graf Leo Tolstoy

The Forged Coupon, and Other Stories


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of individuals, followed by fierce reprisals on the part of the persecuted; the voice of protest no sooner raised than silenced in a prison cell or among Siberian snow-fields, yet rising again and again with inextinguishable reiteration; appeals for political freedom, for constitutional government, for better systems and wider dissemination of education, for liberty of the Press, and for an enlightened treatment of the masses, callously received and rejected. The answer with which these appeals have been met by the rulers of Russia is only too well known to the civilised world, but the obduracy of Pharoah has called forth the plagues of Egypt. Despite the unrivalled agrarian fertility of Russia, famines recur with dire frequency, with disease and riot in their train, while the ignominious termination of the Russo-Japanese war showed that even the magnificent morale of the Russian soldier had been undermined and was tainted by the rottenness of the authorities set over him. What in such circumstances as these can a handful of philanthropists achieve, and what avails alms-giving or the scattering of largesse to a people on the point of spiritual dissolution?

      In these conditions Tolstoy’s abhorrence of money, and his assertion of its futility as a panacea for human suffering, appears not merely comprehensible but inevitable, and his renunciation of personal property the strictly logical outcome of his conclusions. The partition of his estates between his wife and children, shortly before the outbreak of the great famine in 1892, served to relieve his mind partially; and the writings of Henry George, with which he became acquainted at this critical time, were an additional incentive to concentrate his thoughts on the land question. He began by reading the American propagandist’s “Social Problems,” which arrested his attention by its main principles and by the clearness and novelty of his arguments. Deeply impressed by the study of this book, no sooner had he finished it than he possessed himself of its forerunner, “Progress and Poverty,” in which the essence of George’s revolutionary doctrines is worked out.

      The plan of land nationalisation there explained provided Tolstoy with well thought-out and logical reasons for a policy that was already more than sympathetic to him. Here at last was a means of ensuring economic equality for all, from the largest landowner to the humblest peasant—a practical suggestion how to reduce the inequalities between rich and poor.

      Henry George’s ideas and methods are easy of comprehension. The land was made by God for every human creature that was born into the world, and therefore to confine the ownership of land to the few is wrong. If a man wants a piece of land, he ought to pay the rest of the community for the enjoyment of it. This payment or rent should be the only tax paid into the Treasury of the State. Taxation on men’s own property (the produce of their own labour) should be done away with, and a rent graduated according to the site-value of the land should be substituted. Monopolies would cease without violently and unjustly disturbing society with confiscation and redistribution. No one would keep land idle if he were taxed according to its value to the community, and not according to the use to which he individually wished to put it. A man would then readily obtain possession of land, and could turn it to account and develop it without being taxed on his own industry. All human beings would thus become free in their lives and in their labour. They would no longer be forced to toil at demoralising work for low wages; they would be independent producers instead of earning a living by providing luxuries for the rich, who had enslaved them by monopolising the land. The single tax thus created would ultimately overthrow the present “civilisation” which is chiefly built up on wage-slavery.

      Tolstoy gave his whole-hearted adhesion to this doctrine, predicting a day of enlightenment when men would no longer tolerate a form of slavery which he considered as revolting as that which had so recently been abolished. Some long conversations with Henry George, while he was on a visit to Yasnaya Polyana, gave additional strength to Tolstoy’s conviction that in these theories lay the elements essential to the transformation and rejuvenation of human nature, going far towards the levelling of social inequalities. But to inoculate the landed proprietors of Russia as a class with those theories was a task which even his genius could not hope to accomplish.

      He recognised the necessity of proceeding from the particular to the general, and that the perfecting of human institutions was impossible without a corresponding perfection in the individual. To this end therefore the remainder of his life was dedicated. He had always held in aversion what he termed external epidemic influences: he now endeavoured to free himself not only from all current conventions, but from every association which he had formerly cherished. Self-analysis and general observation had taught him that men are sensual beings, and that sensualism must die for want of food if it were not for sex instincts, if it were not for Art, and especially for Music. This view of life he forcibly expressed in the “Kreutzer Sonata,” in which Woman and Music, the two magnets of his youth, were impeached as powers of evil. Already, in “War and Peace” and in “Anna Karenina,” his descriptions of female charms resembled catalogues of weapons against which a man must arm himself or perish. The beautiful Princess Helena, with her gleaming shoulders, her faultless white bosom, and her eternal smile is evidently an object of aversion to her creator; even as the Countess Betsy, with her petty coquetries and devices for attracting attention at the Opera and elsewhere, is a target for his contempt. “Woman is a stumbling-block in a man’s career,” remarks a philosophical husband in “Anna Karenina.” “It is difficult to love a woman and do any good work, and the only way to escape being reduced to inaction is to marry.”

      Even in his correspondence with the Countess A. A. Tolstoy this slighting tone prevails. “A woman has but one moral weapon instead of the whole male arsenal. That is love, and only with this weapon is feminine education successfully carried forward.” Tolstoy, in fact, betrayed a touch of orientalism in his attitude towards women. In part no doubt as a result of his motherless youth, in part to the fact that his idealism was never stimulated by any one woman as it was by individual men, his views retained this colouring on sex questions while they became widened and modified in almost every other field of human philosophy. It was only that, with a revulsion of feeling not seldom experienced by earnest thinkers, attraction was succeeded by a repulsion which reached the high note of exasperation when he wrote to a man friend, “A woman in good health—why, she is a regular beast of prey!”

      None the less, he showed great kindness and sympathy to the women who sought his society, appealing to him for guidance. One of these (an American, and herself a practical philanthropist), Miss Jane Addams, expressed with feeling her sense of his personal influence. “The glimpse of Tolstoy has made a profound impression on me, not so much by what he said, as the life, the gentleness, the soul of him. I am sure you will understand my saying that I got more of Tolstoy’s philosophy from our conversations than I had gotten from our books.” (Quoted by Aylmer Maude in his “Life of Tolstoy.”)

      As frequently happens in the lives of reformers, Tolstoy found himself more often in affinity with strangers than with his own kin. The estrangement of his ideals from those of his wife necessarily affected their conjugal relations, and the decline of mutual sympathy inevitably induced physical alienation. The stress of mental anguish arising from these conditions found vent in pages of his diaries (much of which I have been permitted to read), pages containing matter too sacred and intimate to use. The diaries shed a flood of light on Tolstoy’s ideas, motives, and manner of life, and have modified some of my opinions, explaining many hitherto obscure points, while they have also enhanced my admiration for the man. They not only touch on many delicate subjects—on his relations to his wife and family—but they also give the true reasons for leaving his home at last, and explain why he did not do so before. The time, it seems to me, is not ripe for disclosures of this nature, which so closely concern the living.

      Despite a strong rein of restraint his mental distress permeates the touching letter of farewell which he wrote some sixteen years before his death. He, however, shrank from acting upon it, being unable to satisfy himself that it was a right step. This letter has already appeared in foreign publications,* but it is quoted here because “I have suffered long, dear Sophie, from the discord between my life and my beliefs.

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