William Makepeace Thackeray

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      "A godson of mine," said the noble Count, when interrogated over his muffins. "I know his family; worthy people; sad scapegrace; ran away; parents longing for him; glad you did not flog him; devil to pay," and so forth. The Count was a man of few words, and told his tale in this brief, artless manner. But why, at its conclusion, did the gentle Helen leave the room, her eyes filled with tears? She left the room once more to kiss a certain lock of yellow hair she had pilfered. A dazzling, delicious thought, a strange wild hope, arose in her soul!

      When she appeared again, she made some side-handed inquiries regarding Otto (with that gentle artifice oft employed by women); but he was gone. He and his companion were gone. The Count of Hombourg had likewise taken his departure, under pretext of particular business. How lonely the vast castle seemed to Helen, now that HE was no longer there. The transactions of the last few days; the beautiful archer-boy; the offer from the Rowski (always an event in a young lady's life); the siege of the castle; the death of her truculent admirer: all seemed like a fevered dream to her: all was passed away, and had left no trace behind. No trace?--yes! one: a little insignificant lock of golden hair, over which the young creature wept so much that she put it out of curl; passing hours and hours in the summer-house, where the operation had been performed.

      On the second day (it is my belief she would have gone into a consumption and died of languor, if the event had been delayed a day longer,) a messenger, with a trumpet, brought a letter in haste to the Prince of Cleves, who was, as usual, taking refreshment. "To the High and Mighty Prince," &c. the letter ran. "The Champion who had the honor of engaging on Wednesday last with his late Excellency the Rowski of Donnerblitz, presents his compliments to H. S. H. the Prince of Cleves. Through the medium of the public prints the C. has been made acquainted with the flattering proposal of His Serene Highness relative to a union between himself (the Champion) and her Serene Highness the Princess Helen of Cleves. The Champion accepts with pleasure that polite invitation, and will have the honor of waiting upon the Prince and Princess of Cleves about half an hour after the receipt of this letter."

      "Tol lol de rol, girl," shouted the Prince with heartfelt joy. (Have you not remarked, dear friend, how often in novel-books, and on the stage, joy is announced by the above burst of insensate monosyllables?) "Tol lol de rol. Don thy best kirtle, child; thy husband will be here anon." And Helen retired to arrange her toilet for this awful event in the life of a young woman. When she returned, attired to welcome her defender, her young cheek was as pale as the white satin slip and orange sprigs she wore.

      She was scarce seated on the dais by her father's side, when a huge flourish of trumpets from without proclaimed the arrival of THE CHAMPION. Helen felt quite sick: a draught of ether was necessary to restore her tranquillity.

      The great door was flung open. He entered,--the same tall warrior, slim, and beautiful, blazing in shining steel. He approached the Prince's throne, supported on each side by a friend likewise in armor. He knelt gracefully on one knee.

      "I come," said he in a voice trembling with emotion, "to claim, as per advertisement, the hand of the lovely Lady Helen." And he held out a copy of the Allgemeine Zeitung as he spoke.

      "Art thou noble, Sir Knight?" asked the Prince of Cleves.

      "As noble as yourself," answered the kneeling steel.

      "Who answers for thee?"

      "I, Karl, Margrave of Godesberg, his father!" said the knight on the right hand, lifting up his visor.

      "And I--Ludwig, Count of Hombourg, his godfather!" said the knight on the left, doing likewise.

      The kneeling knight lifted up his visor now, and looked on Helen.

      "I KNEW IT WAS," said she, and fainted as she saw Otto the Archer.

      But she was soon brought to, gentles, as I have small need to tell ye. In a very few days after, a great marriage took place at Cleves under the patronage of Saint Bugo, Saint Buffo, and Saint Bendigo. After the marriage ceremony, the happiest and handsomest pair in the world drove off in a chaise-and-four, to pass the honeymoon at Kissingen. The Lady Theodora, whom we left locked up in her convent a long while since, was prevailed upon to come back to Godesberg, where she was reconciled to her husband. Jealous of her daughter-in-law, she idolized her son, and spoiled all her little grandchildren. And so all are happy, and my simple tale is done.

      I read it in an old, old book, in a mouldy old circulating library. 'Twas written in the French tongue, by the noble Alexandre Dumas; but 'tis probable that he stole it from some other, and that the other had filched it from a former tale-teller. For nothing is new under the sun. Things die and are reproduced only. And so it is that the forgotten tale of the great Dumas reappears under the signature of

      THERESA MACWHIRTER.

      WHISTLEBINKIE, N.B., December 1.

      REBECCA AND ROWENA.

      A ROMANCE UPON ROMANCE.

      BY MR. MICHAEL ANGELO TITMARSH.

      CHAPTER I.

      THE OVERTURE.--COMMENCEMENT OF THE BUSINESS.

      Well-beloved novel-readers and gentle patronesses of romance, assuredly it has often occurred to every one of you, that the books we delight in have very unsatisfactory conclusions, and end quite prematurely with page 320 of the third volume. At that epoch of the history it is well known that the hero is seldom more than thirty years old, and the heroine by consequence some seven or eight years younger; and I would ask any of you whether it is fair to suppose that people after the above age have nothing worthy of note in their lives, and cease to exist as they drive away from Saint George's, Hanover Square? You, dear young ladies, who get your knowledge of life from the circulating library, may be led to imagine that when the marriage business is done, and Emilia is whisked off in the new travelling-carriage, by the side of the enraptured Earl; or Belinda, breaking away from the tearful embraces of her excellent mother, dries her own lovely eyes upon the throbbing waistcoat of her bridegroom--you may be apt, I say, to suppose that all is over then; that Emilia and the Earl are going to be happy for the rest of their lives in his lordship's romantic castle in the North, and Belinda and her young clergyman to enjoy uninterrupted bliss in their rose-trellised parsonage in the West of England: but some there be among the novel-reading classes--old experienced folks--who know better than this. Some there be who have been married, and found that they have still something to see and to do, and to suffer mayhap; and that adventures, and pains, and pleasures, and taxes, and sunrises and settings, and the business and joys and griefs of life go on after, as before the nuptial ceremony.

      Therefore I say, it is an unfair advantage which the novelist takes of hero and heroine, as of his inexperienced reader, to say good-by to the two former, as soon as ever they are made husband and wife; and I have often wished that additions should be made to all works of fiction which have been brought to abrupt terminations in the manner described; and that we should hear what occurs to the sober married man, as well as to the ardent bachelor; to the matron, as well as to the blushing spinster. And in this respect I admire (and would desire to imitate,) the noble and prolific French author, Alexandre Dumas, who carries his heroes from early youth down to the most venerable old age; and does not let them rest until they are so old, that it is full time the poor fellows should get a little peace and quiet. A hero is much too valuable a gentleman to be put upon the retired list, in the prime and vigor of his youth; and I wish to know what lady among us would like to be put on the shelf, and thought no longer interesting, because she has a family growing up, and is four or five and thirty years of age? I have known ladies at sixty, with hearts as tender and ideas as romantic as any young misses of sixteen. Let us have middle-aged novels then, as well as your extremely juvenile legends: let the young ones be warned that the old folks have a right to be interesting: and that a lady may continue to have a heart, although she is somewhat stouter than she was when a school-girl, and a man his feelings, although he gets his hair from Truefitt's.

      Thus I would desire that the biographies of many of our most illustrious personages of