Marc Van De Mieroop

A History of Ancient Egypt


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of the state, paralleling the processes of state formation in many respects. The earliest evidence of a coherent system of notation comes from tomb U‐j at Abydos around 3250 BC, while all the elements of the standard Egyptian hieroglyphic script are clear in the mid‐1st dynasty around 2900, and the fully developed usage is attested from the mid‐2nd dynasty on, around 2750. As is the case for the origins of the state, the earliest stages of writing are not entirely clear to us, and scholars debate what elements of the later Egyptian script they already include. Moreover, the reasons why writing originated are also disputed. The discussion here is thus one of several potential reconstructions.

       Precursors at Abydos

      Among the grave goods in tomb U‐j at Abydos were a number of inscribed objects. Some 160 square bone and ivory labels, which were originally tied to bales of cloth or other goods, contained incised signs, while about 125 jars had one or two signs painted on them. Often there are multiple examples of the same inscription. The total number of distinct signs is only some 50, most of them found on more than one object. Those on the labels include numerals and word signs, but almost never on the same object. The jars contain word signs only. The numerals include single digits and a sign for 100. All other signs are pictorial and they mostly depict birds. The excavator of the tombs believes that some signs render entire words, and others the sound of parts of words, as was the case in later Egyptian script, but the evidence is inconclusive. Most of the signs on labels and jars probably indicate the provenance of the products, the name of a region or an estate, while others may render the names of kings and gods. Any actual reading is tentative, however. Yet, the material shows that people at the places of origin and destination of the products all understood the same system.

       Hieroglyphic script

      The invention of hieroglyphic writing as it would be used for millennia in Egypt took place in late Predynastic and Early Dynastic times. It made the rendering of the sounds and meanings of the spoken language possible, although writers did not aim at a complete recording of all elements of speech. Especially the earliest inscriptions were terse and only indicated the essential concepts of a message. They did not provide grammatical forms or all the components of a sentence in the spoken language. We do not know whether or not people spoke a common language throughout Egypt at the time writing was invented, although it is clear that they wrote only one language.

      Logograms by themselves can convey much information, but they allow room for error. They also cannot render most names, which were central to the earliest inscriptions, or nonfigurative notions such as “good” or “to desire.” Thus the Egyptians developed a set of signs that could be read phonetically, containing one to three consonants. They did not indicate the vowels that accompanied the consonants, and each sign had multiple readings. The sign for the consonant m, for example, could represent the syllables ma, me, mi, etc. Among the phonograms are 24 signs that cover the consonants of the Egyptian language. Theoretically these could be used to write out any word, as in an alphabet. Those are the signs that shops in Egypt today use to write out tourists’ names in hieroglyphs. But the ancient Egyptians never limited themselves to those. They saw them on the same level as signs that record two or three consonants, such as nr or nfr with any combination of vowels. Phonograms appear in the earliest inscriptions to write out dynasty 0 or dynasty 1 royal names. We speak of the palette of Narmer because of the appearance of the n’r and mr signs in the serekh. Our understanding of these early writings is restricted, however. Narmer’s name appeared in inscriptions from all over Egypt and Palestine, and multiple ways to write it out existed. We may be mistaken in our reading of it.

      Source: The Trustees of the British Museum / Art Resource