The Greatest Works of J. M. Barrie: 90+ Titles in One Volume (Illustrated Edition)
'A theory of creation' at
Precisely seven o'clock.
There's none here now who knows my name,
My place is far away,
And yet the college is the same,
Not older by a day.
But curious looks are cast at me,
Ah! herein lies the change,
All else is as it used to be,
And I alone am strange!
'Now, you could never guess,' Simms said to Rob, 'what profession our singer belongs to.'
'He looks more like a writer than an artist,' said Rob, who had felt the song more than the singer did.
'Well, he is more an artist than a writer, though, strictly speaking, he is neither. To that man is the honour of having created a profession. He furnishes rooms for interviews.'
'I don't quite understand,' said Rob.
'It is in this way,' Simms explained. 'Interviews in this country are of recent growth, but it has been already discovered that what the public want to read is not so much a celebrity's views on any topic as a description of his library, his dressing-gown, or his gifts from the king of Kashabahoo. Many of the eminent ones, however, are very uninteresting in private life, and have no curiosities to show their interviewer worth writing about, so your countryman has started a profession of providing curiosities suitable for celebrities at from five pounds upwards, each article, of course, having a guaranteed story attached to it. The editor, you observe, intimates his wish to include the distinguished person in his galaxy of "Men of the Moment," and then the notability drops a line to our friend saying that he wants a few of his rooms arranged for an interview. Your countryman sends the goods, arranges them effectively, and puts the celebrity up to the reminiscences he is to tell about each.'
'I suppose,' said Rob, with a light in his eye, 'that the interviewer is as much taken in by this as—well, say, as I have been by you?'
'To the same extent,' admitted Simms solemnly. 'Of course he is not aware that before the interview appears the interesting relics have all been packed up and taken back to our Scottish friend's show-rooms.'
The distinguished novelist in the chair told Rob (without having been introduced to him) that his books were beggaring his publishers.
'What I make my living off,' he said, 'is the penny dreadful, complete in one number. I manufacture two a week without hindrance to other employment, and could make it three if I did not have a weak wrist.'
It was thus that every one talked to Rob, who, because he took a joke without changing countenance, was considered obtuse. He congratulated one man on his article on chaffinches in the Evening Firebrand, and the writer said he had discovered, since the paper appeared, that the birds he described were really linnets. Another man was introduced to Rob as the writer of In Memoriam.
'No,' said the gentleman himself, on seeing Rob start, 'my name is not Tennyson. It is, indeed, Murphy. Tennyson and the other fellows, who are ambitious of literary fame, pay me so much a page for poems to which they put their names.'
At this point the applause became so deafening that Simms and Rob, who had been on their way to another room, turned back. An aged man, with a magnificent head, was on his feet to describe his first meeting with Carlyle.
'Who is it?' asked Rob, and Simms mentioned the name of a celebrity only a little less renowned than Carlyle himself. To Rob it had been one of the glories of London that in the streets he sometimes came suddenly upon world-renowned men, but he now looked upon this eminent scientist for the first time. The celebrity was there as a visitor, for the Wigwam cannot boast quite such famous members as he.
The septuagenarian began his story well. He described the approach to Craigenputtock on a warm summer afternoon, and the emotions that laid hold of him as, from a distance, he observed the sage seated astride a low dyke, flinging stones into the duck-pond. The pedestrian announced his name and the pleasure with which he at last stood face to face with the greatest writer of the day; and then the genial author of Sartor Resartus, annoyed at being disturbed, jumped off the dyke and chased his visitor round and round the duck-pond. The celebrity had got thus far in his reminiscence when he suddenly stammered, bit his lip as if enraged at something, and then trembled so much that he had to be led back to his seat.
'He must be ill,' whispered Rob to Simms.
'It isn't that,' answered Simms; 'I fancy he must have caught sight of Wingfield.'
Rob's companion pointed to a melancholy-looking man in a seedy coat, who was sitting alone glaring at the celebrity.
'Who is he?' asked Rob.
'He is the great man's literary executor,' Simms replied: 'come along with me and hearken to his sad tale; he is never loth to tell it.'
They crossed over to Wingfield, who received them dejectedly.
'This is not a matter I care to speak of, Mr. Angus,' said the sorrowful man, who spoke of it, however, as frequently as he could find a listener. 'It is now seven years since that gentleman'—pointing angrily at the celebrity, who glared in reply—'appointed me his literary executor. At the time I thought it a splendid appointment, and by the end of two years I had all his remains carefully edited and his biography ready for the Press. He was an invalid at that time, supposed to be breaking up fast; yet look at him now.'
'He is quite vigorous in appearance now,' said Rob.
'Oh, I've given up hope,' continued the sad man dolefully.
'Still,' remarked Simms, 'I don't know that you could expect him to die just for your sake. I only venture that as an opinion, of course.'
'I don't ask that of him,' responded Wingfield. 'I'm not blaming him in any way; all I say is that he has spoilt my life. Here have I been waiting, waiting for five years, and I seem farther from publication than ever.'
'It is hard on you,' said Simms.
'But why did he break down in his story,' asked Rob, 'when he saw you?'
'Oh, the man has some sense of decency left, I suppose, and knows that he has ruined my career.'
'Is the Carlylean reminiscence taken from the biography?' inquired Simms.
'That is the sore point,' answered Wingfield sullenly. 'He used to shun society, but now he goes to clubs, banquets, and "At Homes," and tells the choice things in the memoir at every one of them. The book will scarcely be worth printing now.'
'I dare say he feels sorry for you,' said Simms, 'and sees that he has placed you in a false position.'
'He does in a way,' replied the literary executor, 'and yet I irritate him. When he was ill last December I called to ask for him every day, but he mistook my motives; and now he is frightened to be left alone with me.'
'It is a sad business,' said Simms, 'but we all have our trials.'
'I would try to bear up better,' said the sad man, 'if I got more sympathy.'
It was very late when Simms and Rob left the Wigwam, yet they were amongst the first to go.
'When does the club close?' Rob asked, as they got into the fresh air.
'No one knows,' answered Simms wearily, 'but I believe the last man to go takes in the morning's milk.'
In the weeks that followed Rob worked hard at political articles for the Wire, and at last began to feel that he was making some headway. He had not the fatal facility for scribbling that distinguishes some journalists, but he had felt life before he took to writing. His style was forcible if not superfine, and he had the faculty that makes a journalist, of only seeing things from one point of view. The successful political writer is blind in one eye.
Though one in three of Rob's articles was now used, the editor of the Wire did not write to say that he liked them, and Rob never heard any one mention them. Even Simms would not read