The Horror Megapack. Robert E. Howard

the woman you describe; I have never heard even of the house which you speak of. But I know also that you cannot dare to lie to Pelou, your honored father; there is some strange delusion in all this affair.”

      Then Ming-Y produced the gifts that Sië had given him—the lion of yellow jade, the brush-case of carven agate, also some original compositions made by the beautiful lady herself. The astonishment of Tchang was now shared by Pelou. Both observed that the brush-case of agate and the lion of jade bore the appearance of objects that had lain buried in the earth for centuries, and were of a workmanship beyond the power of living man to imitate; while the compositions proved to be veritable master-pieces of poetry, written in the style of the poets of the dynasty of Thang.

      “Friend Pelou,” cried the High Commissioner, “let us immediately accompany the boy to the place where he obtained these miraculous things, and apply the testimony of our senses to this mystery. The boy is no doubt telling the truth; yet his story passes my understanding.” And all three proceeded toward the place of the habitation of Sië.

      * * * *

      But when they had arrived at the shadiest part of the road, where the perfumes were most sweet and the mosses were greenest, and the fruits of the wild peach flushed most pinkly, Ming-Y, gazing through the groves, uttered a cry of dismay. Where the azure-tiled roof had risen against the sky, there was now only the blue emptiness of air; where the green-and-gold facade had been, there was visible only the flickering of leaves under the aureate autumn light; and where the broad terrace had extended, could be discerned only a ruin—a tomb so ancient, so deeply gnawed by moss, that the name graven upon it was no longer decipherable. The home of Sië had disappeared!

      All suddenly the High Commissioner smote his forehead with his hand, and turning to Pelou, recited the well-known verse of the ancient poet Tching-Kou:—

      “Surely the peach-flowers blossom

      over the tomb of SIË-THAO.”

      “Friend Pelou,” continued Tchang, “the beauty who bewitched your son was no other than she whose tomb stands there in ruin before us! Did she not say she was wedded to Ping-Khang? There is no family of that name, but Ping-Khang is indeed the name of a broad alley in the city near. There was a dark riddle in all that she said. She called herself Sië of Moun-Hiao: there is no person of that name; there is no street of that name; but the Chinese characters Moun and hiao, placed together, form the character ‘Kiao.’ Listen! The alley Ping-Khang, situated in the street Kiao, was the place where dwelt the great courtesans of the dynasty of Thang! Did she not sing the songs of Kao-pien? And upon the brush-case and the paper-weight she gave your son, are there not characters which read, ‘Pure object of art belonging to Kao, of the city of Pho-hai’? That city no longer exists; but the memory of Kao-pien remains, for he was governor of the province of Sze-tchouen, and a mighty poet. And when he dwelt in the land of Chou, was not his favorite the beautiful wanton Sië—Sië-Thao, unmatched for grace among all the women of her day? It was he who made her a gift of those manuscripts of song; it was he who gave her those objects of rare art. Sië-Thao died not as other women die. Her limbs may have crumbled to dust; yet something of her still lives in this deep wood—her Shadow still haunts this shadowy place.”

      Tchang ceased to speak. A vague fear fell upon the three. The thin mists of the morning made dim the distances of green, and deepened the ghostly beauty of the woods. A faint breeze passed by, leaving a trail of blossom-scent—a last odor of dying flowers—thin as that which clings to the silk of a forgotten robe; and, as it passed, the trees seemed to whisper across the silence, “Sië-Thao.”

      * * * *

      Fearing greatly for his son, Pelou sent the lad away at once to the city of Kwang-tchau-fu. And there, in after years, Ming-Y obtained high dignities and honors by reason of his talents and his learning; and he married the daughter of an illustrious house, by whom he became the father of sons and daughters famous for their virtues and their accomplishments. Never could he forget Sië-Thao; and yet it is said that he never spoke of her—not even when his children begged him to tell them the story of two beautiful objects that always lay upon his writing-table: a lion of yellow jade, and a brush-case of carven agate.