Muhammad al-Muwaylihi

What 'Isa ibn Hisham Told Us


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Each of these categories subsequently becomes the topic of a later episode in Fatrah min al-Zaman. These shifts in narrative focus, each one involving a gap of varying duration in the publication of the articles, give us a hint as to how al-Muwayliḥī’s responded to reader interest in the way he composed and sequenced episodes, again a replication of the circumstances under which novelists like Charles Dickens frequently functioned in composing and publishing novels. It is in the episodes that follow the description of these “meetings” (majālis) that al-Muwayliḥī comes up with his most inspired creation, the provincial ʿumdah (village headman) who comes to the rapidly Westernizing capital city from the countryside in search of fun and is mercilessly exploited by a duly Westernized fop (Khalīʿ, which I have translated as “Playboy”) and his accomplice, a Merchant. The juxtaposition and confrontation of traditional mores and Western fashions is explored through a number of different venues and situations: restaurants and food, bars, tourism, money borrowing, and the theater. After a visit to the Pyramids, ʿĪsā ibn Hishām, the Pāshā, and their “Friend” (ṣadīq) leave the other group to their own devices and return home (Miṣbāḥ al-sharq 107, June 8, 1900). Given that Muḥammad al-Muwayliḥī was leaving almost immediately for Paris and the Exposition universelle, it is not surprising that, in what was at the time a final episode in the series, the Pāshā expresses to ʿĪsā his desire to see Western civilization firsthand. Plans are made to travel to France.

      As already noted, Ibrāhīm al-Muwayliḥī made use of his son’s journey to France to publish further episodes of his own narrative. Not only that, but Miṣbāḥ al-sharq 107 also contains the following announcement:

      ʿĪsā ibn Hishām: Muḥammad al-Muwayliḥī is traveling to the Paris Exposition this coming Sunday. Once he has gathered his impressions of the entire scenario and its details, Miṣbāḥ al-sharq will be publishing his description of its marvels and curiosities.

      This is the first episode of Ḥadīth ʿĪsā ibn Hishām concerning the visit to the Paris Exhibition. It has been sent to us by Muḥammad al-Muwayliḥī following his previous report on the visit of the Khedive of Egypt to Her Majesty the Queen of England.

      Among the things to note from this introduction is that the series of episodes, originally (and still) called Fatrah min al-Zaman, has now acquired another title, Ḥadīth ʿĪsā ibn Hishām, which had been used on a few occasions in announcements before, but seems to have become the preferred title—indeed the one under which the eventual book was to be published in 1907. This trend is further emphasized by the fact that Ibrāhīm al-Muwayliḥī’s narrative is assigned the subtitle Ḥadīth Mūsā ibn ʿIṣām, invoking the name of his own narrator and at the same time echoing in the clearest possible way the emerging title of his son’s work.

      These three articles, which form an uninterrupted continuum and only the first of which contains an example of their author’s virtuoso use of sajʿ, offer a detailed description of the French system of government—its presidency, election processes, senate, and chamber of deputies. The third of these episodes ends again with the usual “To be continued,” and yet nothing followed. And this time it was indeed the end of the Fatrah min al-Zaman series the author had initiated four years earlier.

      The first edition of Ḥadīth ʿĪsā ibn Hishām was published in 1907, Fatrah min al-Zaman becoming its subtitle. In the introduction to this (and only this) edition, al-Muwayliḥī explains his method and rationale: