"A lot of people will get killed. That isn't important, in itself. People are getting killed all the time, in a lot worse causes. But these people will all have friends and relatives who will take it up for them. Start killing people here in a faction fight, and somebody will be shooting somebody in the back out of a dark passage a hundred years from now over it. You want this planet poisoned with blood feuds for the next century?"
Dad and I looked at one another. That was something that hadn't occurred to either of us, and it should have. There were feuds, even now. Half the little settlements on the other islands and on the mainland had started when some group or family moved out of Port Sandor because of the enmity of some larger and more powerful group or family, and half our shootings and knife fights grew out of old grudges between families or hunting crews.
"We don't want it poisoned for the next century with the sort of thing Mort Hallstock and Steve Ravick started here, either," Dad said.
"Granted." Bish nodded. "If a civil war's the only possible way to get rid of them, that's what you'll have to have, I suppose. Only make sure you don't leave a single one of them alive when it's over. But if you can get the Federation Government in here to clean the mess up, that would be better. Nobody starts a vendetta with the Terran Federation."
"But how?" Dad asked. "I've sent story after story off about crime and corruption on Fenris. They all get the file-and-forget treatment."
Mrs. Laden had taken away the soup plates and brought us our main course. Bish sat toying with his fork for a moment.
"I don't know what you can do," he said slowly. "If you can stall off the blowup till the Cape Canaveral gets in, and you can send somebody to Terra...."
All of a sudden, it hit me. Here was something that would give Bish a purpose; something to make him want to stay sober.
"Well, don't say, 'If you can,'" I said. "Say, 'If we can.' You live on Fenris, too, don't you?"
5.
Meeting Out of Order
Dad called the spaceport hospital, after dinner, and talked to Doc Rojansky. Murell was asleep, and in no danger whatever. They'd given him a couple of injections and a sedative, and his system was throwing off the poison satisfactorily. He'd be all right, but they thought he ought to be allowed to rest at the hospital for a while.
By then, it was time for me to leave for Hunters' Hall. Julio and Mrs. Laden were having their dinner, and Dad and Bish went up to the editorial office. I didn't take a car. Hunters' Hall was only a half dozen blocks south of the Times, toward the waterfront. I carried my radio-under-false-pretense slung from my shoulder, and started downtown on foot.
The business district was pretty well lighted, both from the ceiling and by the stores and restaurants. Most of the latter were in the open, with small kitchen and storage buildings. At a table at one of them I saw two petty officers from the Peenemünde with a couple of girls, so I knew the ship wasn't leaving immediately. Going past the Municipal Building, I saw some activity, and an unusually large number of police gathered around the vehicle port. Ravick must have his doubts about how the price cut was going to be received, and Mort Hallstock was mobilizing his storm troopers to give him support in case he needed it. I called in about that, and Dad told me fretfully to be sure to stay out of trouble.
Hunters' Hall was a four-story building, fairly substantial as buildings that don't have to support the roof go, with a landing stage on top and a vehicle park underneath. As I came up, I saw a lot of cars and jeeps and ships' boats grounded in and around it, and a crowd of men, almost all of them in boat-clothes and wearing whiskers, including quite a few characters who had never been out in a hunter-ship in their lives but were members in the best of good standing of the Co-operative. I also saw a few of Hallstock's uniformed thugs standing around with their thumbs in their gun belts or twirling their truncheons.
I took an escalator up to the second floor, which was one big room, with the escalators and elevators in the rear. It was the social room, decorated with photos and models and solidigraphs of hunter-ships, photos of record-sized monsters lashed alongside ships before cutting-up, group pictures of ships's crews, monster tusks, dried slashers and halberd fish, and a whole monster head, its tusked mouth open. There was a big crowd there, too, at the bar, at the game machines, or just standing around in groups talking.
I saw Tom Kivelson and his father and Oscar Fujisawa, and went over to join them. Joe Kivelson is just an outsize edition of his son, with a blond beard that's had thirty-five years' more growth. Oscar is skipper of the Pequod—he wouldn't have looked baffled if Bish Ware called him Captain Ahab—and while his family name is Old Terran Japanese, he had blue eyes and red hair and beard. He was almost as big as Joe Kivelson.
"Hello, Walt," Joe greeted me. "What's this Tom's been telling me about Bish Ware shooting a tread-snail that was going to sting Mr. Murell?"
"Just about that," I said. "That snail must have crawled out from between two stacks of wax as we came up. We never saw it till it was all over. It was right beside Murell and had its stinger up when Bish shot it."
"He took an awful chance," Kivelson said. "He might of shot Mr. Murell."
I suppose it would look that way to Joe. He is the planet's worst pistol shot, so according to him nobody can hit anything with a pistol.
"He wouldn't have taken any chance not shooting," I said. "If he hadn't, we'd have been running the Murell story with black borders."
Another man came up, skinny, red hair, sharp-pointed nose. His name was Al Devis, and he was Joe Kivelson's engineer's helper. He wanted to know about the tread-snail shooting, so I had to go over it again. I hadn't anything to add to what Tom had told them already, but I was the Times, and if the Times says so it's true.
"Well, I wouldn't want any drunk like Bish Ware shooting around me with a pistol," Joe Kivelson said.
That's relative, too. Joe doesn't drink.
"Don't kid yourself, Joe," Oscar told him. "I saw Bish shoot a knife out of a man's hand, one time, in One Eye Swanson's. Didn't scratch the guy; hit the blade. One Eye has the knife, with the bullet mark on it, over his back bar, now."
"Well, was he drunk then?" Joe asked.
"Well, he had to hang onto the bar with one hand while he fired with the other." Then he turned to me. "How is Murell, now?" he asked.
I told him what the hospital had given us. Everybody seemed much relieved. I wouldn't have thought that a celebrated author of whom nobody had ever heard before would be the center of so much interest in monster-hunting circles. I kept looking at my watch while we were talking. After a while, the Times newscast came on the big screen across the room, and everybody moved over toward it.
They watched the Peenemünde being towed down and berthed, and the audiovisual interview with Murell. Then Dad came on the screen with a record player in front of them, and gave them a play-off of my interview with Leo Belsher.
Ordinary bad language I do not mind. I'm afraid I use a little myself, while struggling with some of the worn-out equipment we have at the paper. But when Belsher began explaining about how the price of wax had to be cut again, to thirty-five centisols a pound, the language those hunters used positively smelled. I noticed, though, that a lot of the crowd weren't saying anything at all. They would be Ravick's boys, and they would have orders not to start anything before the meeting.
"Wonder if he's going to try to give us that stuff about substitutes?" Oscar said.
"Well, what are you going to do?" I asked.
"I'll tell you what we're not going to do," Joe Kivelson said. "We're not going to take his price cut. If he won't pay our price, he can use his substitutes."
"You can't sell wax anywhere else, can you?"
"Is that so, we can't?"