196
|
From a photograph by Bruckmann of the original at Munich. See p. 214
|
|
63
|
THE MARBLE FAUN, AFTER PRAXITELES (Fig. 1)
|
198
|
|
From a photograph by Anderson of a copy in the Capitoline Gallery, Rome. See p. 214
|
|
63
|
THE EROS OF CENTOCELLE (Fig. 2)
|
|
From a photograph by Anderson of a copy in the Vatican. See p. 215
|
|
64
|
HEAD OF A YOUTH (Fig. 1)
|
202
|
|
From a photograph by Brogi of the bronze at Naples. See p. 215
|
|
64
|
WINGED HEAD OF HYPNOS (SLEEP) (Fig. 2)S
|
|
From a photograph by Mansell & Co. of the original bronze in the British Museum. See p. 220
|
|
65
|
THE HERMES OF PRAXITELES
|
204
|
|
From a photograph by the English Photo Co., Athens, of the original at Olympia. See p. 215
|
|
66
|
THE HERMES OF PRAXITELES: HEAD
|
206
|
|
From a photograph by the English Photo Co., Athens, of the original at Olympia. See p. 215
|
|
67
|
APOLLO AND MARSYAS
|
208
|
|
From a photograph by the English Photo Co., Athens, of the relief from Mantinea. See p. 216
|
|
68
|
MELEAGER: HEAD, AFTER SCOPAS
|
210
|
|
From a photograph by Anderson of the marble at Rome. The head, which does not belong to the body, has been recognised as representing the style of Scopas (fourth century B.C.). See p. 218
|
|
69
|
THE DEMETER OF CNIDOS
|
212
|
|
From a photograph by Mansell & Co. of the marble in the British Museum. See p. 219
|
|
70
|
SCULPTURED COLUMN FROM THE TEMPLE OF ARTEMIS AT EPHESUS
|
214
|
|
From a photograph by Mansell & Co. of the original in the British Museum. This belonged to the new temple built after the fire of 356 B.C. See p. 219
|
|
71
|
FIGURE OF A YOUTH. FROM CERIGO
|
216
|
|
From a photograph by the English Photo Co. of the bronze at Athens. See p. 220
|
|
72
|
THE “LUDOVISI” ARES
|
218
|
|
From a photograph by Anderson of the marble at Rome. The cupid between the god’s feet is certainly a later addition. See p. 220
|
|
73
|
THE “RONDANINI” MEDUSA (Fig. 1)
|
220
|
|
From a photograph by Bruckmann of the marble copy at Munich. The original was in bronze. See p. 220
|
|
73
|
RELIEF FROM THE MAUSOLEUM (Fig. 2)
|
|
From a photograph by Mansell & Co. of the original in the British Museum. Representing a combat between Greeks and Amazons. See p. 222
|
|
74
|
STATUE OF MAUSOLUS, FROM THE MAUSOLEUM
|
222
|
|
As the last. See p. 222
|
|
75
|
A NIOBID
|
224
|
|
From a photograph by Anderson of the recently discovered original at Rome. See p. 222
|
|
76
|
ATHLETES BOXING. FROM A PANATHENAIC AMPHORA
|
226
|
|
Drawn from Vase B 607 in the Fourth Vase Room, British Museum. It is inscribed with the name of the Archon Pythodelos, giving the date 336 B.C. The figures are in black, but this is a survival from the earlier style. See p. 224
|
|
77
|
COINS OF THE FOURTH CENTURY
|
228
|
|
Photographed from casts in the British Museum. See p. 225
|
|
Case III.
|
|
1 Gold Stater of Rhodes, A 37
|
|
Obverse: Head of the Sun-god. Reverse: A rose
|
|
2 Athenian Gold Stater, B 30
|
|
Obverse: Head of Athena. Reverse: Owl and olive-branch
|
|
3 Gold Stater of Panticapæum, B 2
|
|
Obverse: Head of Pan. Reverse: Gryphon and barley (the latter typifying the corn trade)
|
|
4 Silver Tetradrachm of Tenedos, A 20
|
|
Obverse: Janiform head. Reverse: Double axe and bee in a wreath
|
|
5 Sicilian Decadrachm, C 29
|
|
Obverse: Head of Arethusa or Persephone. Reverse: Four-horse chariot with Victory above and armour below
|
|
78
|
GREEK GEMS
|
230
|
|
From photographs by Mansell & Co. of gems in the British Museum. See p. 225
|
|
1 A Quoit-thrower or Hyacinthus; probably fourth century B.C.
|
|
2 A Wounded Warrior
|
|
3 Harper (compare Pl. 32). Fine work of the fifth century, cornelian intaglio
|
