George Eliot

The Mill on the Floss


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summer.”

      “Ah! but there may come a death in the family, as there did soon after I had my green satin bonnet. Cousin Abbott may go, and we can’t think o’ wearing crape less nor half a year for him.”

      “That would be unlucky,” said Mrs. Tulliver, entering thoroughly into the possibility of an inopportune decease. “There’s never so much pleasure i’ wearing a bonnet the second year, especially when the crowns are so chancy—never two summers alike.”

      “Ah, it’s the way i’ this world,” said Mrs. Pullet, returning the bonnet to the wardrobe and locking it up. She maintained a silence characterised by head-shaking, until they had all issued from the solemn chamber and were in her own room again. Then, beginning to cry, she said, “Sister, if you should never see that bonnet again till I’m dead and gone, you’ll remember I showed it you this day.”

      Mrs. Tulliver felt that she ought to be affected, but she was a woman of sparse tears, stout and healthy; she couldn’t cry so much as her sister Pullet did, and had often felt her deficiency at funerals. Her effort to bring tears into her eyes issued in an odd contraction of her face. Maggie, looking on attentively, felt that there was some painful mystery about her aunt’s bonnet which she was considered too young to understand; indignantly conscious, all the while, that she could have understood that, as well as everything else, if she had been taken into confidence.

      When they went down, uncle Pullet observed, with some acumen, that he reckoned the missis had been showing her bonnet—that was what had made them so long upstairs. With Tom the interval had seemed still longer, for he had been seated in irksome constraint on the edge of a sofa directly opposite his uncle Pullet, who regarded him with twinkling gray eyes, and occasionally addressed him as “Young sir.”

      “Well, young sir, what do you learn at school?” was a standing question with uncle Pullet; whereupon Tom always looked sheepish, rubbed his hands across his face, and answered, “I don’t know.” It was altogether so embarrassing to be seated tête-à-tête with uncle Pullet, that Tom could not even look at the prints on the walls, or the flycages, or the wonderful flower-pots; he saw nothing but his uncle’s gaiters. Not that Tom was in awe of his uncle’s mental superiority; indeed, he had made up his mind that he didn’t want to be a gentleman farmer, because he shouldn’t like to be such a thin-legged, silly fellow as his uncle Pullet—a molly-coddle, in fact. A boy’s sheepishness is by no means a sign of overmastering reverence; and while you are making encouraging advances to him under the idea that he is overwhelmed by a sense of your age and wisdom, ten to one he is thinking you extremely queer. The only consolation I can suggest to you is, that the Greek boys probably thought the same of Aristotle. It is only when you have mastered a restive horse, or thrashed a drayman, or have got a gun in your hand, that these shy juniors feel you to be a truly admirable and enviable character. At least, I am quite sure of Tom Tulliver’s sentiments on these points. In very tender years, when he still wore a lace border under his outdoor cap, he was often observed peeping through the bars of a gate and making minatory gestures with his small forefinger while he scolded the sheep with an inarticulate burr, intended to strike terror into their astonished minds; indicating thus early that desire for mastery over the inferior animals, wild and domestic, including cockchafers, neighbours’ dogs, and small sisters, which in all ages has been an attribute of so much promise for the fortunes of our race. Now, Mr. Pullet never rode anything taller than a low pony, and was the least predatory of men, considering firearms dangerous, as apt to go off of themselves by nobody’s particular desire. So that Tom was not without strong reasons when, in confidential talk with a chum, he had described uncle Pullet as a nincompoop, taking care at the same time to observe that he was a very “rich fellow.”

      The only alleviating circumstance in a tête-à-tête with uncle Pullet was that he kept a variety of lozenges and peppermint-drops about his person, and when at a loss for conversation, he filled up the void by proposing a mutual solace of this kind.

      “Do you like peppermints, young sir?” required only a tacit answer when it was accompanied by a presentation of the article in question.

      The appearance of the little girls suggested to uncle Pullet the further solace of small sweet-cakes, of which he also kept a stock under lock and key for his own private eating on wet days; but the three children had no sooner got the tempting delicacy between their fingers, than aunt Pullet desired them to abstain from eating it till the tray and the plates came, since with those crisp cakes they would make the floor “all over” crumbs. Lucy didn’t mind that much, for the cake was so pretty, she thought it was rather a pity to eat it; but Tom, watching his opportunity while the elders were talking, hastily stowed it in his mouth at two bites, and chewed it furtively. As for Maggie, becoming fascinated, as usual, by a print of Ulysses and Nausicaa, which uncle Pullet had bought as a “pretty Scripture thing,” she presently let fall her cake, and in an unlucky movement crushed it beneath her foot—a source of so much agitation to aunt Pullet and conscious disgrace to Maggie, that she began to despair of hearing the musical snuff-box to-day, till, after some reflection, it occurred to her that Lucy was in high favour enough to venture on asking for a tune. So she whispered to Lucy; and Lucy, who always did what she was desired to do, went up quietly to her uncle’s knee, and blush-all over her neck while she fingered her necklace, said, “Will you please play us a tune, uncle?”

      Lucy thought it was by reason of some exceptional talent in uncle Pullet that the snuff-box played such beautiful tunes, and indeed the thing was viewed in that light by the majority of his neighbours in Garum. Mr. Pullet had bought the box, to begin with, and he understood winding it up, and knew which tune it was going to play beforehand; altogether the possession of this unique “piece of music” was a proof that Mr. Pullet’s character was not of that entire nullity which might otherwise have been attributed to it. But uncle Pullet, when entreated to exhibit his accomplishment, never depreciated it by a too ready consent. “We’ll see about it,” was the answer he always gave, carefully abstaining from any sign of compliance till a suitable number of minutes had passed. Uncle Pullet had a programme for all great social occasions, and in this way fenced himself in from much painful confusion and perplexing freedom of will.

      Perhaps the suspense did heighten Maggie’s enjoyment when the fairy tune began; for the first time she quite forgot that she had a load on her mind, that Tom was angry with her; and by the time “Hush, ye pretty warbling choir,” had been played, her face wore that bright look of happiness, while she sat immovable with her hands clasped, which sometimes comforted her mother with the sense that Maggie could look pretty now and then, in spite of her brown skin. But when the magic music ceased, she jumped up, and running toward Tom, put her arm round his neck and said, “Oh, Tom, isn’t it pretty?”

      Lest you should think it showed a revolting insensibility in Tom that he felt any new anger toward Maggie for this uncalled-for and, to him, inexplicable caress, I must tell you that he had his glass of cowslip wine in his hand, and that she jerked him so as to make him spill half of it. He must have been an extreme milksop not to say angrily, “Look there, now!” especially when his resentment was sanctioned, as it was, by general disapprobation of Maggie’s behaviour.

      “Why don’t you sit still, Maggie?” her mother said peevishly.

      “Little gells mustn’t come to see me if they behave in that way,” said aunt Pullet.

      “Why, you’re too rough, little miss,” said uncle Pullet.

      Poor Maggie sat down again, with the music all chased out of her soul, and the seven small demons all in again.

      Mrs. Tulliver, foreseeing nothing but misbehaviour while the children remained indoors, took an early opportunity of suggesting that, now they were rested after their walk, they might go and play out of doors; and aunt Pullet gave permission, only enjoining them not to go off the paved walks in the garden, and if they wanted to see the poultry fed, to view them from a distance on the horse-block; a restriction which had been imposed ever since Tom had been found guilty of running after the peacock, with an illusory idea that fright would make one of its feathers drop off.

      Mrs. Tulliver’s thoughts had been temporarily diverted from the quarrel with Mrs.