The Violin. George Hart

264 Haensel, Johann A.; his "Ueber den Bau der Violin"—Hamberger, Joseph—Hamm—Hammig, Johann Gottfried—Hassert—Hassert—Helmer, Carl—Hildebrandt—Hiltz, Paul—Hoffmann, Martin—Hoffmann, Johann Christian—Hornstainer, Joseph—Hornstainer, Matthias—Horil, Jacob—Huller, August—Humel, Christian—Hunger, Christoph Friedrich 264–265 Jais, Johann—Jauch, Johann 265 Karb—Kambl, Johann A.—Kembter—Kiaposse, Sawes—Kirchschlag—Kloz, Matthias; pupil of Stainer—KLOZ, SEBASTIAN; superior model, form flat—Kloz, George—Kloz, Egidius—Kloz, Joseph—Kloz, J. Karl—Knittle, Joseph—Knitting—Kohl, Johann—Kolditz, J.—Kolditz, Mathias Johann—Kramer, H.—Kriner, Joseph 265–267 Laska, Joseph—Lemböck 267 Mann, Hans—MAUSSIELL, LEONARD; Stainer model; excellent workmanship; style of Tecchler—Maher (Maier)—Meusidler—Mohr, Philip—Moldonner 267 Niggel, Simpertus; good workmanship 267 Ohberg, Johann—Ott, Johann—Otto, Jacob August; maker to the Court of Weimar; author of "Ueber den Bau und die Ehrhaltung der Geige und aller Bogeninstrumente"—Otto, Georg August—Otto, Christian—Otto, Heinrich—Otto, Carl—Otto, C. U. F.—Otto, Ludwig—Otto, Louis—Otto, Hermann 267–268 Parth, Andreas Nicholas—Pfretzschner, Gottlob—Pfretzschner, Carl Friedrich—Plack, F.—Possen, L. 268–269 Rauch—Rauch, Jacob; Court Violin-maker—Rauch, Sebastian—Rauch—Reichel, Johann Gottfried—Reichel, Johann Conrad—Reichers, August—Riess—Roth, Christian—Ruppert 269 Sainprae, Jacques; Baryton Viol-maker—Sawicki—Scheinlein, Mathias—Scheinlein, Johann Michael—Schell, Sebastian—Schlick—Schmidt—Schonfelder, Johann A.—Schonger, Franz—Schonger, Georg—Schorn, Johann; excellent work; high model—Schorn, Johann Paul; Court instrument-maker—Schott, Martin—Schweitzer—Stadelmann, Daniel; good work; Stainer model—Stadelmann, Johann Joseph—STAINER, JACOB; the greatest of German makers, and a thorough artist; his model original; sketch of his history and work; great popularity of his style; his "Elector Stainers;" Herr S. Ruf's personal history of Stainer's life, and the romance founded thereon; Counsellor Von Sardagna's contributions to his history; Rabenalt's drama, "Jacob Stainer," and other poems thereon: "Der Geigenmacher Jacob Stainer von Absam;" said to have been a pupil of Niccolò Amati; his marriage; his appointment as Court Violin-maker; accused of heresy, and imprisoned; pecuniary difficulties, and sad end; his good name frequently clouded by inferior work falsely attributed to him—Stainer, Markus—Stainer, Andreas—Staugtinger, Mathias W.—Steininger, Jacob; related to Döpfer and Nicholas Diel—Steininger, Franz—Stoss—Stoss, Martin—Straube—Strauss, Joseph 269–281 TIEFFENBRÜCKER—TIELKE, JOACHIM (i.); Lute and Guitar-maker; rich and chaste ornamentation of his work; description of examples extant in England—TIELKE, JOACHIM (ii.); fine examples of a later maker of this name at South Kensington and elsewhere 281–282 VOEL, E.; excellent work; Stradivari model—Vogel, Wolfgang—Vogler, Johann Georg—Voigt, Martin 282–283 Wagner, Joseph—Weickert—Weigert—Weiss, Jacob—Wenger, G. F.—Widhalm, Leopold; follower of Stainer; careful finish and good varnish—Wyemann, Cornelius 283 Zwerger, Antoni 283 SECTION XI.—THE ENGLISH SCHOOL. Non-recognition of English makers by Continental writers on the Violin—Causes of the partial decadence of the art in this country as on the Continent—Earliest English makers, and their several models—School of English copyists 284–292 SECTION XII.—ENGLISH MAKERS. Absam, Thomas—Adams—Addison, William—Aireton, Edmund; an excellent copyist of Amati—Aldred—Askey, Samuel 293 Baines—Baker—Ballantine—BANKS, BENJAMIN; the foremost English maker, and termed "The English Amati;" high character of his work and varnish—Banks, Benjamin (2)—Banks, James and Henry—Barnes, Robert—Barrett, John; follower of Stainer; good quality of work—Barton, George—Betts, John; pupil of Richard Duke—BETTS, EDWARD; pupil of Duke, and an excellent copyist; high finish; Amati model—Bolles—Booth, William—Booth—Boucher—Brown, James—Brown, James (2)—Browne, John 293–299 Cahusac—Carter,