pack of photographs, wrapped carefully in a piece of lace. Grace pulled them out, and as she did a drop of blood seeped from her finger onto the lace, irreparably staining it. There were about a dozen photos in all, each a portrait of a single young woman. They looked too different to be related to one another. Some wore military uniforms, others crisply pressed blouses or blazers. Not one among them could have been older than twenty-five.
Holding the photos of these strangers felt too intimate, wrong. Grace wanted to put them away, forget what she had seen. But the eyes of the girl in the top photo were dark and beckoning. Who was she?
Just then there were sirens outside the station and it felt as though they might be meant for her, the police coming to arrest her for opening someone else’s bag. Hurriedly, Grace struggled to rewrap the photos in the lace and put the whole thing back into the suitcase. But the lace bunched and she could not get the packet back into the envelope. The sirens were getting louder now. There was no time. Furtively, she tucked the photos into her own satchel and she pushed the suitcase back under the bench with her foot, well out of sight.
Then she started for the exit, the wound on her finger throbbing. “I should have known,” she muttered to herself, “that no good could ever come from going into the station.”
Eleanor
London, 1943
The Director was furious.
He slammed his paw-like hand down on the long conference table so hard the teacups rattled and tea sloshed over the rims all the way at the far end. The normal banter and chatter of the morning meeting went silent. His face reddened.
“Another two agents captured,” he bellowed, not bothering to lower his voice. One of the typists passing in the corridor stopped, taking in the scene with wide eyes before scurrying on. Eleanor stood hurriedly to close the door, swatting at the cloud of cigarette smoke that had formed above them.
“Yes, sir,” Captain Michaels, the Royal Air Force attaché, stammered. “The agents dropped near Marseille were arrested, just hours after arrival. There’s been no word and we’re presuming they’ve been killed.”
“Which ones?” the Director demanded. Gregory Winslow, Director of Special Operations Executive, was a former army colonel, highly decorated in the Great War. Though close to sixty, he remained an imposing figure, known only as “the Director” to everyone at headquarters.
Captain Michaels looked flummoxed by the question. To the men who ran the operation from afar, the agents in the field were nameless chess pieces.
But not to Eleanor, who was seated beside him. “James, Harry. Canadian by birth and a graduate of Magdalen College, Oxford. Peterson, Ewan, former Royal Air Force.” She knew the details of every man they’d dropped into the field by heart.
“That makes the second set of arrests this month.” The Director chewed on the end of his pipe without bothering to light it.
“The third,” Eleanor corrected softly, not wanting to enrage him further but unwilling to lie. It had been almost three years since Churchill had authorized the creation of Special Operations Executive, or SOE, and charged it with the order to “set Europe ablaze” through sabotage and subversion. Since then, they had deployed close to three hundred agents into Europe to disrupt munitions factories and rail lines. The majority had gone into France as part of the unit called “F Section” to weaken the infrastructure and arm the French partisans ahead of the long-rumored cross-Channel Allied invasion.
But beyond the walls of its Baker Street headquarters, SOE was hardly regarded as a shining success. MI6 and some of the other traditional government agencies resented SOE’s sabotage, which they saw as amateurish and damaging to their own, more clandestine, operations. The success of SOE efforts were also hard to quantify, either because they were classified or because their effect would not be fully felt until the invasion. And lately things had started to go wrong, their agents arrested in increasing number. Was it the size of the operations that was the problem, making them victims of their own success? Or was it something else entirely?
The Director turned to Eleanor, newfound prey that had suddenly caught the lion’s attention. “What the hell is happening, Trigg? Are they ill prepared? Making mistakes?”
Eleanor was surprised. She had come to SOE as a secretary shortly after the organization was created. Getting hired had been an uphill battle: she was not just a woman, but a Polish national—and a Jew. Few thought she belonged here. Oftentimes she wondered herself how she’d come from her small village near Pinsk to the halls of power in London. But she’d persuaded the Director to give her a chance, and through her skill and knowledge, meticulous attention to detail and encyclopedic memory, she had gained his trust. Even though her title and pay had remained the same, she was now much more of an advisor. The Director insisted that she sit not with the other secretaries along the periphery, but at the conference table immediately to his right. (He did this in part, she suspected, to compensate for his deafness in his ear on that side, which he admitted to no one else. She always debriefed him in private just after the meeting to make certain he had not missed anything.)
This was the first time, though, that the Director had asked for her opinion in front of the others. “Respectfully, sir, it isn’t the training, or the execution.” Eleanor was suddenly aware of every eye on her. She prided herself on lying low in the agency, drawing as little attention as possible. But now her cover, so to speak, had been blown, and the men were watching her with an unmasked skepticism.
“Then what is it?” the Director asked, his usual lack of patience worn even thinner.
“It’s that they are men.” Eleanor chose her words carefully, not letting him rush her, wanting to make him understand in a way that would not cause offense. “Most of the young Frenchmen are gone from the cities or towns. Conscripted to the LVF, off fighting for the Vichy collaborationist militia or imprisoned for refusing to do so. It’s impossible for our agents to fit in now.”
“So what then? Should we send them all to ground?”
Eleanor shook her head. The agents could not go into hiding. They needed to be able to interact with the locals in order to get information. It was the waitress in Lautrec overhearing the officers chatter after too much wine, the farmer’s wife noticing changes in the trains that passed by the fields, the observations of everyday citizens that yielded the real information. And the agents needed to be making contacts with the reseau, the local networks of resistance, in order to fortify their efforts to subvert the Germans. No, the agents of the F Section could not operate by hiding in the cellars and caves.
“Then what?” the Director pressed.
“There’s another option...” She faltered and he looked at her impatiently. Eleanor was not one to be at a loss for words, but what she was about to say was so audacious she hardly dared. She took a deep breath. “Send women.”
“Women? I don’t understand.”
The idea had come to her weeks earlier as she watched one of the girls in the radio room decode a message that had come through from a field agent in France with a swift and sure hand. Her talents were wasted, Eleanor thought. The girl should be transmitting from the field. The idea had been so foreign that it had taken time to crystalize in Eleanor’s own mind. She had not meant to bring it up now, or maybe ever, but it had come out nonetheless, a half-formed thing.
“Yes.” Eleanor had heard stories of women agents, rogue operatives working on their own in the east, carrying messages and helping POWs to escape. Such things had happened in the First World War as well, probably to a greater extent than most people imagined. But to create a formal program to actually train and deploy women was something altogether different.
“But what would they do?” the Director asked.
“The same work as the men,” Eleanor replied, suddenly annoyed at having to explain