal blessedness (1:46–49), in the second half she expands the recipients of God’s goodness to all Israel (1:50–55). She testifies to the favor that God has bestowed upon her, not for self-elevation but to declare what God has done and will do for his people as he has for her. God is the main actor in this song and the subject of the active verbs: “he has looked . . . has done . . . has shown strength . . . has scattered the proud . . . has brought down the powerful . . . [has] lifted up the lowly . . . has filled the hungry . . . [has] sent the rich away . . . has helped” (1:48, 49, 51–54). God saves by enabling a reversal of conditions, for God is merciful, God remembers, and God is powerful.

      First, God is merciful toward those who fear and revere him. Given the covenantal relationship between Israel and the almighty God, this fear engenders respect and faithfulness on Israel’s part. Second, because God remembers his promise to Israel’s ancestors, his mercy is a sustaining grace that stretches from generation to generation. Despite Israel’s sufferings and faithlessness then and now, the people continue to trust that YHWH remembers them and his promises to them (1:54–55). Third, God has the power to save. The exodus is the paradigmatic event of God’s deliverance of his people. Through the time of the judges, the kings, the exile, and the post-exilic period, Israel continued to experience God’s help when their enemies came upon them. Israel was lowly, oppressed, afflicted, and weak, but God always came through. God’s past acts of deliverance form the basis of Israel’s hope for future salvation.

      He has brought down the powerful from their thrones,

      and lifted up the lowly;

      He has filled the hungry with good things,

      and sent the rich away empty.

      But that is not all. The polarities between power and lowliness, hungry and rich, and so on, have a spiritual dimension. The lowly ones who earnestly seek after God will enter the kingdom, and those with power and an inflated sense of self-righteousness will be denied (cf. 5:29–32; 6:20–25; 18:9–14). The theme of reversal will continue to play out in the mission, teaching, death, and resurrection of Jesus. Mary and Elizabeth are poised at the cusp of change. Their supernatural conceptions testify that God is setting in motion his final act of salvation by sending the Davidic Messiah and his forerunner. Not only does this song provide assurance, it engenders hope that defies even the uncontested power of Rome.

      The scene ends with a statement that moves the timeline toward the next important event, the birth of John. If Mary remains with Elizabeth for another three months, it is possible that she stays long enough to be present at the next scene (1:56a). Then Mary returns to her father’s house (1:56b), still a virgin betrothed to Joseph, bearing the Son of God in her womb. How heavy a responsibility that is for a young maiden to carry!

      Song of Zechariah (1:57–80)

      The announcement of John’s birth takes us back to Gabriel’s appearance to Zechariah (1:57–58). Gabriel’s prophecy that Elizabeth “will bear a son” (gennēsei huion, 1:13) is now fulfilled. Luke uses near-identical language here: “she bore a son” (egennēsen huion, 1:57). Gabriel predicted that Zechariah “will have joy (chara) and gladness, and many will rejoice (charēsontai) at [his son’s] birth” (1:14), and here the neighbors and relatives “rejoiced (synechairon) with her” (1:58). The theme of joy, already echoed in John’s leaping in his mother’s womb (1:44), will appear in the birth of Jesus as well (2:10). But for now, Zechariah will have more to say about the future role of his son, which sets the stage for the coming of the Messiah.