cyclamen for the woods, because he did not see how one could do without them who had once seen them in Calabria; wild gladiolus, because it loved the corn, and there was land in tillage within a mile of him; a few primulas for his conduit's edges; wild crocus, because She whom he had loved best had loved them; colchicums for the bottoms in Autumn, because once She, straying with him in meadows, had picked some for her bosom and at parting given him one. He had it still, though he never cared to look at it. She and it belonged to his first volume, and neither crocus nor colchicum had been added at the date of which I write. He planted them when he reopened that book, and they are thriving now.
Here was work enough for a man somewhat mauled by the world to forget his hard knocks withal; and he forgot them. Looking about him, the length and breadth of his silent and lonely valley, he could see nothing but amenity in the earth which owed man so little. It was so with him at this time that the more he saw to love in Nature the less he could find admirable in man, who denied her at every turn. It was men, not She, who had given him his bruises; it was She, not men, who had taught him how to forget them. When outraged Society cried him down for a breaker of laws, he had replied that, so far as he knew, he had broken none of Nature's; and had it been argued that we live otherwise than as the beasts that perish, he would have retorted, “Whether the beasts perish or not, it is very clear that they live to the full in this world, and that we don't. Suppose they perish, at least they have lived. If we are to live hereafter, as to which no one is certain, we are faced at our temporal death with the fact that, born into this world with certain faculties, instincts, appetites, and senses, we have let most of them atrophy, and the rest rot, by many contributory causes, of which the chief is over-eating. If I die, to live again, I have it behind me that I have lived well already. I am that much to the good. And, that others may have the same fortune, I shall devote what time remains to me to teaching the truth, The less you have the more you are. This was his intention when he sat down to pen his Shepherd's Crown; before he dared look back upon Open Country, or to plant the sacred crocus, or to look upon the dry colchicum flower which had been granted the grace of a fair breast.”
{Illustration: The hum of cities and buzz of dinner tables … sound in his ears not at all.}
We meet him again, but not yet. We have him fast in his moorings, and are to see him rather as a fixed point about which other wandering lights stray in narrowing circles, to which they converge. We are to conceive of him, if you please, as writing his Book, while the hum of cities, and buzz of dinner-tables, noisy enough to us and full of excitement, sound in his ears not at all. And when I have done, you will discover, if you care, why he changed the title of his third volume from Shepherd's Crown, and chose it to be called Rest Harrow.
The way thither is long, and many things are to happen to many people; but little happens to him except the wheeling of the years.
BOOK II—SANCHIA AT WANLESS HALL
I
A telegram was handed to her as she came in from the garden, her broad-brimmed straw hat in her hand, and a bunch of fritillaries nodding in her blouse. That dates and places her at once: the time was April, and she was fond of curious flowers. She stood in the doorway to get the sunset glow upon the missive, and was herself ensanguined and enhanced, a sunny-haired, low-breasted young woman of middle height, rather faintly coloured, wholesome to see, with a bowed upper lip, and clear, grey-blue eyes of extreme directness and candour. A trick of looking you full, of considering you and her answer together, she had—a mild, steady beam, a radiance within the orb which told of a hidden glory. Her brows were level, eyebrows arched; her bust, though set like Aphrodite's of Melos, was full. The curving corners of the bow of her lips assured her the possession, even when she was most serious, of a lurking smile. Taking off her gardening gloves that she might break the red envelope, she disclosed a pair of fine, white, nervous hands, and pointed fingers which wore no rings.
The address, which she was careful to read before she tore the envelope, was—
Miss Percival, Wanless, Felsboro'.
Opening then, she read as follows:—
Home to-morrow seven people Ingram.
If she frowned slightly, it was a mere approach of the fine eyebrows to each other. She certainly smiled—wisely and meditatively, without showing her teeth. She touched her chin—a rounded, full chin—with the telegram, as she looked up at the maid who brought it.
“I must see Mrs. Benson about this. It's from Mr. Ingram.”
“Yes, Miss Percival.”
A friendly desire to share the puzzle was now manifest in the clear eyes.
“You see, Minnie, it might mean one of two things, and I am not quite sure which of them it does mean.” She looked again at the message with amused interest; but one could not have said whether she was amused at her interest, or interested in her amusement. That was part of Miss Percival's charm, that she was always baffling you.
But Minnie, the maid, was demure and monotonous under the attack of friendly desires. “No, Miss Percival,” she said, and added, “I am sure I couldn't say.” She stood aside from the doorway as the young lady entered the billiard-room, saying, as she went, “Ask Mrs. Benson to come to my room, Minnie, please; and tell Frodsham I should like to see him directly he comes to-morrow morning.”
She heard Minnie's “Very well, Miss Percival,” as she disappeared, smiling still, and with a slight heightening of colour. When her colour rose, it rose evenly, flooding her face and neck with the dawn-hue. There were no patches or streaks of flame; she showed, as it were, incandescent.
She crossed the hall in the deepening dusk, a fine, littered room, where a great log-fire revealed the tall portraits of ladies and gentleman of long ago—sportsmen with spaniels at their feet, general officers in scarlet, pointing through smoke the direction of the enemy, a judge in ermine and full bottomed wig, a lady in white satin leaning against a broken column in a park, and backed by a brewing thunderstorm; and as she went her way gave a couple of glances to right and left, picked up a Bradshaw from a side-table, stooped to put a tiger-skin straight. She continued down a long corridor, swinging her hat, and entered an open doorway at the extreme end. By the way she tossed the hat on to a chair and stirred the crackling logs with the point of her shoe, it was to be supposed that she was in her demesne. Standing with a foot on the fender she presently fell into a reverie, and presently reopened and re-read her telegram. Certainly she was smiling, and certainly her colour was enhanced.
The room, though business-like, was feminine. It had a Chippendale bureau between the windows, its pigeon-holes stuffed with papers; but there were flowers upon it, and elsewhere many photographs, and pictures evidently chosen by the tenant. The Dante from the Bargello was one, the three headless Fates of the Parthenon another; the Hermes and the Sophocles, all in autogravure. It had a piano and a small bookcase containing the poets in green morocco, a uniform set. Elsewhere, in a larger bookcase, were miscellaneous volumes, by no means all novels, though novels there were. One shelf was filled with household books: cookery, bee-keeping, poultry, the Dog in Health and Disease, the horse, the flower-garden, Botany, British Edible Fungi, the World of Vegetables, were some of the subjects treated of. Below the bookcase was a row of japanned tin boxes, carefully lettered in white paint. House Accounts, Garden Accounts, Stable Accounts, one read. A fourth bore the words “Wood Sales and Miscellaneous.”
If you were alone, waiting in the room, you would glance at the photographs perched about, like alighting butterflies, upon piano and mantelshelf and occasional table. You would pass over, I believe, the children