Poyser was not to be caught in the weakness of smiling at a compliment, but a quiet complacency over-spread her face like a stealing sunbeam, and gave a milder glance than usual to her blue-grey eyes, as she looked at Adam drinking the whey. Ah! I think I taste that whey now—with a flavour so delicate that one can hardly distinguish it from an odour, and with that soft gliding warmth that fills one’s imagination with a still, happy dreaminess. And the light music of the dropping whey is in my ears, mingling with the twittering of a bird outside the wire network window—the window overlooking the garden, and shaded by tall Guelder roses.
“Have a little more, Mr. Bede?” said Mrs. Poyser, as Adam set down the basin.
“No, thank you; I’ll go into the garden now, and send in the little lass.”
“Aye, do; and tell her to come to her mother in the dairy.”
Adam walked round by the rick-yard, at present empty of ricks, to the little wooden gate leading into the garden—once the well-tended kitchen-garden of a manor-house; now, but for the handsome brick wall with stone coping that ran along one side of it, a true farmhouse garden, with hardy perennial flowers, unpruned fruit-trees, and kitchen vegetables growing together in careless, half-neglected abundance. In that leafy, flowery, bushy time, to look for any one in this garden was like playing at “hide-and-seek.” There were the tall hollyhocks beginning to flower and dazzle the eye with their pink, white, and yellow; there were the syringas and Guelder roses, all large and disorderly for want of trimming; there were leafy walls of scarlet beans and late peas; there was a row of bushy filberts in one direction, and in another a huge apple-tree making a barren circle under its low-spreading boughs. But what signified a barren patch or two? The garden was so large. There was always a superfluity of broad beans—it took nine or ten of Adam’s strides to get to the end of the uncut grass walk that ran by the side of them; and as for other vegetables, there was so much more room than was necessary for them that in the rotation of crops a large flourishing bed of groundsel was of yearly occurrence on one spot or other. The very rose-trees at which Adam stopped to pluck one looked as if they grew wild; they were all huddled together in bushy masses, now flaunting with wide-open petals, almost all of them of the streaked pink-and-white kind, which doubtless dated from the union of the houses of York and Lancaster. Adam was wise enough to choose a compact Provence rose that peeped out half-smothered by its flaunting scentless neighbours, and held it in his hand—he thought he should be more at ease holding something in his hand—as he walked on to the far end of the garden, where he remembered there was the largest row of currant-trees, not far off from the great yew-tree arbour.
But he had not gone many steps beyond the roses, when he heard the shaking of a bough, and a boy’s voice saying, “Now, then, Totty, hold out your pinny—there’s a duck.”
The voice came from the boughs of a tall cherry-tree, where Adam had no difficulty in discerning a small blue-pinafored figure perched in a commodious position where the fruit was thickest. Doubtless Totty was below, behind the screen of peas. Yes—with her bonnet hanging down her back, and her fat face, dreadfully smeared with red juice, turned up towards the cherry-tree, while she held her little round hole of a mouth and her red-stained pinafore to receive the promised downfall. I am sorry to say, more than half the cherries that fell were hard and yellow instead of juicy and red; but Totty spent no time in useless regrets, and she was already sucking the third juiciest when Adam said, “There now, Totty, you’ve got your cherries. Run into the house with ’em to Mother—she wants you—she’s in the dairy. Run in this minute—there’s a good little girl.”
He lifted her up in his strong arms and kissed her as he spoke, a ceremony which Totty regarded as a tiresome interruption to cherry-eating; and when he set her down she trotted off quite silently towards the house, sucking her cherries as she went along.
“Tommy, my lad, take care you’re not shot for a little thieving bird,” said Adam, as he walked on towards the currant-trees.
He could see there was a large basket at the end of the row: Hetty would not be far off, and Adam already felt as if she were looking at him. Yet when he turned the corner she was standing with her back towards him, and stooping to gather the low-hanging fruit. Strange that she had not heard him coming! Perhaps it was because she was making the leaves rustle. She started when she became conscious that some one was near—started so violently that she dropped the basin with the currants in it, and then, when she saw it was Adam, she turned from pale to deep red. That blush made his heart beat with a new happiness. Hetty had never blushed at seeing him before.
“I frightened you,” he said, with a delicious sense that it didn’t signify what he said, since Hetty seemed to feel as much as he did; “let me pick the currants up.”
That was soon done, for they had only fallen in a tangled mass on the grass-plot, and Adam, as he rose and gave her the basin again, looked straight into her eyes with the subdued tenderness that belongs to the first moments of hopeful love.
Hetty did not turn away her eyes; her blush had subsided, and she met his glance with a quiet sadness, which contented Adam because it was so unlike anything he had seen in her before.
“There’s not many more currants to get,” she said; “I shall soon ha’ done now.”
“I’ll help you,” said Adam; and he fetched the large basket, which was nearly full of currants, and set it close to them.
Not a word more was spoken as they gathered the currants. Adam’s heart was too full to speak, and he thought Hetty knew all that was in it. She was not indifferent to his presence after all; she had blushed when she saw him, and then there was that touch of sadness about her which must surely mean love, since it was the opposite of her usual manner, which had often impressed him as indifference. And he could glance at her continually as she bent over the fruit, while the level evening sunbeams stole through the thick apple-tree boughs, and rested on her round cheek and neck as if they too were in love with her. It was to Adam the time that a man can least forget in after-life, the time when he believes that the first woman he has ever loved betrays by a slight something—a word, a tone, a glance, the quivering of a lip or an eyelid—that she is at least beginning to love him in return. The sign is so slight, it is scarcely perceptible to the ear or eye—he could describe it to no one—it is a mere feather-touch, yet it seems to have changed his whole being, to have merged an uneasy yearning into a delicious unconsciousness of everything but the present moment. So much of our early gladness vanishes utterly from our memory: we can never recall the joy with which we laid our heads on our mother’s bosom or rode on our father’s back in childhood. Doubtless that joy is wrought up into our nature, as the sunlight of long-past mornings is wrought up in the soft mellowness of the apricot, but it is gone for ever from our imagination, and we can only believe in the joy of childhood. But the first glad moment in our first love is a vision which returns to us to the last, and brings with it a thrill of feeling intense and special as the recurrent sensation of a sweet odour breathed in a far-off hour of happiness. It is a memory that gives a more exquisite touch to tenderness, that feeds the madness of jealousy and adds the last keenness to the agony of despair.
Hetty bending over the red bunches, the level rays piercing the screen of apple-tree boughs, the length of bushy garden beyond, his own emotion as he looked at her and believed that she was thinking of him, and that there was no need for them to talk—Adam remembered it all to the last moment of his life.
And Hetty? You know quite well that Adam was mistaken about her. Like many other men, he thought the signs of love for another were signs of love towards himself. When Adam was approaching unseen by her, she was absorbed as usual in thinking and wondering about Arthur’s possible return. The sound of any man’s footstep would have affected her just in the same way—she would have felt it might be Arthur before she had time to see, and the blood that forsook her cheek in the agitation of that momentary feeling would have rushed back again at the sight of any one else just as much as at the sight of Adam. He was not wrong in thinking that a change had come over Hetty: the anxieties and fears of a first passion, with which she was trembling, had become stronger than vanity, had given her for the first time that sense of helpless dependence on another’s feeling which