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Jacob Abbott
History of Cleopatra, Queen of Egypt
Published by Good Press, 2019
EAN 4057664608468
Table of Contents
PREFACE.
In selecting the subjects for the successive volumes of this series, it has been the object of the author to look for the names of those great personages whose histories constitute useful, and not merely entertaining, knowledge. There are certain names which are familiar, as names, to all mankind; and every person who seeks for any degree of mental cultivation, feels desirous of informing himself of the leading outlines of their history, that he may know, in brief, what it was in their characters or their doings which has given them so widely-extended a fame. This knowledge, which it seems incumbent on every one to obtain in respect to such personages as Hannibal, Alexander, Cæsar, Cleopatra, Darius, Xerxes, Alfred, William the Conqueror, Queen Elizabeth, and Mary, queen of Scots, it is the design and object of these volumes to communicate, in a faithful, and, at the same time, if possible, in an attractive manner. Consequently, great historical names alone are selected; and it has been the writer’s aim to present the prominent and leading traits in their characters, and all the important events in their lives, in a bold and free manner, and yet in the plain and simple language which is so obviously required in works which aim at permanent and practical usefulness.
ENGRAVINGS.
| Page | |
| MAP, SCENE OF CLEOPATRA’S HISTORY | Frontispiece. |
| MAP, THE RAINLESS REGION | 21 |
| MAP, THE DELTA OF THE NILE | 29 |
| THE BIRTH-DAY PRESENT | 50 |
| ANTONY CROSSING THE DESERT | 107 |
| CLEOPATRA ENTERING THE PALACE OF CÆSAR | 135 |
| VIEW OF ALEXANDRIA | 162 |
| CLEOPATRA’S SISTER IN THE TRIUMPHAL PROCESSION | 190 |
| THE ENTERTAINMENTS AT TARSUS | 242 |
| THE RAISING OF ANTONY TO THE UPPER WINDOW OF THE TOMB | 303 |
CLEOPATRA.
Chapter I.
The Valley of the Nile.
The story of Cleopatra is a story of crime. It is a narrative of the course and the consequences of unlawful love. In her strange and romantic history we see this passion portrayed with the most complete and graphic fidelity in all its influences and effects; its uncontrollable impulses, its intoxicating joys, its reckless and mad career, and the dreadful remorse and ultimate despair and ruin in which it always and inevitably ends.
Cleopatra was by birth an Egyptian; by ancestry and descent she was a Greek. Thus, while Alexandria and the delta of the Nile formed the scene of the most important events and incidents of her history, it was the blood of Macedon which flowed in her veins. Her character and action are marked by the genius, the courage, the originality, and the impulsiveness pertaining to the stock from which she sprung. The events of her history, on the other hand, and the peculiar character of her adventures, her sufferings, and her sins, were determined by the circumstances with which she was surrounded, and the influences which were brought to bear upon her in the soft and voluptuous clime where the scenes of her early life were laid.
Egypt has always been considered as physically the most remarkable country on the globe. It is a long and narrow valley of verdure and fruitfulness, completely insulated from the rest of the habitable world. It is more completely insulated, in fact, than any literal island could be, inasmuch as deserts are more impassable than seas. The very existence of Egypt is a most extraordinary phenomenon. If we could but soar with the wings of an eagle into the air, and look down upon the scene, so as to observe the operation of that grand and yet simple process by which this long and wonderful valley, teeming so profusely with animal and vegetable life, has been formed, and is annually revivified and renewed, in the midst of surrounding wastes of silence, desolation, and death, we should gaze upon it with never-ceasing admiration and pleasure. We have not the wings of the eagle, but the generalizations of science furnish us with a sort of substitute for them. The long series of patient, careful, and sagacious observations, which have been continued now for two thousand years, bring us results, by means of which, through our powers of mental conception, we may take a comprehensive survey of the whole scene, analogous, in some respects,