Lupot; an excellent maker and repairer—Gand, Adolphe—Gand, Eugène—Gaviniés, François—Germain, Joseph Louis—Germain, Emile—Gosselin—Grand-Gerard—Grandson Fils—Grosset, Paul François—Guersan, Louis
239–242
|
|
|
|
|
Hel—Henry, Jean Baptiste Felix—Henry, Charles—Henry, Octave—Henry, Eugène—Hofmans, Mathias
|
242
|
|
|
|
|
Jacobs, Hendrik; his work often mistaken for that of Niccolò Amati—Jacobs—Jacquot, Charles (père)—Jacquot, Charles (fils)—Jeandel, P. N.
|
242–243
|
|
|
|
|
Koliker
|
243
|
|
|
|
|
Lambert, Jean Nicolas—Lapaix—Laprevotte, Etienne—Leclerc—Lecomte—Leduc, Pierre—Lefebvre—Le Jeune, François—Le Pileur, Pierre—Lesclop, François Henry—Louis—Louvet, Jean—Lupot, Jean—Lupot, Laurent—Lupot, François—LUPOT, NICOLAS; maker to the Conservatoire; an excellent workman, and named "The French Stradivari," and "The king of modern makers;" characteristics of his work
|
243–247
|
|
|
|
|
Marquis de Lair—Mast, Jean Laurent—Mast—Maucotel, Charles—Maucotel, Charles Adolphe—Médard, François—Médard, Nicolas—Médard, Jean—Mennégand, Charles; distinguished as a maker and repairer, and also as a "cutter"—Miremont, Claude Augustin—Modessier—Mougenot
|
247–250
|
|
|
|
|
Namy—Nezot—Nicolas, François—Nicolas, Fourrier—Nicolas, Didier—Nicolas, Joseph
|
250
|
|
|
|
|
Ouvrard, Jean
|
250
|
|
|
|
|
Pacherele, Michel—Pacherel—Paul, Saint—PIERRAY, CLAUDE; an excellent workman, following Amati—Piete, N.—PIQUE, F. L.; close copyist of Stradivari; excellent work and material—Pirot, Claude—Pons, César—Pons
|
250–252
|
|
|
|
|
Rambaux, Claude Victor—Raut, Jean—Remy—Remy, Jean Mathurin—Remy, Jules—Remy—Renaudin, Léopold—Renault, Nicolas—Rombouts, Peeter—Roze
|
252–253
|
|
|
|
|
Sacquin—Salle—Salomon, Jean Baptiste—Saunier—Schnoeck, Egidius—SILVESTRE, PIERRE; a true artist; follower of Stradivari—Silvestre, Hippolyte—Silvestre, Hippolyte Chrétien—Simon—Simonin, Charles—Socquet
|
253–254
|
|
|
|
|
Theress, Charles—Thibout, Jacques Pierre; an excellent workman, and well-known dealer; his relations with Luigi Tarisio—Thomassin—Tywersus
|
254
|
|
|
|
|
Vaillant, François—Véron, Pierre—Vibrecht, Gysbert—Vuillaume, Jean—VUILLAUME, J. B.; a prolific and skilful maker; associated with Tarisio, and purchaser of his collection—Vuillaume, N. F.—Vuillaume, Claude François—Vuillaume, Sébastien
|
254–255
|
|
|
|
SECTION IX.—THE GERMAN SCHOOL.
|
|
|
|
|
No trace of Violin manufacture in Germany previous to the middle of the seventeenth century—Pervading influence of Jacob Stainer in the constitution of the German School—Popularity of his model—Mediocre character of the school, with some notable exceptions
|
256–258
|
|
|
|
SECTION X.—GERMAN MAKERS.
|
|
|
|
|
Albani, Mathias (père)—ALBANI, MATHIAS (fils); his style Italian, and workmanship excellent—Albani—Alletzie, Paolo—Artmann
|
259–260
|
|
|
|
|
Bachmann, Carl Ludwig; maker to the Court of Frederick the Great; founder of Concerts for Amateurs at Berlin—Bachmann, O.—Bausch, Ludwig C. A.—Bausch, Ludwig B.—Bausch, Otto B.—Beckmann—Bedler—Bindernagel; made in both German and Italian styles—Buchstadter
|
260–261
|
|
|
|
|
Christa, Joseph Paul
|
261
|
|
|
|
|
Diel (or Diehl), Martin—Diel, Nicolaus—Diel, Johann—Diel, Jacob—Diehl, Nicolaus Louis—Diehl, Friedrich—Diehl, Johann—Diehl, Heinrich—Döpfer, Nicolaus—Durfel
|
261–262
|
|
|
|
|
Eberle, J. Ulric; good copyist; form Italian; made also Viols d'Amour—Edlinger, T.—Edlinger, Joseph Joachim—Elsler, Joseph; made Viols da Gamba—Ernst, Franz Anton; pupil of Antonio Lolli; Court Musician at Gotha
|
262–263
|
|
|
|
|
Felden, M.—Fichtold, Hans—Fichtl, Martin—Ficker, Johann Christian—Ficker, Johann Gotlieb—Fischer, Zacharie—Frey, Hans; maker of Lutes; related to Albert Durer—Fritzche
|
263–264
|
|
|
