Pete Woodcock

Political Theory


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leads an examined life, qualities needed as a minimum for leadership.

      Activity 1. Please attempt the tasks below:

      1 When was the last time you had a philosophical or political discussion with your friends or family?

      2 What would Socrates think of your response to task (1)?

      3 What did Socrates mean by the Craft Analogy? What do you think of it?

      The Prince takes the popular Renaissance literary form of an advice-book for princes, a scholar providing advice to a prince on how they should govern, a manual, or idiots’ guide if you will, on what a prince should do when in power. Other instances of this type of work are Castiglione’s The Courtier, for example. In some ways The Prince takes the typical form of an advice-book for princes, but in one crucial way it ‘revolutionised the genre’ (Skinner, 1978: 118). Most of his fellow authors argued that a prince should be virtuous, and by this they mean that they should always follow the Christian virtues. Machiavelli also thought a prince should be virtuous, but he meant it in an entirely different way. He meant it to mean virtuoso, or, to put it another way, skilled. If one refers to a virtuoso pianist, we mean that they are skilful at playing the piano, not that they are a moral pianist (even if perhaps they are). Likewise, the prince should be skilful as opposed to always moral.

      If the prince was to follow the Christian virtues all the time, he would become predictable – and end up losing his position, probably to someone less good than him. So it is vital that the prince learns how not to be good sometimes.

      Following the Christian morals was not necessarily bad in and of itself for Machiavelli; indeed, perhaps the prince should generally follow them. The problem arose for Machiavelli if the prince always followed them, he always kept his word, he always paid his debts, and so on. This would be because the prince would then become predictable, and his political opponents would always know what he was going to do, and he would be deposed. So if the prince wanted to keep hold of his position, he must learn how to sometimes do the opposite of the Christian morals; this was the skill that he must learn. It might be fine to always be moral if we always know that our opponents would be likewise; but they won’t and therefore we shouldn’t.

      [T]he gulf between how one should live and how one does live is so wide that a man who neglects what is actually done for what should be done learns the way to self-destruction rather than self-preservation. The fact is that a man who wants to act virtuously in every way necessarily comes to grief among so many who are not virtuous. (Machiavelli, 1961: 91)

       Machiavelli

      Machiavelli was born in 1469 in Florence, modern-day Italy but then a city state, to a prominent, but not very wealthy, family. During Machiavelli’s lifetime, Florence oscillated between being a republic and being ruled by the Medici family, a dynasty of bankers and art patrons. As part of his duties in the Florentine republic, he met leading political figures of the day such as Cesare Borgia, Louis XII and Pope Alexander VI. It was here he became interested in the manner in which political rulers acquired and ruled their territories.

      After the return of the Medici he was imprisoned and tortured for his alleged involvement in an assassination attempt. He then went to live on his farm outside of the city of Florence, where he started writing.

      Machiavelli is best known for his work The Prince, which shows how princes should govern, and the Discourses, where he shows how republics should govern. It is in dispute as to which he favoured.

      The enemy of the skilful prince is fortune; and many thought that any prince could be thrown off course by bad luck. Indeed, Stoic thought was popular when Machiavelli was writing; and Stoicism placed a lot of emphasis on luck. After you had prepared yourself for a certain activity, if luck prevented you from succeeding, Stoic philosophy invited you to shrug your shoulders and accept that so much of the world is out of your control. Machiavelli completely rejects this. Whereas fortune does indeed control a lot of one’s life (half of it, he suggests), it will control far more of the life of a weak unskilled prince than a skilled manly man. Fortune favours the brave, for Machiavelli. So he suggests:

      She shows her potency where there is no well regulated power to resist her, and her impetus is felt where she knows there are no embankments and dykes built to resist her. (Machiavelli, 1961: 130–1)

      Take his description of Agathocles, the man who showed ‘much audacity and physical courage’ to rise from an obscure position to become King of Syracuse, for example (Machiavelli, 1961: 62). To take power, he rounded up the politicians and wealthy citizens and had them summarily executed, and faced no internal opposition thereafter. He held on to power for some time, and won many magnificent military victories, so in some ways might be seen as the archetypal Machiavellian ruler, showing as he did ingenuity to tame fortune. This is not, however, Machiavelli’s conclusion on his reign. Machiavelli states that it ‘cannot be called prowess to