into a new sign of zodiac, and eating meals on other days only when the sun has risen.
Among the Drâvidian races, along the Central Indian hills, Sun-worship is widely prevalent. When in great affliction the Kharwârs appeal to the sun. Any open space in which he shines may be his altar. The Kisâns offer a white cock to him when a sacrifice is needed. He is worshipped by the Bhuiyas and Orâons as Borâm or Dharm Devatâ, “the godling of pity,” and is propitiated at the sowing season by the sacrifice of a white cock. The Korwas worship him as Bhagwân, or “the only God,” in an open space with an ant-hill as an altar. The Khariyas adore him under the name of Bero. “Every head of a family should during his lifetime make not less than five sacrifices to this deity—the first of fowls, the second of a pig, the third of a white goat, the fourth of a ram, and the fifth of a buffalo. He is then considered sufficiently propitiated for that generation, and regarded as an ungrateful god if he does not behave handsomely to his votary.” He is addressed as Parameswar, or “great god,” and his sacrifices are always made in front of an ant-hill which is regarded as his altar. The Kols worship Sing Bonga, the creator and preserver, as the sun. Prayer and sacrifice are made to him, as to a beneficent deity, who has no pleasure in the destruction of any of his subjects, though, as a father, he chastises his erring children, who owe him gratitude for all the blessings they enjoy. He is said to have married Chando Omal, the moon. She deceived him on one occasion, and he cut her in two; but repenting of his anger, he restores her to her original shape once a month, when she shines in her full beauty. The Orâons address the sun as Dharmi, or “the holy one,” and do not regard him as the author of sickness or calamity; but he may be invoked to avert it, and this appeal is often made when the sacrifices to minor deities have been unproductive. He is the tribal god of the Korkus of Hoshangâbâd; they do not, however, offer libations to him, as Hindus do; but once in three years the head of each family, on some Sunday in April or May, offers outside the village a white she-goat and a white fowl, turning his face to the East during the sacrifice. Similarly the Kûrs of the Central Provinces carve rude representations of the sun and moon on wooden pillars, which they worship, near their villages.19
Sun-worship in the Domestic Ritual.
It is needless to say that the custom of walking round any sacred object in the course of the sun prevails widely. Thus in Ireland, when in a graveyard, it is customary to walk as much as possible “with the sun,” with the right hand towards the centre of the circle.20 Even to this day in the Hebrides animals are led round a sick person, following the sun; and in the Highlands it is the custom to make the “deazil” or walk three times in the sun’s course round those whom they wish well. When a Highlander goes to bathe or to drink water out of a consecrated spring, he must always approach by going round the place from east to west on the south side, in imitation of the daily motion of the sun.21 We follow the same rule when we pass the decanters round our dinner tables. In the same way in India the bride and bridegroom are made to revolve round the sacred fire or the central pole of the marriage-shed in the course of the sun; the pilgrim makes his solemn perambulation (parikrama) round a temple or shrine in the same way; in this direction the cattle move as they tread out the grain.
One special part of the purificatory rite following childbirth is to bring the mother out and expose her to the rays of the sun. All through the range of popular belief and folk-lore appears the idea that girls may be impregnated by the sun.22 Hence they are not allowed to expose themselves to his rays at the menstrual period. For the same reason the bride is brought out to salute the rising sun on the morning after she begins to live with her husband. A survival of the same belief may be traced in the English belief that happy is the bride on whom the sun shines. The same belief in the power of the sun is shown in the principle so common in folk-lore that to show a certain thing to it (in a Kashmîr tale it is a tuft of the hair of the kindly tigress) will be sufficient to summon an absent friend.23
The mystical emblem of the Swâstika, which appears to represent the sun in his journey through the heavens, is of constant occurrence. The trader paints it on the fly-leaf of his ledger; the man who has young children or animals liable to the Evil Eye makes a representation of it on the wall beside his door-post; it holds the first place among the lucky marks of the Jainas; it is drawn on the shaven heads of children on the marriage-day in Gujarât; a red circle with a Swâstika in the centre is depicted on the place where the gods are kept.24 In those parts of the country where Bhûmiya is worshipped as a village guardian deity his votary constructs a rude model of it on the shrine by fixing up two crossed straws with a daub of plaster. It often occurs in folk-lore. In the drama of the “Toy Cart” the thief hesitates whether he shall make the hole in the wall of Charudatta’s house in the likeness of a Swâstika or of a water jar. A hymn of the Rigveda25 speaks of the all-seeing eye of the sun whose beams reveal his presence, gleaming like brilliant flames to nation after nation. This same conception of the sun as an eye is common in the folk-lore of the West.26
Moon-worship.
The fate of Chandra or Soma, the Moon godling, is very similar. The name Soma, originally applied to the plant the juice of which was used as a religious intoxicant, came to be used in connection with the moon in the post-Vedic mythology. There are many legends to account for the waning of the moon and the spots on his surface, for the moon, like the sun, is always treated as a male godling. One of the legends current to explain the phases of the moon has been already referred to. According to another story the moon married the twenty-seven asterisms, the daughters of the Rishi Daksha, who is the hero of the curious tale of the sacrifice now located at Kankhal, a suburb of Hardwâr. Umâ or Pârvatî, the spouse of Siva, was also a daughter of Daksha, and when he, offended with his son-in-law Siva, did not invite him to the great sacrifice, Umâ became Satî, and in his rage Siva created Vîrabhadra, who killed the sage. Soma after marrying the asterisms devoted himself to one of them, Rohinî, which aroused the jealousy of the others. They complained to their father Daksha, who cursed the moon with childlessness and consumption. His wives, in pity, interceded for him, but the curse of the angry sage could not be wholly removed: all that was possible was to modify it so that it should be periodical, not permanent. In an earlier legend, of which there is a trace in the Rig Veda,27 the gods, by drinking up the nectar, caused the waning of the moon. Another curious explanation is current in Bombay. One evening Ganesa fell off his steed, the rat, and the moon could not help laughing at his misfortune. To punish him the angry god vowed that no one should ever see the moon again. The moon prayed for forgiveness, and Ganesa agreed that the moon should be disgraced only on his birthday, the Ganesa Chaturthî. On this night the wild hogs hide themselves that they may not see the moon, and the Kunbis hunt them down and kill them.28
There are also many explanations to account for the spots in the moon. In Western lands the moon is inhabited by a man with a bundle of sticks on his back; but it is not clear of what offence this was the punishment. Dante says he is Cain; Chaucer says he was a thief, and gives him a thorn-bush to carry; Shakespeare gives him thorns to carry, but provides him with a dog as a companion. In Ireland children are taught that he picked faggots on a Sunday and is punished as a Sabbath-breaker. In India the creature in the