what I'd been afraid of. Joe is like a Zarathustra veldtbeest; the only tactics he knows is a headlong attack.
"You want to get your crew and your son killed, and yourself along with them?" Oscar asked him. "That's what'll happen if the cops catch you. Now are you coming, or will I have to knock you senseless and drag you out?"
Fortunately, at that moment somebody took a swing at Joe and grazed his cheek. It was a good thing that was all he did; he was wearing brass knuckles. Joe went down a couple of feet, bending at the knees, and caught this fellow around the hips with both hands, straightening and lifting him over his head. Then he threw him over the heads of the people in front of him. There were yells where the human missile landed.
"That's the stuff, Joe!" Oscar shouted. "Come on, we got them on the run!"
That, of course, converted a strategic retreat into an attack. We got Joe aimed toward the doors and before he knew it, we were out in the hall by the elevators. There were a couple of Ravick's men, with sergeant-at-arms arm bands, and two city cops. One of the latter got in Joe's way. Joe punched him in the face and knocked him back about ten feet in a sliding stagger before he dropped. The other cop grabbed me by the left arm.
I slugged him under the jaw with my ten-sol right and knocked him out, and I felt the wrapping on the coin roll break and the quarters come loose in my hand. Before I could drop them into my jacket pocket and get out the other roll, one of the sergeants at arms drew a gun. I just hurled the handful of coins at him. He dropped the pistol and put both hands to his face, howling in pain.
I gave a small mental howl myself when I thought of all the nice things I could have bought for ten sols. One of Joe Kivelson's followers stooped and scooped up the fallen pistol, firing a couple of times with it. Then we all rushed Joe into one of the elevators and crowded in behind him, and as I turned to start it down I could hear police sirens from the street and also from the landing stage above. In the hall outside the meeting room, four or five of Ravick's free-drink mercenaries were down on all fours scrabbling for coins, and the rest of the pursuers from the meeting room were stumbling and tripping over them. I wished I'd brought a camera along, too. The public would have loved a shot of that. I lifted the radio and spoke into it:
"This is Walter Boyd, returning you now to the regular entertainment program."
A second later, the thing whistled at me. As the car started down and the doors closed I lifted the handphone. It was Bish Ware again.
"We're going down in the elevator to Second Level Down," I said. "I have Joe and Tom and Oscar Fujisawa and a few of the Javelin crew with me. The place is crawling with cops now."
"Go to Third Level Down and get up on the catwalk on the right," Bish said. "I'll be along to pick you up."
"Roger. We'll be looking for you."
The car stopped at Second Level Down. I punched a button and sent it down another level. Joe Kivelson, who was dabbing at his cheek with a piece of handkerchief tissue, wanted to know what was up.
"We're getting a pickup," I told him. "Vehicle from the Times."
I thought it would save arguments if I didn't mention who was bringing it.
6.
Elementary, My Dear Kivelson
Before we left the lighted elevator car, we took a quick nose count. Besides the Kivelsons, there were five Javelin men—Ramón Llewellyn, Abdullah Monnahan, Abe Clifford, Cesário Vieira, and a whitebeard named Piet Dumont. Al Devis had been with us when we crashed the door out of the meeting room, but he'd fallen by the way. We had a couple of flashlights, so, after sending the car down to Bottom Level, we picked our way up the zigzag iron stairs to the catwalk, under the seventy-foot ceiling, and sat down in the dark.
Joe Kivelson was fretting about what would happen to the rest of his men.
"Fine captain I am, running out and leaving them!"
"If they couldn't keep up, that's their tough luck," Oscar Fujisawa told him. "You brought out all you could. If you'd waited any longer, none of us would have gotten out."
"They won't bother with them," I added. "You and Tom and Oscar, here, are the ones they want."
Joe was still letting himself be argued into thinking he had done the right thing when we saw the lights of a lorry coming from uptown at ceiling level. A moment later, it backed to the catwalk, and Bish Ware stuck his head out from the pilot's seat.
"Where do you gentlemen wish to go?" he asked.
"To the Javelin," Joe said instantly.
"Huh-uh," Oscar disagreed. "That's the first place they'll look. That'll be all right for Ramón and the others, but if they catch you and Tom, they'll shoot you and call it self-defense, or take you in and beat both of you to a jelly. This'll blow over in fifteen or twenty hours, but I'm not going anywhere near my ship, now."
"Drop us off on Second Level Down, about Eighth Street and a couple of blocks from the docks," the mate, Llewellyn, said. "We'll borrow some weapons from Patel the Pawnbroker and then circulate around and see what's going on. But you and Joe and Oscar had better go underground for a while."
"The Times," I said. "We have a whole pillar-building to ourselves; we could hide half the population."
That was decided upon. We all piled into the lorry, and Bish took it to an inconspicuous place on the Second Level and let down. Ramón Llewellyn and the others got out. Then we went up to Main City Level. We passed within a few blocks of Hunters' Hall. There was a lot of noise, but no shooting.
Joe Kivelson didn't have anything to say, on the trip, but he kept looking at the pilot's seat in perplexity and apprehension. I think he expected Bish to try to ram the lorry through every building we passed by or over.
We found Dad in the editorial department on the top floor, feeding voice-tape to Julio while the latter made master sheets for teleprinting. I gave him a quick rundown on what had happened that he hadn't gotten from my radio. Dad cluck-clucked in disapproval, either at my getting into a fight, assaulting an officer, or, literally, throwing money away.
Bish Ware seemed a little troubled. "I think," he said, "that I shall make a circuit of my diocese, and see what can be learned from my devoted flock. Should I turn up anything significant, I will call it in."
With that, he went tottering over to the elevator, stumbling on the way and making an unepiscopal remark. I watched him, and then turned to Dad.
"Did he have anything to drink after I left?" I asked.
"Nothing but about five cups of coffee."
I mentally marked that: Add oddities, Bish Ware. He'd been at least four hours without liquor, and he was walking as unsteadily as when I'd first seen him at the spaceport. I didn't know any kind of liquor that would persist like that.
Julio had at least an hour's tape to transcribe, so Dad and Joe and Tom and Oscar and I went to the living room on the floor below. Joe was still being bewildered about Bish Ware.
"How'd he manage to come for us?" he wanted to know.
"Why, he was here with me all evening," Dad said. "He came from the spaceport with Walt and Tom, and had dinner with us. He called a few people from here, and found out about the fake riot and police raid Ravick had cooked up. You'd be surprised at how much information he can pick up around town."
Joe looked at his son, alarmed.
"Hey! You let him see—" he began.
"The wax on Bottom Level, in the Fourth Ward?" I asked. "He won't blab about that. He doesn't blab things where they oughtn't be blabbed."
"That's right," Dad backed me up. He was beginning to think of Bish as one of the Times staff, now. "We