Augustus J. C. Hare

The Story of My Life, volumes 1-3


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story when she said, "Yes, many other people have tried to be kind to us; but then, you know, Mrs. Hare loved us." Truly it was as if—

      "Christ had took in this piece of ground,

       And made a garden there for those

       Who want herbs for their wound."[17]

      

      Whilst my mother was in the cottages, I remained outside and played with the flowers in the ditches. There were three places whither I was always most anxious that she should go—to Mrs. Siggery, the potter's widow, where I had the delight of seeing all the different kinds of pots, and the wet clay of which they were made: to "old Dame Cornford of the river," by which name a tiny stream called "the Five Bells" was dignified: and to a poor woman at "Foul Mile," where there was a ruined arch (the top of a drain, I believe!) which I thought most romantic. We had scarcely any visitors ("callers"), for there were scarcely any neighbours, but our old family home of Hurstmonceaux Place was let to Mr. Wagner (brother of the well-known "Vicar of Brighton"), and his wife was always very kind to me, and gave me two little china mice, to which I was quite devoted. His daughters, Annie and Emily, were very clever, and played beautifully on the pianoforte and harp. The eldest son, George, whose Memoirs have since been written, was a pale ascetic youth, with the character of a mediæval saint, who used to have long religious conversations with my mother, and—being very really in earnest—was much and justly beloved by her. He was afterwards a most devoted clergyman, being one of those who really have a "vocation," and probably accomplished more practical good in his brief life than any other five hundred parish priests taken at random. Of him truly Chaucer might have said—

      "This noble sample to his sheep he gave,

       That first he wrought, and afterwards he taught."

      From the earliest age I heartily detested Hurstmonceaux Rectory, because it took me away from Lime, to which I was devoted, and brought me into the presence of Uncle Julius, who frightened me out of my wits; but to all rational and unprejudiced people the Rectory was at this time a very delightful place. It is situated on a hill in a lonely situation two miles from the church and castle, and more than a mile from any of the five villages which were then included in the parish of Hurstmonceaux; but it was surrounded by large gardens with fine trees, had a wide distant view over levels and sea, and was in all respects externally more like the house of a squire than a clergyman. Inside it was lined with books from top to bottom: not only the living rooms, but the passages and every available space in the bedrooms were walled with bookcases from floor to ceiling, containing more than 14,000 works. Most of these were German, but there were many very beautiful books upon art in all languages, and many which, even as a child, I thought it very delightful to look at. The only spaces not filled by books were occupied by the beautiful pictures which my uncle had collected in Italy, including a most exquisite Perugino, and fine works of Giorgione, Luini, Giovanni da Udine, &c. I was especially attached to a large and glorious picture by Paris Bordone of the Madonna and Child throned in a sort of court of saints. I think my first intense love of colour came from the study of that picture, which is now in the Museum at Cambridge; but my uncle and mother did not care for this, preferring severer art. Uncle Julius used to say that he constantly entertained in his drawing-room seven Virgins, almost all of them more than three hundred years old. All the pictures were to me as intimate friends, and I studied every detail of their backgrounds, even of the dresses of the figures they portrayed: they were also my constant comforters in the many miserable hours I even then spent at the Rectory, where I was always utterly ignored, whilst taken away from all my home employments and interests.

      Most unpleasant figures who held a prominent place in these childish years were my step-grandmother, Mrs. Hare Naylor, and her daughter Georgiana. Mrs. H. Naylor had been beautiful in her youth, and still, with snowwhite hair, was an extremely pretty petite old lady. She was suspicious, exacting, and jealous to a degree. If she once took an impression of any one, it was impossible to eradicate, however utterly false it might be. She was very deaf, and only heard through a long trumpet. She would make the most frightful tirades against people, especially my mother and other members of the family, bring the most unpleasant accusations against them, and the instant they attempted to defend themselves, she took down her trumpet. Thus she retired into a social fortress, and heard no opinion but her own. I never recollect her taking the wisest turn—that of making the best of us all. I have been told that her daughter Georgiana was once a very pretty lively girl. I only remember her a sickly discontented petulant woman. When she was young, she was very fond of dancing, and once, at Bonn, she undertook to dance the clock round. She performed her feat, but it ruined her health, and she had to lie on her back for a year. From this time she defied the Italian proverb, "Let well alone," and dosed herself incessantly. She had acquired "l'habitude d'être malade;" she liked the sympathy she excited, and henceforth preferred being ill. Once or twice every year she was dying, the family were summoned, every one was in tears, they knelt around her bed; it was the most delicious excitement.

      Mrs. Hare Naylor had a house at St. Leonards, on Maize Hill, where there were only three houses then. We went annually to visit her for a day, and she and "Aunt Georgiana" generally spent several months every year at Hurstmonceaux Rectory—employing themselves in general abuse of all the family. I offended Aunt Georgiana (who wore her hair down her back in two long plaits) mortally, at a very early age, by saying "Chelu (the Rectory dog) has only one tail, but Aunt Georgie has two."[18]

      "Dr. Chambers says your lungs are not now in diseased state, but it will require great care and caution for a long time to keep them free, though with that he hopes that they may recover their usual tone and become as stout as you represent them; so remember that it depends on yourself and Ann's watchfulness and care of you, whether you are to get quite well, or be sickly for the remainder of your life, and also that the former becomes a duty, when you think of your children."

      Francis G. Hare. Francis G. Hare.

      My father never once noticed my existence during his long stay at the Rectory. On the last day before he left, my mother said laughingly, "Really, Francis, I don't think you have ever found out that such a little being as Augustus is in existence here." He was amused, and said, "Oh no, really!" and he called me to him and patted my head, saying, "Good little Wolf: good little Wolf!" It was the only notice he ever took of me.

      Instead of going as usual direct to Stoke, we spent part of the winter of 1838–39 with the Marcus Hares at Torquay. Their home was a most beautiful one—Rockend, at the point of the bay, with very large grounds and endless delightful walks winding amongst rocks and flowers, or terraces overhanging the natural cliffs which there stride out seawards over the magnificent natural arch known as London Bridge. Nevertheless I recollect this time as one of the utmost misery. My Aunt Lucy, having heard some one say that I was more intelligent than little Marcus, had conceived the most violent jealousy of me, and I was cowed and snubbed by her in every possible way. Little Marcus himself was encouraged not only to carry off my little properties—shells, fossils, &c.—but to slap, bite, and otherwise ill-treat me as much as he liked, and when, the first day, I ventured, boylike, to retaliate, and cuff him again, I was shut up for two