which brought him neither largess nor honor. The king with much indifference saw Solon depart, since the former thought that a man must be an arrant fool who made no account of present good, but bade men always wait and mark the end.
FOOTNOTES:
[1] Herodotus, at a certain period in his life, came under the influence of Pericles and his contemporaries, but it is clear from his writings that he received from Attic thought and style little definite inspiration. J. P. Mahaffy has likened him to Goldsmith in his aloofness from his environment. Often ridiculed by his friends for simplicity, Goldsmith far exceeded his clever critics in directness and pathos, and thus gained a place in literature which contemporaries never dreamed would be his. The narrative of Herodotus, adds Mahaffy, gives us more information about the state of the ancient nations and their culture than all other Greek historians put together. His purpose, as Herodotus himself declares, was to narrate the great conflict between the Greeks and barbarians, in order that the causes might be known and glorious deeds might not perish. Readers are imprest by the perfect ease and mastery with which a great variety of subjects are dealt with, his story "advancing with epic grandeur to its close." Mahaffy pronounces Herodotus an Ionic story-writer, who never became an Attic one—the chief master of Ionic, as Thucydides was of Attic prose.
[2] From Book I of the "History." Translated by George Rawlinson. Crœsus reigned from 560 b.c. to 546. The visit of Solon was made some time before 559.
[3] The capital of Lydia, in Asia Minor, and a flourishing city in the time of Crœsus. It was several times destroyed, the last time by Tamerlane. Its site is now a village.
[4] Amasis came to the Egyptian throne in 569 b.c., and reigned 44 years.
II
BABYLON AND ITS CAPTURE BY CYRUS[5]
(538 b.c.)
Assyria contains many large cities; but of these Babylon, to which, after the destruction of Nineveh, the seat of government was removed, is by far the most renowned and the most strongly fortified. Babylon is situated in an extensive plain. Each side of the city, which forms a square, measures one hundred and twenty stadia (about fourteen miles), making the entire circuit of the city four hundred and eighty stadia—such is the magnitude of this city Babylon! and in magnificence also it surpassed every city of which we have any knowledge. It is surrounded by a trench, deep, wide, and full of water. Within this is a wall, the width of which is fifty royal cubits, and its height two hundred cubits.[6] The royal cubit exceeds the common measure by three fingers' breadth.
It is proper I should say in what manner the earth removed from the trench was disposed of, and how the wall was constructed. The earth, as fast as it was removed from the trench, was converted into bricks and baked in furnaces: when thus prepared, melted bitumen was used instead of mortar; and between every thirtieth course of bricks there was inserted a layer of reeds. The sides of the trench were first lined with brickwork, and then the wall raised in the manner described. On the upper edges of the wall, and opposite to one another, were constructed turrets; between these turrets a space was left wide enough for a chariot and four horses to pass and turn. In the walls were one hundred gates, all of brass, with posts and upper lintels of the same. Eight days' journey from Babylon is a city named Is, near which runs a small river of the same name, discharging itself into the Euphrates; this river brings down with its waters clots of bitumen in large quantities. From this source was derived the bitumen used in cementing the walls of Babylon.
Such are the fortifications of Babylon. The city is divided into two portions by the river Euphrates, which runs through the midst of it. This river rises in Armenia, and throughout its course is wide, deep, and swift; it empties itself into the Red sea.[7] Each of the city walls is extended to the river, where it makes an angle, and, with a coating of burnt bricks, lines the sides of the river. The city is filled with houses of three or four stories, forming streets in straight lines, and running parallel with one another, the cross streets opening upon the river through as many smaller brazen gates, placed in the breastwork of the river walls. Within the principal wall just mentioned is a second, not much inferior to the first in strength, tho less in width.
In the center of each portion of the city is an enclosed space—the one occupied by the royal palace, a building of vast extent and great strength; in the other stands the temple of Jupiter Belus, with its brazen gates, remaining in my time: it is a square structure; each side measures two stadia. Within the enclosure is erected a solid tower, measuring a stadium both in width and depth; upon this tower is raised another, and then another, and another, making eight in all. The ascent is by a path which is formed on the outside of the towers; midway in the ascent is a resting-place, furnished with easy chairs, in which those who ascend repose themselves. On the summit of the topmost tower stands a large temple; and in this temple is a great couch, handsomely fitted up; and near it stands a golden table: no statue whatever is erected in the temple, nor does any man ever pass the night there; but a woman only, chosen from the people by the god, as the Chaldeans, who are the priests of the temple affirm. The same persons say—tho I give no credit to the story—that the god himself comes to the temple and reposes on the bed, in like manner as at Thebes in Egypt, where also, in the temple of Jupiter, a woman passes the night. A similar custom is observed at Pataris, in Lycia, where there is at times an oracle, on which occasions the priestess is shut up by night in the temple.
Within the precincts of the temple at Babylon there is a smaller sacred edifice on the ground, containing an immense golden statue of Jupiter in a sitting posture: around the statue are large tables, which, with the steps and throne, are all of gold, and, as the Chaldeans affirm, contain eight hundred talents of gold. Without this edifice is a golden altar; there is also another altar of great size, on which are offered full-grown animals: upon the golden altar it is not lawful to offer sacrifices except sucklings. Once in every year, when the festival of this god is celebrated, the Chaldeans burn upon the greater altar a thousand talents of frankincense. There was also, not long since, in this sacred enclosure a statue of solid gold, twelve cubits in height; at least so the Chaldeans affirm: I did not myself see it. This figure Darius Hystaspes would fain have taken, but dared not execute his wishes; however, his son Xerxes not only took it, but put to death the priests who endeavored to prevent its removal. Such was the magnificence of this temple, which contained also many private offerings.
Of this Babylon there were several monarchs—as I shall mention in my history of the Assyrians—who adorned the city and its temples. Among these, two young women must be mentioned. The former, named Semiramis,[8] reigned five generations before the latter. This queen raised an embankment worthy of admiration through the plain to confine the river, which heretofore often spread over the level like a lake. The latter of these two queens, named Nitocris,[9] excelled the former in intelligence: she left monuments, some of which I must describe. Seeing the Medes already possest of extensive empire, and restlessly extending their power, by taking city after city, among which was Nineveh, she resolved in good time to secure herself against them in the best manner possible. In the first place, therefore, as the river Euphrates ran in a straight course through the city, she formed excavations at a distance above it, by which means its course became