Italy at this time. Florence, by temper and tradition favorable to France, had been drawn into the league by Piero de' Medici, whose sympathies were firm for the Aragonese princes.
[2] This, of course, was Savonarola's prophecy. But both Guicciardini and De Comities use invariably the same language. The phrase Dieu monstroit conduire l'entreprise frequently recurs in the Memoirs of De Comines.
While Alfonso and Alexander were providing for their safety in the South, Charles remained at Lyons, still uncertain whether he should enter Italy by sea or land, or indeed whether he should enter it at all. Having advanced so far as the Rhone valley, he felt satisfied with his achievement and indulged himself in a long bout of tournaments and pastimes. Besides, the want of money, which was to be his chief embarrassment throughout the expedition, had already made itself felt.[1] It was an Italian who at length roused him to make good his purpose against Italy—Giuliano della Rovere,[2] the haughty nephew of Sixtus, the implacable foe of Alexander, whom he was destined to succeed in course of time upon the Papal throne. Burning to punish the Marrano, or apostate Moor, as he called Alexander, Giuliano stirred the king with taunts and menaces until Charles felt he could delay his march no longer. When once the French army got under weigh, it moved rapidly. Leaving Vienne on August 23, 1494, 3,600 men at arms, the flower of the French chivalry, 6,000 Breton archers, 6,000 crossbowmen, 8,000 Gascon infantry, 8,000 Swiss and German lances, crossed the Mont Genevre, debouched on Susa, passed through Turin, and entered Asti on September 19.[3] Neither Piedmont nor Montferrat stirred to resist them. Yet at almost any point upon the route they might have been at least delayed by hardy mountaineers until the commissariat of so large a force had proved an insurmountable difficulty. But before this hunchback conqueror with the big head and little legs, the valleys had been exalted and the rough places had been made plain. The princes whose interest it might have been to throw obstacles in the way of Charles were but children. The Duke of Savoy was only twelve years old, the Marquis of Montferrat fourteen; their mothers and guardians made terms with the French king, and opened their territories to his armies.
[1] 'La despense de ces navires estoit fort grande, et suis d'advis qu'elle cousta trois cens mille francs, et si ne servit de rien, et y alla tout l'argent contant que le Roy peut finer de ses finances: car comme j'ay dit, il n'estoit point pourveu ne de sens, ne d'argent, oy d'autre chose nécessaire à telle entreprise, et si en vint bien à bout, moyennant la grâce de Dieu, qui clairement le donna ainsi à cognoistre.' De Comines, lib. vii.
[2] Guicciardini calls him on this occasion 'fatale instrumento e allora e prima e poi de' mali d' Italia.' Lib. i. cap. 3.
[3] I have followed the calculation of Sismondi (vol. vii. p. 383), to which should be added perhaps another 10,000 in all attached to the artillery, and 2,000 for sappers, miners, carpenters, etc. See Dennistoun, Dukes of Urbino, vol. i. p. 433, for a detailed list of Charles's armaments by land and sea.
At Asti Charles was met by Lodovico Sforza and his father-in-law, Ercole d' Este. The whole of that Milanese Court which Corio describes[1] followed in their train. It was the policy of the Italian princes to entrap their conqueror with courtesies, and to entangle in silken meshes the barbarian they dreaded. What had happened already at Lyons, what was going to repeat itself at Naples, took place at Asti. The French king lost his heart to ladies, and confused his policy by promises made to Delilahs in the ballroom. At Asti he fell ill of the small-pox, but after a short time he recovered his health, and proceeded to Pavia. Here a serious entanglement of interests arose. Charles was bound by treaties and engagements to Lodovico and his proud wife Beatrice d' Este; the very object of his expedition was to dethrone Alfonso and to assume the crown of Naples; yet at Pavia he had to endure the pathetic spectacle of his forlorn cousin[2] the young Giovanni Galeazzo Sforza in prison, and to hear the piteous pleadings of the beautiful Isabella of Aragon. Nursed in chivalrous traditions, incapable of resisting a woman's tears, what was Charles to do, when this princess in distress, the wife of his first cousin, the victim of his friend Lodovico, the sister of his foe Alfonso, fell at his feet and besought him to have mercy on her husband, on her brother, on herself? The situation was indeed enough to move a stouter heart than that of the feeble young king. For the moment Charles returned evasive answers to his petitioners; but the trouble of his soul was manifest, and no sooner had he set forth on his way to Piacenza than the Moor resolved to remove the cause of further vacillation. Sending to Pavia, Lodovico had his nephew poisoned.[3] When the news of Gian Galeazzo's death reached the French camp, it spread terror and imbittered the mistrust which was already springing up between the frank cavaliers and the plausible Italians with whom they had to deal.
[1] See above, p. 548.
[2] The mothers of Charles VIII. and Gian Galeazzo were sisters, princesses of Savoy.
[3] Sismondi does not discuss the fact minutely, but he inclines to believe that Gian Galeazzo was murdered. Michelet raises a doubt about it, though the evidence is such as he would have accepted without question in the case of a Borgia. Guicciardini, who recounts the whole matter at length, says that all Italy believed the Duke had been murdered, and quotes Teodoro da Pavia, one of the royal physicians, who attested to having seen clear signs of a slow poison in the young man. Pontano, de Prudentiâ, lib. 4, repeats the accusation. Guicciardini only doubts Lodovico's motives. He inclines to think the murder had been planned long before, and that Charles was invited into Italy in order that Lodovico might have a good opportunity for effecting it, while at the same time he had taken care to get the investiture of the Duchy from the Emperor ready against the event.
What was this beautiful land in the midst of which they found themselves, a land whose marble palaces were thronged with cut-throats in disguise, whose princes poisoned while they smiled, whose luxuriant meadows concealed fever, whose ladies carried disease upon their lips? To the captains and the soldiery of France, Italy already appeared a splendid and fascinating Circe, arrayed with charms, surrounded with illusions, hiding behind perfumed thickets her victims changed to brutes, and building the couch of her seduction on the bones of murdered men. Yet she was so beautiful that, halt as they might for a moment and gaze back with yearning on the Alps that they had crossed, they found themselves unable to resist her smile. Forward they must march through the garden of enchantment, henceforth taking the precaution to walk with drawn sword, and, like Orlando in Morgana's park, to stuff their casques with roses that they might not hear the siren's voice too clearly. It was thus that Italy began the part she played through the Renaissance for the people of the North. The White Devil of Italy is the title of one of Webster's best tragedies. A white Devil, a radiant daughter of sin and death, holding in her hands the fruit of the knowledge of good and evil, and tempting the nations to eat: this is how Italy struck the fancy of the men of the sixteenth century. She was feminine, and they were virile; but she could teach and they must learn. She gave them pleasure; they brought force. The fruit of her embraces with the nations was the spirit of modern culture, the genius of the age in which we live.
Two terrible calamities warned the Italians with what new enemies they had to deal. Twice at the commencement of the invasion did the French use the sword which they had drawn to intimidate the sorceress. These terror-striking examples were the massacres of the inhabitants of Rapallo on the Genoese Riviera, and of Fivizzano in Lunigiana. Soldiers and burghers, even prisoners and