The Greatest Works of J. M. Barrie: 90+ Titles in One Volume (Illustrated Edition)
or perhaps a snuff-mull, that had a genealogical tree. In the house on the brae was a great kettle, called the boiler, that was said to be fifty years old in the days of Hendry's grandfather, of whom nothing more is known. Jess's chair, which had carved arms and a seat stuffed with rags, had been Snecky Hobart's father's before it was hers, and old Snecky bought it at a roup in the Tenements. Jess's rarest possession was, perhaps, the christening robe that even people at a distance came to borrow. Her mother could count up a hundred persons who had been baptized in it.
Every one of the hundred, I believe, is dead, and even I cannot now pick out Jess and Hendry's grave; but I heard recently that the christening robe is still in use. It is strange that I should still be left after so many changes, one of the three or four who can to-day stand on the brae and point out Jess's window. The little window commands the incline to the point where the brae suddenly jerks out of sight in its climb down into the town. The steep path up the commonty makes for this elbow of the brae, and thus, whichever way the traveller takes, it is here that he comes first into sight of the window. Here, too, those who go to the town from the south get their first glimpse of Thrums.
Carts pass up and down the brae every few minutes, and there comes an occasional gig. Seldom is the brae empty, for many live beyond the top of it now, and men and women go by to their work, children to school or play. Not one of the children I see from the window to-day is known to me, and most of the men and women I only recognize by their likeness to their parents. That sweet-faced old woman with the shawl on her shoulders may be one of the girls who was playing at the game of palaulays when Jamie stole into Thrums for the last time; the man who is leaning on the commonty gate gathering breath for the last quarter of the brae may, as a barefooted callant, have been one of those who chased Cree Queery past the poor-house. I cannot say; but this I know, that the grandparents of most of these boys and girls were once young with me. If I see the sons and daughters of my friends grown old, I also see the grandchildren spinning the peerie and hunkering at I-dree-I-dree—I-droppit-it—as we did so long ago. The world remains as young as ever. The lovers that met on the commonty in the gloaming are gone, but there are other lovers to take their place, and still the commonty is here. The sun had sunk on a fine day in June, early in the century, when Hendry and Jess, newly married, he in a rich moleskin waistcoat, she in a white net cap, walked to the house on the brae that was to be their home. So Jess has told me. Here again has been just such a day, and somewhere in Thrums there may be just such a couple, setting out for their home behind a horse with white ears instead of walking, but with the same hopes and fears, and the same love light in their eyes. The world does not age. The hearse passes over the brae and up the straight burying-ground road, but still there is a cry for the christening robe.
Jess's window was a beacon by night to travellers in the dark, and it will be so in the future when there are none to remember Jess. There are many such windows still, with loving faces behind them. From them we watch for the friends and relatives who are coming back, and some, alas! watch in vain. Not every one returns who takes the elbow of the brae bravely, or waves his handkerchief to those who watch from the window with wet eyes, and some return too late. To Jess, at her window always when she was not in bed, things happy and mournful and terrible came into view. At this window she sat for twenty years or more looking at the world as through a telescope; and here an awful ordeal was gone through after her sweet untarnished soul had been given back to God.
Chapter II.
On the Track of the Minister
On the afternoon of the Saturday that carted me and my two boxes to Thrums, I was ben in the room playing Hendry at the dambrod. I had one of the room chairs, but Leeby brought a chair from the kitchen for her father. Our door stood open, and as Hendry often pondered for two minutes with his hand on a "man," I could have joined in the gossip that was going on but the house.
"Ay, weel, then, Leeby," said Jess, suddenly, "I'll warrant the minister 'll no be preachin' the morn."
This took Leeby to the window.
"Yea, yea," she said (and I knew she was nodding her head sagaciously); I looked out at the room window, but all I could see was a man wheeling an empty barrow down the brae.
"That's Robbie Tosh," continued Leeby; "an' there's nae doot 'at he's makkin for the minister's, for he has on his black coat. He'll be to row the minister's luggage to the post-cart. Ay, an' that's Davit Lunnan's barrow. I ken it by the shaft's bein' spliced wi' yarn. Davit broke the shaft at the saw-mill."
"He'll be gaen awa for a curran (number of) days," said Jess, "or he would juist hae taen his bag. Ay, he'll be awa to Edinbory, to see the lass."
"I wonder wha'll be to preach the morn—tod, it'll likely be Mr. Skinner, frae Dundee; him an' the minister's chief, ye ken."
"Ye micht' gang up to the attic, Leeby, an' see if the spare bedroom vent (chimney) at the manse is gaen. We're sure, if it's Mr. Skinner, he'll come wi' the post frae Tilliedrum the nicht, an' sleep at the manse."
"Weel, I assure ye," said Leeby, descending from the attic, "it'll no be Mr. Skinner, for no only is the spare bedroom vent no gaen, but the blind's drawn doon frae tap to fut, so they're no even airin' the room. Na, it canna be him; an' what's mair, it'll be naebody 'at's to bide a' nicht at the manse."
"I wouldna say that; na, na. It may only be a student; an' Marget Dundas" (the minister's mother and housekeeper) "michtna think it necessary to put on a fire for him."
"Tod, I'll tell ye wha it'll be. I wonder I didna think o' 'im sooner. It'll be the lad Wilkie; him 'at's mither mairit on Sam'l Duthie's wife's brither. They bide in Cupar, an' I mind 'at when the son was here twa or three year syne he was juist gaen to begin the diveenity classes in Glesca."
"If that's so, Leeby, he would be sure to bide wi' Sam'l. Hendry, hae ye heard 'at Sam'l Duthie's expeckin' a stranger the nicht?"
"Haud yer tongue," replied Hendry, who was having the worst of the game.
"Ay, but I ken he is," said Leeby triumphantly to her mother, "for ye mind when I was in at Johnny Watt's (the draper's) Chirsty (Sam'l's wife) was buyin' twa yards o' chintz, an' I couldna think what she would be wantin' 't for!"
"I thocht Johnny said to ye 'at it was for a present to Chirsty's auntie?"
"Ay, but he juist guessed that; for, though he tried to get oot o' Chirsty what she wanted the chintz for, she wouldna tell 'im. But I see noo what she was after. The lad Wilkie 'll be to bide wi' them, and Chirsty had bocht the chintz to cover the airm-chair wi'. It's ane o' thae hair-bottomed chairs, but terrible torn, so she'll hae covered it for 'im to sit on."
"I wouldna wonder but ye're richt, Leeby; for Chirsty would be in an oncommon fluster if she thocht the lad's mither was likely to hear 'at her best chair was torn. Ay, ay, bein' a man, he wouldna think to tak off the chintz an' hae a look at the chair withoot it."
Here Hendry, who had paid no attention to the conversation, broke in—
"Was ye speirin' had I seen Sam'l Duthie? I saw 'im yesterday buyin' a fender at Will'um Crook's roup."
"A fender! Ay, ay, that settles the queistion," said Leeby; "I'll warrant the fender was for Chirsty's parlour. It's preyed on Chirsty's mind, they say, this fower-and-thirty year 'at she doesna hae a richt parlour fender."
"Leeby, look! That's Robbie Tosh wi' the barrow. He has a michty load o' luggage. Am thinkin' the minister's bound for Tilliedrum."
"Na, he's no, he's gaen to Edinbory, as ye micht ken by the bandbox. That'll be his mither's bonnet he's takkin' back to get altered. Ye'll mind she was never pleased wi' the set o' the flowers."
"Weel, weel, here comes the minister himsel, an' very snod he is. Ay, Marget's been puttin' new braid on his coat, an' he's carryin' the sma' black bag he bocht in Dundee last year: he'll hae's nicht-shirt an' a comb in't, I dinna doot. Ye micht rin to the corner, Leeby, an' see if he cries in at Jess McTaggart's in passin'."
"It's