A shawl used as a kilt by a chieftain of Denmark in the bronze stage of culture (after Worsaae)
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73
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76.
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A simple dress in the form of a petticoat from an Egyptian figure of the Sixth Dynasty (3500 B.C.), from the Myers collection in Eton College Museum
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74
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77.
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A Korean servant (after Hough)
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75
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78.
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A short kilt
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76
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79.
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A barbarian soldier wearing characteristic trousers (from a diptych of St. Paul, after Marriott)
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78
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80.
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A Saxon military man wearing wide trousers (from the Harleian MS., No. 603, after Fairholt)
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79
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81.
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A peasant woman of Champéry wearing trousers
|
80
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82.
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A German Hussar of 1808
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81
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83.
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The crest on a modern signet ring
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85
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84.
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Sir Geoffrey Loutterell and the ladies of his family, showing the extent to which armorial bearings were worn in the middle of the fourteenth century. From a psalter, made for Sir Geoffrey (after Fairholt)
|
85
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85.
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The crest and surcoat of Henry, first Duke of Lancaster, A.D. 1347. From the brass to Sir Hugh Hasting at Elsyng, Norfolk (after Charles Boutell)
|
86
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86.
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The helmet and crest of the Black Prince. From “Vetusta Monumenta” (after St. John Hope)
|
88
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87.
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The shield of the Black Prince. From “Vetusta Monumenta” (after St. John Hope)
|
89
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88.
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The surcoat or jupon of the Black Prince. From “Vetusta Monumenta” (after St. John Hope)
|
89
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89.
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The postilion of a Lord Mayor of London, wearing a crest upon his cap, and a coat of arms upon his sleeve (copied by permission from a plate published by the John Williamson Co., Ltd.)
|
92
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90.
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A baby’s glove without separate fingers
|
95
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91.
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The back of a woollen glove showing the three vestiges known as “points”
|
96
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92.
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A modern kid glove showing the fourchettes or pieces between the fingers, which form three pointed V’s
|
97
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|
93.
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Queen Elizabeth’s coronation glove, showing the stitching carried down on to the back. (From a photograph by the courtesy of Messrs. Fownes Brothers and Co.)
|
97
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|
94.
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The glove of Anne, Queen Consort of James I, showing the embroidery on the fingers, which is the ancestor of the modern “points.” (From a photograph, by the courtesy of Messrs. Fownes Brothers and Co.)
|
99
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95.
|
A silk lace with simple metal tags
|
101
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96.
|
Ornamental metal tags on a velvet neck ribbon
|
101
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97.
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A simple safety-pin
|
102
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98.
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An Etruscan brooch or fibula, resembling a safety-pin. (In the collection of Major W. J. Myers in Eton College Museum)
|
103
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99.
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The safety-pin in the waistband
|
103
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|
100.
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The safety-pin grown larger and used for fastening on a hat
|
104
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|
101.
|
A muff-chain
|
105
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102.
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A hawker, illustrating the primitive way of carrying a burden
|
107
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103.
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A courier-bag supported by a baldric
|
107
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104.
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An ornamental baldric of the early fifteenth century. (Royal MS. 15, D. 5, after Fairholt)
|
108
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|
105.
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A lady’s dress, showing the part which is called a yoke, and recalls a primitive method of carrying burdens
|
109
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106.
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A loom comb found in the Glastonbury lake dwellings (after Boyd Dawkins)
|
118
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|
107.
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A modern comb for the hair
|
118
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|
108.
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Two studs of bronze, seen from above and from the side, later Bronze Age (after Worsaae)
|
119
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