shrines of the other disease godlings. Villagers say that when disease appears in a family, the housewife comes and makes a vow, and if the patient recovers she makes a little shrine to the peculiar form of Devî which she considers responsible for the illness. The Brâhmans say that these minor shrines are in honour of the Yoginîs, who are usually said to number eight—Mârjanî, Karpûratilakâ, Malayagandhinî Kauamudikâ, Bherundâ, Mâtâlî, Nâyakî, Jayâ or Subhâchârâ, Sulakshanâ and Sunandâ. In the Gurgâon District, accompanying images of Sîtalâ, is one of Sedhu Lâla, who is inferior to her, yet often worshipped before her, because he is regarded as her servant and intercessor. Copper coins are thrown behind her shrine into a saucer, which is known as her Mâlkhâna or Treasury. Rice and other articles of food are placed in front of her shrine, and afterwards distributed to Chamârs, the currier caste, and to dogs.9
Like so many deities of this class Sîtalâ is on the way to promotion to the higher heaven. In some places she is identified with Kâlikâ Bhavânî, and one list of the seven small-pox sisters gives their names as Sîtalâ, Phûlmatî, Chamariyâ, Durgâ Kâlî, Mahâ Kâlî, and Bhadrâ Kâlî. This has obviously passed through the mill of Brâhmanism. Of these, Chamariyâ is doubtless allied to Châmar, who is a vaguely described low-caste deity, worshipped in the North-Western Provinces. Some say he is the ghost of a Chamâr, or worker in leather, who died an untimely death. Chamariyâ is said to be the eldest and Phûlmatî the youngest sister of Sîtalâ. She, by the common account, takes her name from the pustules (phûl) of the disease. She brings the malady in its mildest form, and the worst variety is the work of Sîtalâ in person. She lives in the Nîm tree, and hence a patient suffering from the disease is fanned with its leaves. A very bad form of confluent small-pox is the work of Chamariyâ, who must be propitiated with the offering of a pig through a Chamâr or other low-caste priest. The influence of Kâlî in her threefold form is chiefly felt in connection with other pustular diseases besides small-pox. Earthenware images of elephants are placed at her shrine, and her offerings consist of cakes, sweetmeats, pigs, goats, sheep, and black fowls. Bhadrâ Kâlî is the least formidable of all. The only person who has influence over Kâlî is the Ojha, or sorcerer, who, when cholera and similar epidemics prevail, collects a subscription and performs a regular expiatory service.
Connection of Sîtalâ with Human Sacrifice.
In her form as household goddess, Sîtalâ is often known as Thandî, or “the cool one,” and her habitation is in the house behind the water-pots, in the cold, damp place where the water drips. Here she is worshipped by the house-mother, but only cold food or cold water is offered to her.
There is, however, a darker side to the worship of Sîtalâ and the other disease godlings than this mild household service. In 1817 a terrible epidemic of cholera broke out at Jessore. “The disease commenced its ravages in August, and it was at once discovered that the August of this year had five Saturdays (a day under the influence of the ill-omened Sani). The number five being the express property of the destructive Siva, a mystical connection was at once detected, the infallibly baneful influence of which it would have been sacrilege to question. On the night of the 27th a strange commotion spread through the villages adjacent to the station. A number of magicians were reported to have quitted Marelli with a human head in their possession, which they were to be directed by the presence of supernatural signs to leave in a certain, and to them unknown, village. The people on all sides were ready by force to arrest the progress of these nocturnal visitors. For the prophecy foretold that wherever the head fell, the destroying angel terminating her sanguinary course would rest, and the demon of death, thus satisfied, would refrain from further devastation in that part of the country. Dr. Tytler says that on that night, while walking along the road, endeavouring to allay the agitation, the judge and he perceived a faint light arising from a thick clump of bamboos. Attracted to the spot, they found a hut which was illuminated, and contained images of five Hindu gods, one of which was Sîtalâ, the celebrated and formidable Aulâ Bîbî, ‘Our Lady of the Flux,’ an incarnation of Kâlî, who it is believed is one day to appear riding on a horse for the purpose of slaughtering mankind, and of setting the world on fire. In front of the idol a female child about nine years of age lay on the ground. She was evidently stupefied with intoxicating drugs, and in this way prepared to answer responses to such questions as those initiated into the mysteries should think proper to propose.”10 There is much in this statement which is open to question, and it seems doubtful whether, as Dr. Chevers is disposed to believe, the case was really one of intended human sacrifice.
Small-pox Worship in Bengal.
In Bengal the divine force antagonistic to Sîtalâ is Shashthî, “goddess of the sixth,” who is regarded as the special guardian of children. The worship of Shashthî rests on a physiological fact, which has only recently been applied to explain this special form of worship. The most fatal disease of Indian children is a form of infantile lock-jaw, which is caused by the use of a coarse, blunt instrument, such as a sickle, for severing the umbilical cord. This disease usually makes its appearance between the sixth and twelfth day of the life of the child, and hence we have the formal rites of purification from the birth pollution performed as the Chhathî on the sixth and the Barahî on the twelfth day after delivery.
“In Bengal when small-pox rages, the gardeners are busiest. As soon as the nature of the disease is determined, the physician retires and a gardener is summoned. His first act is to forbid the introduction of meat, fish, and all food requiring oil or spices for its preparation. He then ties a lock of hair, a cowry shell, a piece of turmeric, and an article of gold on the right wrist of the patient. (The use of these articles as scarers of evil spirits will be considered later on.) The sick person is then laid on the Majhpatta, the young and unexpanded leaf of the plantain tree, and milk is prescribed as the sole article of food. He is fanned with a branch of the sacred Nîm (Azidirachta Indica), and any one entering the chamber is sprinkled with water. Should the fever become aggravated and delirium ensue, or if the child cries much and sleeps little, the gardener performs the Mâtâ Pûjâ. This consists in bathing an image of the goddess causing the disease, and giving a draught of the water to drink. To relieve the irritation of the skin, pease meal, turmeric, flour or shell sawdust is sprinkled over the body. If the eruption be copious, a piece of new cloth in the figure of eight is wrapped round the chest and shoulders. On the night between the seventh and eighth days of the eruption, the gardener has much to do. He places a water-pot in the sick-room, and puts on it rice, a cocoanut, sugar, plantains, a yellow rag, flowers, and a few Nîm leaves. Having mumbled several spells (mantra), he recites the tale (qissa) of the particular goddess, which often occupies several hours. When the pustules are mature, the gardener dips a thorn of the Karaunda (Carissa) in sesamum oil and punctures each one. The body is then anointed with oil, and cooling fruits are given. When the scabs have peeled off, another ceremony called Godâm is gone through. All the offerings on the water-pot are rolled in a cloth and fastened round the waist of the patient. The offerings are the perquisite of the gardener, who also receives a fee. Government vaccinators earn a considerable sum yearly by executing the Sîtalâ worship, and when a child is vaccinated, a portion of the service is performed”—a curious compromise between the indigenous faith and European medical science.11
The special Tirhût observance of the Jur Sîtal or “smallpox fever” feast will be more conveniently considered in connection with other usages of the same kind.
Mâtangî Saktî and Masân.
We have already seen that Sîtalâ is in the stage of promotion to the Brâhmanical heaven. Here her special name is Mâtangî Saktî, a word which has been connected with Mâtâ and Masân,