upstairs and send Molly down. She’s putting Totty to bed, and I want her to draw th’ ale, for Nancy’s busy yet i’ the dairy. You can see to the child. But whativer did you let her run away from you along wi’ Tommy for, and stuff herself wi’ fruit as she can’t eat a bit o’ good victual?”
This was said in a lower tone than usual, while her husband was talking to Adam; for Mrs. Poyser was strict in adherence to her own rules of propriety, and she considered that a young girl was not to be treated sharply in the presence of a respectable man who was courting her. That would not be fair-play: every woman was young in her turn, and had her chances of matrimony, which it was a point of honour for other women not to spoil—just as one market-woman who has sold her own eggs must not try to balk another of a customer.
Hetty made haste to run away upstairs, not easily finding an answer to her aunt’s question, and Mrs. Poyser went out to see after Marty and Tommy and bring them in to supper.
Soon they were all seated—the two rosy lads, one on each side, by the pale mother, a place being left for Hetty between Adam and her uncle. Alick too was come in, and was seated in his far corner, eating cold broad beans out of a large dish with his pocket-knife, and finding a flavour in them which he would not have exchanged for the finest pineapple.
“What a time that gell is drawing th’ ale, to be sure!” said Mrs. Poyser, when she was dispensing her slices of stuffed chine. “I think she sets the jug under and forgets to turn the tap, as there’s nothing you can’t believe o’ them wenches: they’ll set the empty kettle o’ the fire, and then come an hour after to see if the water boils.”
“She’s drawin’ for the men too,” said Mr. Poyser. “Thee shouldst ha’ told her to bring our jug up first.”
“Told her?” said Mrs. Poyser. “Yes, I might spend all the wind i’ my body, an’ take the bellows too, if I was to tell them gells everything as their own sharpness wonna tell ’em. Mr. Bede, will you take some vinegar with your lettuce? Aye you’re i’ the right not. It spoils the flavour o’ the chine, to my thinking. It’s poor eating where the flavour o’ the meat lies i’ the cruets. There’s folks as make bad butter and trusten to the salt t’ hide it.”
Mrs. Poyser’s attention was here diverted by the appearance of Molly, carrying a large jug, two small mugs, and four drinking-cans, all full of ale or small beer—an interesting example of the prehensile power possessed by the human hand. Poor Molly’s mouth was rather wider open than usual, as she walked along with her eyes fixed on the double cluster of vessels in her hands, quite innocent of the expression in her mistress’s eye.
“Molly, I niver knew your equils—to think o’ your poor mother as is a widow, an’ I took you wi’ as good as no character, an’ the times an’ times I’ve told you….”
Molly had not seen the lightning, and the thunder shook her nerves the more for the want of that preparation. With a vague alarmed sense that she must somehow comport herself differently, she hastened her step a little towards the far deal table, where she might set down her cans—caught her foot in her apron, which had become untied, and fell with a crash and a splash into a pool of beer; whereupon a tittering explosion from Marty and Tommy, and a serious “Ello!” from Mr. Poyser, who saw his draught of ale unpleasantly deferred.
“There you go!” resumed Mrs. Poyser, in a cutting tone, as she rose and went towards the cupboard while Molly began dolefully to pick up the fragments of pottery. “It’s what I told you ’ud come, over and over again; and there’s your month’s wage gone, and more, to pay for that jug as I’ve had i’ the house this ten year, and nothing ever happened to’t before; but the crockery you’ve broke sin’ here in th’ house you’ve been ’ud make a parson swear—God forgi’ me for saying so—an’ if it had been boiling wort out o’ the copper, it ’ud ha’ been the same, and you’d ha’ been scalded and very like lamed for life, as there’s no knowing but what you will be some day if you go on; for anybody ’ud think you’d got the St. Vitus’s Dance, to see the things you’ve throwed down. It’s a pity but what the bits was stacked up for you to see, though it’s neither seeing nor hearing as ’ull make much odds to you—anybody ’ud think you war case-hardened.”
Poor Molly’s tears were dropping fast by this time, and in her desperation at the lively movement of the beer-stream towards Alick’s legs, she was converting her apron into a mop, while Mrs. Poyser, opening the cupboard, turned a blighting eye upon her.
“Ah,” she went on, “you’ll do no good wi’ crying an’ making more wet to wipe up. It’s all your own wilfulness, as I tell you, for there’s nobody no call to break anything if they’ll only go the right way to work. But wooden folks had need ha’ wooden things t’ handle. And here must I take the brown-and-white jug, as it’s niver been used three times this year, and go down i’ the cellar myself, and belike catch my death, and be laid up wi’ inflammation….”
Mrs. Poyser had turned round from the cupboard with the brown-and-white jug in her hand, when she caught sight of something at the other end of the kitchen; perhaps it was because she was already trembling and nervous that the apparition had so strong an effect on her; perhaps jug-breaking, like other crimes, has a contagious influence. However it was, she stared and started like a ghost-seer, and the precious brown-and-white jug fell to the ground, parting for ever with its spout and handle.
“Did ever anybody see the like?” she said, with a suddenly lowered tone, after a moment’s bewildered glance round the room. “The jugs are bewitched, I think. It’s them nasty glazed handles—they slip o’er the finger like a snail.”
“Why, thee’st let thy own whip fly i’ thy face,” said her husband, who had now joined in the laugh of the young ones.
“It’s all very fine to look on and grin,” rejoined Mrs. Poyser; “but there’s times when the crockery seems alive an’ flies out o’ your hand like a bird. It’s like the glass, sometimes, ’ull crack as it stands. What is to be broke will be broke, for I never dropped a thing i’ my life for want o’ holding it, else I should never ha’ kept the crockery all these ’ears as I bought at my own wedding. And Hetty, are you mad? Whativer do you mean by coming down i’ that way, and making one think as there’s a ghost a-walking i’ th’ house?”
A new outbreak of laughter, while Mrs. Poyser was speaking, was caused, less by her sudden conversion to a fatalistic view of jug-breaking than by that strange appearance of Hetty, which had startled her aunt. The little minx had found a black gown of her aunt’s, and pinned it close round her neck to look like Dinah’s, had made her hair as flat as she could, and had tied on one of Dinah’s high-crowned borderless net caps. The thought of Dinah’s pale grave face and mild grey eyes, which the sight of the gown and cap brought with it, made it a laughable surprise enough to see them replaced by Hetty’s round rosy cheeks and coquettish dark eyes. The boys got off their chairs and jumped round her, clapping their hands, and even Alick gave a low ventral laugh as he looked up from his beans. Under cover of the noise, Mrs. Poyser went into the back kitchen to send Nancy into the cellar with the great pewter measure, which had some chance of being free from bewitchment.
“Why, Hetty, lass, are ye turned Methodist?” said Mr. Poyser, with that comfortable slow enjoyment of a laugh which one only sees in stout people. “You must pull your face a deal longer before you’ll do for one; mustna she, Adam? How come you put them things on, eh?”
“Adam said he liked Dinah’s cap and gown better nor my clothes,” said Hetty, sitting down demurely. “He says folks looks better in ugly clothes.”
“Nay, nay,” said Adam, looking at her admiringly; “I only said they seemed to suit Dinah. But if I’d said you’d look pretty in ’em, I should ha’ said nothing but what was true.”
“Why, thee thought’st Hetty war a ghost, didstna?” said Mr. Poyser to his wife, who now came back and took her seat again. “Thee look’dst as scared as scared.”
“It little sinnifies how I looked,” said Mrs. Poyser; “looks ’ull mend no jugs,