designs. See Vase Plate, Fig. 1, and p. 105
|
28
|
OLD TEMPLE AT CORINTH
|
108
|
|
From a photograph by the English Photo Co., Athens. See p. 107
|
|
29
|
STELE OF ARISTION (Fig. 1)
|
114
|
|
From a photograph by the English Photo Co., Athens, of the original in the National Museum. See p. 114
|
|
29
|
HARMODIUS (Fig. 2)
|
|
From a photograph by Alinari of the original in the Naples Museum. See p. 116
|
|
30
|
SCULPTURED COLUMN FROM THE OLD TEMPLE OF ARTEMIS AT EPHESUS (Fig. 1)
|
122
|
|
From a photograph by Mansell & Co. of the original in the British Museum. It was dedicated, as the inscription shows, by King Crœsus. See p. 123
|
|
30
|
RELIEF FROM THE HARPY TOMB: NORTH SIDE (Fig. 2)
|
122
|
|
From a photograph by Mansell & Co. of the original in the Archaic Room, British Museum. In the centre, a warrior yielding up his armour to Pluto. On the right and left, Fates (“Harpies”) carrying off the souls of the dead. In the right corner, a woman mourning. See p. 123
|
|
31
|
RELIEFS FROM THE “LUDOVISI THRONE”
|
124
|
|
From photographs by Alinari of the originals at Rome. See p. 124
|
|
32
|
RELIEFS FROM THE “LUDOVISI THRONE”
|
126
|
|
Collotype plate, from photographs of the originals in the Museum of Fine Arts, Boston, Mass., U.S.A., by kind permission of the Director. See p. 125
|
|
33
|
THE TEMPLE OF POSEIDON AT PÆSTO
|
128
|
|
From a photograph. See p. 128
|
|
34
|
METOPES FROM THE TEMPLE OF HERA AT SELINUS
|
130
|
|
Perseus and Gorgon (Fig. 1)
|
|
Hera and Zeus (Fig. 2)
|
|
From photographs by Alinari of the originals, now in the Palermo Museum. See p. 130
|
|
35
|
EARLY COINS OF SICILY AND MAGNA GRÆCIA
|
132
|
|
Photographed from casts in the British Museum. See p. 131
|
|
Case I, Section C.
|
|
1. Silver Didrachm of Naxos, No. 31
|
|
Obverse: Head of Dionysus crowned with ivy. Reverse: Bunch of grapes and inscription
|
|
2. Silver Didrachm of Tarentum, No. 7
|
|
Reverse: Archaic head, ? Taras. Obverse: Taras (the city’s hero) riding a dolphin, cockle-shell and inscription
|
|
3. Silver Tetradrachm of Catana, No. 25
|
|
Reverse: Winged Victory holding a wreath. Obverse: River-god as a bull with man’s head, a fish below and a water-bird above
|
|
4. Silver Tetradrachm of Syracuse, No. 35
|
|
Reverse: Head of Arethusa surrounded with dolphins. Obverse: Four-horse chariot with Victory above
|
|
36
|
THE PLAIN OF MARATHON
|
134
|
|
From a photograph by the English Photo Co., Athens. See p. 134
|
|
37
|
THE BAY OF SALAMIS
|
138
|
|
From a photograph by the English Photo Co., Athens. See p. 138
|
|
38
|
PERICLES
|
140
|
|
From a photograph by Mansell & Co. of the original in the British Museum, after Cresilas. See p. 142
|
|
39
|
PEDIMENTAL FIGURES FROM THE TEMPLE OF APHAIA AT ÆGINA
|
142
|
|
From photographs by Bruckmann of the originals at Munich. See p. 147
|
|
40
|
SCULPTURES OF THE EASTERN PEDIMENT OF THE PARTHENON
|
146
|
|
From photographs by Mansell & Co. of the originals in the Elgin Room, British Museum. See p. 151
|
|
41
|
PORTIONS OF THE EAST FRIEZE OF THE PARTHENON
|
148
|
|
Figures referenced, 30–48 in the British Museum. See p. 154
|
|
42
|
PORTIONS OF THE WEST FRIEZE OF THE PARTHENON
|
150
|
|
Figures referenced, 2–3, 16–19, and 28–30 in the British Museum. From photographs by Mansell & Co. of the originals and casts in the British Museum. (Some of the marbles are still in situ at Athens.) See p. 155
|
|
43
|
THE “STRANGFORD” SHIELD (Fig. 1)
|
152
|
|
From a photograph by Mansell & Co. of the marble copy in the British Museum. The old Greek striking down an Amazon is said to be a portrait of Pheidias by himself. See p. 156
|
|
43
|
RECONSTRUCTION OF THE ACROPOLIS (Fig. 2)S
|
|
From a drawing by R. Bohn in the British Museum. See p. 163
|
|
44
|
THE LEMNIAN ATHENA
|
154
|
|
