understood that you were a poet.
Poet. My heart fails me. I have loved and lost. I have seen the dawn, and it has blinded me.
Philosopher. Mary is happy. You could never have made her so.
Poet. A sweet, good girl, but—I was not speaking of Mary.
Philosopher. So I supposed. Let me remind you—
Poet. Remind me of nothing. I remember everything. She was like the dayspring from on high. When I think of Greece, I think not of Plato and Sophocles, but of things more delicate and shy; of the tender hedge-flowers of the Anthology, of Tanagra and its maidens in reedy gowns, of all of this in a sweet clean light, as she was, and is, and must be. Ah, and I think of her, as I saw her first in the woodland, in her white gown, with the sun upon her hair. She was like the fluting of a bird; she was clear melody. She girt herself high and set her foot in the black water. She dipped her pure body in above the knees; she, the noblest, the wholesomest the youngest of the gods. Remind me of nothing, I beg you.
Philosopher. I must really remind you of this. You renounced her of your own deliberation, and promised to dance at her wedding.
Poet (with a sob). So I would, God bless her!
Philosopher. That is a charitable sentiment. I have done you good.
Poet. You are an ass.
I have summarised an argument which was really prolonged and very acrimonious. The philosopher prevailed, and the poet, beaten at every point, forswore what ambitions remained to him, built himself a shepherd's hut in a valley of the Wiltshire Downs, and planned out his memoirs in three stout volumes. He believed that he had reached that stage in life where retrospect is all.
Volume I., Open Country; Volume II., Halfway House; Volume III., Shepherd's Crown—are titles which indicate the scope and spirit of the projected work. They were characteristically chosen before a line was written; nor, indeed, was a single other word put to paper, not so much as an Advice to the Reader, for two years. The building of his house with his own hands, and the disposition of the land about it occupied him for the better part of one; the next, with its progressive seasons of fruition, was spent in meditative ecstasy; by the beginning of the third his cure was complete. The poet in him was now the philosopher's humble servant, as should surely always be the case. Resolved that the world should be sweetened yet, he attacked his book.
He began with the third volume, in which, under the heading of Shepherd's Crown, he proposed to discharge himself of the conclusions of his ripened manhood upon the world, as he now saw it from his grassy outlook. Not yet could he trust himself with Open Country. That was for Thoughts. That was to be filled with spheral music which lay under lock and bolt deep within his nature. Before he could set that free to throb and beat in his brain, he must be quite sure that it could not win a way back into his heart. For she of whom it must consist, whose very name was music, whose presence, as he said, was like the fluting of a bird, was the renounced, impossible She; that She whom for reason clear and good he had loved (upon his knees, with covered eyes), and suffered go her ways. The philosopher was clear upon the point that Volume I. must be withheld for a season, and that Volume II., if it was to deal with the enchantment of the flitted Mary, must wait also. Mary must be charitably handled; give her time. In Volume the third, now, we were to have neither music on the one hand, nor the sharp fragrance of loose hair and warm breath on the other; but green thoughts, rather, “calm of mind, all passion spent,” as surely at forty-two it must be. Let the wise book deal with life, not the living; with love, not of woman; with death, but not of the body.
Early in the third year this wanderer, come to anchor, began his book, and at his desk I propose to leave him until near the end of mine. But, that he shall know the man again when the tale hath need of him, the reader will be pleased to accompany me into his neighbourhood for a moment.
Into the great ridge of chalk which is the backbone of South Wilts, and runs east and west from Sarum to Shaftesbury, there cuts up from the south a deep, winding, and narrow valley. The hills, between whose breasts it runs a turfy way, fold one into the other; a man coming up from Blandford, and minded to strike across country to Marlborough, might well pass within two hundred yards of our recluse and never see a sign of him. It was at the head of this glen, sheltered by hills from north, east, and west, but open full to the south, he had built his one-storied, deep-eaved house of larch and shingles. Here, under the sky, he watched and laboured and slept, and saw nobody, living principally on vegetables of his own growing, and cheese, which he made from the milk of a flock of goats. Bread he had once a week from a peasant's cottage at the valley's foot; gypsy folk brought him occasionally tea and tobacco. For the most part he drank water, and was too good a traveller to be rooted to his pipe.
The group behind him sloped sharply up to the ridge, which we call the Race-Plain in those parts, and had nourished, when he first took up his rest below it, little but nettles, mulleins, and scrub of elder. A few fair trees—ash, thorn, spindle, service—struggled with the undergrowth which should live. He was for the trees, needing their shade; cleared the ground, terraced it with infinite pains, and utilised the water of a mist pool which he had made on the high land by a system of canals of remarkable neatness and ingenuity. Tree-trunks, split and hollowed out, conveyed what water he wanted as and whither he would.
To the west of his dwelling the slope was gentler, and there woods and brake-fern grew peacefully together and made a fine refuge from the heats. Behind this shelter, hidden from sight of the house, he had a broad lynch for his vegetables, and grew and protected them to be the envy and despair of rabbits. In the woods, and below, in the valley bottom, where wind-sown thorns made a natural park, his goats found eatage. He reserved the terraces about the house for the flowers which he loved and understood.
He was an expert gardener, who in his day had been famous for his skill in naturalisation. His feats in this work have made a stir beyond our shores. Alpine plants grow wild upon English rock-faces at his whim, irises from the glaring crags of the Caucasus spread out their filmy wings, when he bids them, on Devonshire tors. These wonders he chose not to repeat—for reasons. Pence, to begin with, failed him. The work itself was associated with the happiest and the saddest moments of his life; he had not the heart to begin it. Moreover, in the course of his year's work of house-building and settling in, he had kept an eye for Nature's way in his valley, and when it came to making a flower-garden he found that she had one there to his hand.
He said, “Nothing is lovelier in flowers than true colour. Form is nothing to Nature; it is one of Art's tricks. Here I may have a succession of pure washes by mere concentration of what I find. The downs give me everything; all I have to do is to group them.
“Here is my design. For early spring, cowslips in a cloud. Scattered broadcast, they are happy accidents which you come upon walking; but if you mass them their scent tells, and you find they are nearer the colour of oranges than of limes.
“For mid-April and early May I have the orchids—a blood-spatter on the bottom; higher the flecked white, the pink, and the yellow with brown. Then for a shelf among rocks the milk-worts, the sky-blue, the white and the pink; with these I float out May like Fra Angelico. For June there are Ragged Robins like filaments of rosy cloud, and Forget-me-not to drift like wood-smoke over the chalk rubble. In July I have a pageant. Foxglove and Eglantine make melodious my woods; Ladies' Slipper gives a golden cope to the hillside, with purple campanula to wind about it like a scarf. After this—August, September, October—our uplands faint out in semitones: grey scabious, grey harebell, pale bed-straw, white meadowsweet, like the lace of an old lady's cap. But even so, if I must have a sunset glow of brown-pink, herb-willow gives it me. Pinch out the leader of each slim spike, and you make a different plant of it.” Thus the poet embroidered the philosopher's text, and kept away from his memories, and husbanded his pence.
These things, at any rate, he did, collecting with diligence the plants to his hand, separating them from the grasses and bents in which they hid, massing them and marshalling to his purposes. The thing was done with extreme art and infinite patience; the result, a rainbow stream of colour through the working year.
He