the Abbe. “So you have no longer any excuse for not marrying young Monsieur de Soulas.”
“I do not wish to destroy my mother’s happiness,” retorted Rosalie.
“Satan!” exclaimed the Vicar-General.
Towards the end of that winter the worthy Abbe de Grancey died. This good friend no longer stood between Madame de Watteville and her daughter, to soften the impact of those two iron wills.
The event he had foretold took place. In the month of August 1837 Madame de Watteville was married to Monsieur de Soulas in Paris, whither she went by Rosalie’s advice, the girl making a show of kindness and sweetness to her mother. Madame de Watteville believed in this affection on the part of her daughter, who simply desired to go to Paris to give herself the luxury of a bitter revenge; she thought of nothing but avenging Savarus by torturing her rival.
Mademoiselle de Watteville had been declared legally of age; she was, in fact, not far from one-and-twenty. Her mother, to settle with her finally, had resigned her claims on les Rouxey, and the daughter had signed a release for all the inheritance of the Baron de Watteville. Rosalie encouraged her mother to marry the Comte de Soulas and settle all her own fortune on him.
“Let us each be perfectly free,” she said.
Madame de Soulas, who had been uneasy as to her daughter’s intentions, was touched by this liberality, and made her a present of six thousand francs a year in the funds as conscience money. As the Comtesse de Soulas had an income of forty-eight thousand francs from her own lands, and was quite incapable of alienating them in order to diminish Rosalie’s share, Mademoiselle de Watteville was still a fortune to marry, of eighteen hundred thousand francs; les Rouxey, with the Baron’s additions, and certain improvements, might yield twenty thousand francs a year, besides the value of the house, rents, and preserves. So Rosalie and her mother, who soon adopted the Paris style and fashions, easily obtained introductions to the best society. The golden key — eighteen hundred thousand francs — embroidered on Mademoiselle de Watteville’s stomacher, did more for the Comtesse de Soulas than her pretensions a la de Rupt, her inappropriate pride, or even her rather distant great connections.
In the month of February 1838 Rosalie, who was eagerly courted by many young men, achieved the purpose which had brought her to Paris. This was to meet the Duchesse de Rhetore, to see this wonderful woman, and to overwhelm her with perennial remorse. Rosalie gave herself up to the most bewildering elegance and vanities in order to face the Duchess on an equal footing.
They first met at a ball given annually after 1830 for the benefit of the pensioners on the old Civil List. A young man, prompted by Rosalie, pointed her out to the Duchess, saying:
“There is a very remarkable young person, a strong-minded young lady too! She drove a clever man into a monastery — the Grand Chartreuse — a man of immense capabilities, Albert de Savarus, whose career she wrecked. She is Mademoiselle de Watteville, the famous Besancon heiress — — ”
The Duchess turned pale. Rosalie’s eyes met hers with one of those flashes which, between woman and woman, are more fatal than the pistol shots of a duel. Francesca Soderini, who had suspected that Albert might be innocent, hastily quitted the ballroom, leaving the speaker at his wits’ end to guess what terrible blow he had inflicted on the beautiful Duchesse de Rhetore.
“If you want to hear more about Albert, come to the Opera ball on Tuesday with a marigold in your hand.”
This anonymous note, sent by Rosalie to the Duchess, brought the unhappy Italian to the ball, where Mademoiselle de Watteville placed in her hand all Albert’s letters, with that written to Leopold Hannequin by the Vicar-General, and the notary’s reply, and even that in which she had written her confession to the Abbe de Grancey.
“I do not choose to be the only sufferer,” she said to her rival, “for one has been as ruthless as the other.”
After enjoying the dismay stamped on the Duchess’ beautiful face, Rosalie went away; she went out no more, and returned to Besancon with her mother.
Mademoiselle de Watteville, who lived alone on her estate of les Rouxey, riding, hunting, refusing two or three offers a year, going to Besancon four or five times in the course of the winter, and busying herself with improving her land, was regarded as a very eccentric personage. She was one of the celebrities of the Eastern provinces.
Madame de Soulas has two children, a boy and a girl, and she has grown younger; but Monsieur de Soulas has aged a good deal.
“My fortune has cost me dear,” said he to young Chavoncourt. “Really to know a bigot it is unfortunately necessary to marry her!”
Mademoiselle de Watteville behaves in the most extraordinary manner. “She has vagaries,” people say. Every year she goes to gaze at the walls of the Grande Chartreuse. Perhaps she dreams of imitating her grand-uncle by forcing the walls of the monastery to find a husband, as Watteville broke through those of his monastery to recover his liberty.
She left Besancon in 1841, intending, it was said, to get married; but the real reason of this expedition is still unknown, for she returned home in a state which forbids her ever appearing in society again. By one of those chances of which the Abbe de Grancey had spoken, she happened to be on the Loire in a steamboat of which the boiler burst. Mademoiselle de Watteville was so severely injured that she lost her right arm and her left leg; her face is marked with fearful scars, which have bereft her of her beauty; her health, cruelly upset, leaves her few days free from suffering. In short, she now never leaves the Chartreuse of les Rouxey, where she leads a life wholly devoted to religious practices.
PARIS, May 1842.
CONTENTS
CHAPTER III. LABEDOYERE’S FRIEND
DEDICATION
To Puttinati, Milanese Sculptor.
CHAPTER I. PROLOGUE
In the year 1800, toward the close of October, a foreigner, accompanied by a woman and a little girl, was standing for a long time in front of the palace of the Tuileries, near the ruins of a house recently pulled down, at the point where in our day the wing begins which was intended to unite the chateau of Catherine de Medici with the Louvre of the Valois.
The man stood there with folded arms and a bowed head, which he sometimes raised to look alternately at the consular palace and at his wife, who was sitting near him on a stone. Though the woman seemed wholly occupied with the little girl of nine or ten years of age, whose long black hair she amused herself by handling, she lost not a single glance of those her companion cast on her. Some sentiment other than love united these two beings, and inspired with mutual anxiety their movements and their thoughts. Misery is, perhaps, the most powerful of all ties.
The stranger had one of those broad, serious heads, covered with thick hair, which we see so frequently in the pictures of the Caracci. The jet black of the hair was streaked with white. Though noble and proud, his features had a hardness which spoiled them. In spite of his evident strength, and his straight, erect figure, he looked to be over sixty years of age. His dilapidated clothes were those of a foreign country. Though the faded and once beautiful face of the wife betrayed the deepest sadness, she forced herself to smile, assuming a calm countenance