Kelly Link

Pretty Monsters


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hair. It knew nothing of hope, but it had desires and ambitions. It’s best not to speak of those ambitions. As for the tattoo, it wanted to be left alone. And to be allowed to eat people, just every once in a while.

      When Bethany stood up, Mrs. Baldwin said suddenly, “I’ve been thinking I might give up substitute teaching.”

      Bethany waited.

      “I might go to Japan to teach English,” Mrs. Baldwin said. “Sell the house, just pack up and go. Is that okay with you? Do you mind?”

      Bethany didn’t mind. She bent over and kissed her mother on her forehead. She left a smear of cherry ChapStick. When she had gone, Mrs. Baldwin got up and put on her bathrobe, the one with white cranes and frogs. She went downstairs and made coffee and sat at the kitchen table for a long time, staring at nothing. Her coffee got cold and she never even noticed.

      The dead girl left town as the sun was coming up. I won’t tell you where she went. Maybe she joined the circus and took part in daring trapeze acts that put her hair to good use, kept it from getting bored and plotting the destruction of all that is good and pure and lovely. Maybe she shaved her head and went on a pilgrimage to some remote lamasery and came back as a superhero with a dark past and some kick-ass martial-arts moves. Maybe she sent her mother postcards from time to time. Maybe she wrote them as part of her circus act, using the tips of her hair, dipping them into an inkwell. These postcards, not to mention her calligraphic scrolls, are highly sought after by collectors nowadays. I have two.

      Miles stopped writing poetry for several years. He never went back to get his bike. He stayed away from graveyards and also from girls with long hair. The last I heard, he had a job writing topical haikus for the Weather Channel. One of his best-known haikus is the one about tropical storm Suzy. It goes something like this:

      A young girl passes

      in a hurry. Hair uncombed.

      Full of black devils.

alt

      Wizards are always hungry.

       THE WIZARDS OF PERFIL

      THE WOMAN WHO sold leech grass baskets and pickled beets in the Perfil market took pity on Onion’s aunt. “On your own, my love?”

      Onion’s aunt nodded. She was still holding out the earrings which she’d hoped someone would buy. There was a train leaving in the morning for Qual, but the tickets were dear. Her daughter Halsa, Onion’s cousin, was sulking. She’d wanted the earrings for herself. The twins held hands and stared about the market.

      Onion thought the beets were more beautiful than the earrings, which had belonged to his mother. The beets were rich and velvety and mysterious as pickled stars in shining jars. Onion had had nothing to eat all day. His stomach was empty, and his head was full of the thoughts of the people in the market: Halsa thinking of the earrings, the market woman’s disinterested kindness, his aunt’s dull worry. There was a man at another stall whose wife was sick. She was coughing up blood. A girl went by. She was thinking about a man who had gone to the war. The man wouldn’t come back. Onion went back to thinking about the beets.

      “Just you to look after all these children,” the market woman said. “These are bad times. Where’s your lot from?”

      “Come from Labbit, and Larch before that,” Onion’s aunt said. “We’re trying to get to Qual. My husband had family there. I have these earrings and these candlesticks.”

      The woman shook her head. “No one will buy these,” she said. “Not for any good price. The market is full of refugees selling off their bits and pieces.”

      Onion’s aunt said, “Then what should I do?” She didn’t seem to expect an answer, but the woman said, “There’s a man who comes to the market today, who buys children for the wizards of Perfil. He pays good money and they say that the children are treated well.”

      All wizards are strange, but the wizards of Perfil are strangest of all. They build tall towers in the marshes of Perfil, and there they live like anchorites in lonely little rooms at the top of their towers. They rarely come down at all, and no one is sure what their magic is good for. There are balls of sickly green fire that dash around the marshes at night, hunting for who knows what, and sometimes a tower tumbles down and then the prickly reeds and marsh lilies that look like ghostly white hands grow up over the tumbled stones and the marsh mud sucks the rubble down.

      Everyone knows that there are wizard bones under the marsh mud and that the fish and the birds that live in the marsh are strange creatures. They have got magic in them. Children dare each other to go into the marsh and catch fish. Sometimes when a brave child catches a fish in the murky, muddy marsh pools, the fish will call the child by name and beg to be released. And if you don’t let that fish go, it will tell you, gasping for air, when and how you will die. And if you cook the fish and eat it, you will dream wizard dreams. But if you let your fish go, it will tell you a secret.

      This is what the people of Perfil say about the wizards of Perfil.

      Everyone knows that the wizards of Perfil talk to demons and hate sunlight and have long twitching noses like rats. They never bathe.

      Everyone knows that the wizards of Perfil are hundreds and hundreds of years old. They sit and dangle their fishing lines out of the windows of their towers and they use magic to bait their hooks. They eat their fish raw and they throw the fish bones out of the window the same way that they empty their chamber pots. The wizards of Perfil have filthy habits and no manners at all.

      Everyone knows that the wizards of Perfil eat children when they grow tired of fish.

      This is what Halsa told her brothers and Onion while Onion’s aunt bargained in the Perfil markets with the wizard’s secretary.

      The wizard’s secretary was a man named Tolcet and he wore a sword in his belt. He was a black man with white-pink spatters on his face and across the backs of his hands. Onion had never seen a man who was two colors.

      Tolcet gave Onion and his cousins pieces of candy. He said to Onion’s aunt, “Can any of them sing?”

      Onion’s aunt indicated that the children should sing. The twins, Mik and Bonti, had strong, clear soprano voices, and when Halsa sang, everyone in the market fell silent and listened. Halsa’s voice was like honey and sunlight and sweet water.

      Onion loved to sing, but no one loved to hear it. When it was his turn and he opened his mouth to sing, he thought of his mother and tears came to his eyes. The song that came out of his mouth wasn’t one he knew. It wasn’t even in a proper language and Halsa crossed her eyes and stuck out her tongue. Onion went on singing.

      “Enough,” Tolcet said. He pointed at Onion. “You sing like a toad, boy. Do you know when to be quiet?”

      “He’s quiet,” Onion’s aunt said. “His parents are dead. He doesn’t eat much, and he’s strong enough. We walked here from Larch. And he’s not afraid of witchy folk, begging your pardon. There were no wizards in Larch, but his mother could find things when you lost them. She could charm your cows so that they always came home.”

      “How old is he?” Tolcet said.

      “Eleven,” Onion’s aunt said, and Tolcet grunted.

      “Small for his age.” Tolcet looked at Onion. He looked at Halsa, who crossed her arms and scowled hard. “Will you come with me, boy?”

      Onion’s aunt nudged him. He nodded.

      “I’m sorry for it,” his aunt said to Onion, “but it can’t be helped. I promised your mother I’d see you were taken care of. This is the best I can do.”

      Onion said nothing.