dream which can be solved by means of inserting symbols, a dream that is remarkable and convincing because the dreamer himself translated all the symbols, even though he had had no preliminary knowledge of dream interpretation. This situation is very unusual and the conditions essential to its occurrence are not clearly known.
“He is going for a walk with his father in some place which must be the Prater,35 for one can see the rotunda and before it a smaller building to which is anchored a captive balloon, which, however, seems fairly slack. His father asks him what all that is for; he wonders at it himself but explains it to his father. Then they come to a courtyard in which there lies spread out a big sheet of metal. His father wants to break off a big piece of it for himself but first looks about him to see if anyone might see him. He says to him that all he needs to do is to tell the inspector and then he can take some without more ado. There are steps leading from this courtyard down into a pit, the walls of which are upholstered with some soft material rather like a leather arm chair. At the end of this pit is a longish platform and then a new pit begins. . . . ”
The dreamer himself interprets as follows: “The rotunda is my genital, the balloon in front of it is my penis, of whose slackness I have been complaining.” Thus one may translate in more detail, that the rotunda is the posterior — a part of the body which the child regularly considers as part of the genital — while the smaller building before it is the scrotum. In the dream his father asks him what all that is for; that is to say, he asks the object and function of the genitals. It is easy to turn this situation around so that the dreamer is the one who does the asking. Since no such questioning of the father ever took place in real life, we must think of the thought of this dream as a wish or consider it in the light of a supposition, “If I had asked father for sexual enlightenment.” We will find the continuation of this idea in another place shortly.
The courtyard, in which the sheet metal lies spread out, is not to be considered primarily as symbolical but refers to the father’s place of business. For reasons of discretion I have substituted the “sheet metal” for another material with which the father deals, without changing anything in the literal wording of the dream. The dreamer entered his father’s business and took great offense at the rather dubious practices upon which the profits depended to a large extent. For this reason the continuation of the above idea of the dream might be expressed as “if I had asked him, he would only have deceived me as he deceives his customers.” The dreamer himself gives us the second meaning of “breaking off the metal,” which serves to represent the commercial dishonesty. He says it means masturbation. Not only have we long since become familiar with this symbol, but the fact also is in agreement. The secrecy of masturbation is expressed by means of its opposite —“It can be safely done openly.” Again our expectations are fulfilled by the fact that masturbatory activity is referred to as the father’s, just as the questioning was in the first scene of the dream. Upon being questioned he immediately gives the interpretation of the pit as the vagina on account of the soft upholstering of its walls. I will add arbitrarily that the “going down” like the more usual “going up” is meant to describe the sexual intercourse in the vagina.
Such details as the fact that the first pit ends in a platform and then a new one begins, he explains himself as having been taken from his own history. He practiced intercourse for a while, then gave it up on account of inhibitions, and now hopes to be able to resume it as a result of the treatment.
8. The two following dreams are those of a foreigner, of very polygamous tendencies, and I give them to you as proof for the claim that one’s ego appears in every dream, even in those in which it is disguised in the manifest content. The trunks in the dream are a symbol for woman.
(a). “He is to take a trip, his luggage is placed on a carriage to be taken to the station, and there are many trunks piled up, among which are two big black ones like sample trunks. He says, consolingly, to someone, ‘Well, they are only going as far as the station with us.‘”
In reality he does travel with a great deal of luggage, but he also brings many tales of women with him when he comes for treatment. The two black trunks stand for two dark women who play the chief part in his life at present. One of them wanted to travel to Vienna after him, but he telegraphed her not to, upon my advice.
(b). A scene at the customs house: “A fellow traveler opens his trunk and says indifferently while puffing a cigarette, ‘There’s nothing in here.’ The customs official seems to believe him but delves into the trunk once more and finds something particularly forbidden. The traveler then says resignedly, ‘Well, there’s no help for it.‘”
He himself is the traveler, I the customs official. Though otherwise very frank in his confessions, he has on this occasion tried to conceal from me a new relationship which he had struck up with a lady whom he was justified in believing that I knew. The painful situation of being convicted of this is transposed into a strange person so that he himself apparently is not present in the dream.
9. The following is an example of a symbol which I have not yet mentioned:
“He meets his sister in company with two friends who are themselves sisters. He extends his hand to both of them but not to his sister.”
This is no allusion to a real occurrence. His thoughts instead lead him back to a time when his observations made him wonder why a girl’s breasts develop so late. The two sisters, therefore, are the breasts. He would have liked to touch them if only it had not been his sister.
10. Let me add an example of a symbol of death in a dream:
“He is walking with two persons whose name he knows but has forgotten. By the time he is awake, over a very high, steep iron bridge. Suddenly the two people are gone and he sees a ghostly man with a cap, and clad in white. He asks this man whether he is the telegraph messenger. . . . No. Or is he a coachman? No. Then he goes on,” and even in the dream he is in great fear. After waking he continues the dream by a phantasy in which the iron bridge suddenly breaks, and he plunges into the abyss.
When the dreamer emphasizes the fact that certain individuals in a dream are unknown, that he has forgotten their names, they are generally persons standing in very close relationship to the dreamer. This dreamer has two sisters; if it be true, as his dream indicates, that he wished these two dead, then it would only be justice if the fear of death fell upon him for so doing. In connection with the telegraph messenger he remarks that such people always bring bad news. Judged by his uniform he might also have been the lamp-lighter, who, however, also extinguishes the lamps — in other words, as the spirit of death extinguishes the flame of life. The coachman reminds him of Uhland’s poem of King Karl’s ocean voyage and also of a dangerous lake trip with two companions in which he played the role of the king in the poem. In connection with the iron bridge he remembers a recent accident and the stupid saying “Life is a suspension bridge.”
11. The following may serve as another example of the representation of death in a dream: “An unknown man leaves a black bordered visiting card for him.”
12. The following dream will interest you for several reasons, though it is one arising from a neurotic condition among other things:
“He is traveling in a train. The train stops in an open field. He thinks it means that there is going to be an accident, that he must save himself, and he goes through all the compartments of the train and strikes dead everyone whom he meets, conductors, engine drivers, etc.”
In connection with this he tells a story that one of his friends told him. An insane man was being transported in a private compartment in a certain place in Italy, but through some mistake another traveler was put in the same compartment. The insane man murdered his fellow passenger. Thus he identifies himself with this insane person and bases his right so to do upon a compulsive idea which was then torturing him, namely, he must “do away with all persons who knew of his failings.” But then he himself finds a better motivation which gave rise to the dream. The day before, in the theatre, he again saw the girl whom he had expected to marry but whom he had left because she had given him cause for jealousy. With a capacity for intense