riding?" Luck let out a long breath and lighted his cigarette. A little flare of hope had come into his eyes.
"Riding—yes, what little there is to do. Ranching a little too, and kicking about changed times, same as I'm doing. Last time I saw that outfit they was riding, you bet!" The dried little man chuckled, "That was in Great Falls, some time back. They was all in a contest, and pulling down the money, too. I was talking to old man Whitmore all one evening. He was telling me—"
From away out yonder behind a hill came the throaty call of the coming train. The dried little man jumped up, mumbled that it did beat all how time went when yuh got to talking over old days, and hustled two trunks out of the baggage room. Luck got his grip out of the office, settled himself into his coat, and took a last, long pull at the cigarette stub before he threw it away. It was not much of a clue that he had fallen upon by chance, but Luck was not one to wait until he was slapped in the face with a fact. He had intended swinging back through Arizona, where in certain parts cattle still were wild enough to bunch up at sight of a man afoot. His questioning of the dried little man had not been born of any concrete purpose, but of the range man's plaint in the abstract. Still—
"Say, brother, what's the Flying U's home town?" he called after the dried little man with his amiable, Southern drawl.
"Huh? Dry Lake. Yuh taking this train?"
"So long—taking it for a ways, yes." Luck hurried down to where a kinky-haired porter stood apathetically beside the steps of his coach. Dry Lake? He had never heard of the place, but he could find out from the railroad map or the conductor. He swung his grip into the waiting hand of the porter and went up the steps hurriedly. He meant to find out where Dry Lake was, and whether this train would take him there.
CHAPTER TWO
"WHERE THE CATTLE ROAMED IN THOUSANDS, A-MANY A HERD AND BRAND … "—Old Range Song.
If you are at all curious over the name to which Luck Lindsay answered unhesitatingly—his very acceptance of it proving his willingness to be so identified—I can easily explain. Some nicknames have their origin in mystery; there was no mystery at all surrounding the name men had bestowed upon Lucas Justin Lindsay. In the first place, his legal cognomen being a mere pandering to the vanity of two grandfathers who had no love for each other and so must both be mollified, never had appealed to Luck or to any of his friends. Luck would have been grateful for any nickname that would have wiped Lucas Justin from the minds of men. But the real reason was a quirk in Luck's philosophy of life. Anything that he greatly desired to see accomplished, he professed to leave to chance. He would smile his smile, and lift his shoulders in the Spanish way he had learned in Mexico and the Philippines, and say: "That's as luck will have it. Quien sabe?" Then he would straightway go about bringing the thing to pass by his own dogged efforts. Men fell into the habit of calling him Luck, and they forgot that he had any other name; so there you have it, straight and easily understandable.
As luck would have it, then—and no pun intended, please—he found himself en route to Dry Lake without any trouble at all; a mere matter of one change of trains and very close connections, the conductor told him. So Luck went out and found a chair on the observation platform, and gave himself up to his cigar and to contemplation of the country they were gliding through. What he would find at Dry Lake to make the stop worth his while did not worry him; he left that to the future and to the god Chance whom he professed to serve. He was doing his part; he was going there to find out what the place held for him. If it held nothing but a half dozen ex-cow-punchers hopelessly tamed and turned farmers, why, there would probably be a train to carry him further in his quest. He would drop down into Wyoming and Arizona and New Mexico—just keep going till he did find the men he wanted. That was Luck's way.
The shadows grew long and spread over the land until the whole vast country lay darkling under the coming night. Luck went in and ate his dinner, and came back again to smoke and stare and dream. There was a moon now that silvered the slopes and set wide expanses shimmering.
Luck, always more or less a dreamer, began to people the plain with the things that had been but were no more: with buffalo and with Indians who camped on the trail of the big herds. He saw their villages, the tepees smoke-grimed and painted with symbols, some of them, huddled upon a knoll out there near the timber line. He heard the tom-toms and he saw the rhythmic leaping and treading, the posing and gesturing of the braves who danced in the firelight the tribal Buffalo Dance.
After that he saw the coming of the cattle, driven up from the south by wind-browned, saddle-weary cowboys who sang endless chanteys to pass the time as they rode with their herds up the long trail. He saw the cattle humped and drifting before the wind in the first blizzards of winter, while gray wolves slunk watchfully here and there, their shaggy coats ruffled by the biting wind. He saw them when came the chinook, a howling, warm wind from out the southwest, cutting the snowbanks as with a knife that turned to water what it touched, and laying bare the brown grass beneath. He saw the riders go out with the wagons to gather the lank-bodied, big-kneed calves and set upon them the searing mark of their owner's iron.
Urged by the spell of the dried little man's plaintive monologue, the old range lived again for Luck, out there under the moon, while the train carried him on and on through the night.
What a picture it all would make—the story of those old days as they had been lived by men now growing old and bent. With all the cheap, stagy melodrama thrown to one side to make room for the march of that bigger drama, an epic of the range land that would be at once history, poetry, realism!
Luck's cigar went out while he sat there and wove scene after scene of that story which should breathe of the real range land as it once had been. It could be done—that picture. Months it would take in the making, for it would swing through summer and fall and winter and spring. With the trail-herd going north that picture should open—the trail-herd toiling over big, unpeopled plains, with the riders slouched in their saddles, hat brims pulled low over eyes that ached with the glare of the sun and the sweep of wind, their throats parched in the dust cloud flung upward from the marching, cloven hoofs. Months it would take in the making—but sitting there with the green tail-lights switching through cuts and around low hills and out over the level, Luck visioned it all, scene by scene. Visioned the herd huddled together in the night while the heavens were split with lightning, and the rain came down in white-lighted streamers of water. Visioned the cattle humped in the snow, tails to the biting wind, and the riders plodding with muffled heads bent to the drive of the blizzard, the fine snow packing full the wrinkles in their sourdough coats.
It could be done. He, Luck Lindsay, could do it; in his heart he knew that he could. In his heart he felt that all of these months—yes, and years—of picture-making had been but a preparation for this great picture of the range. All these one-reel pioneer pictures had been merely the feeble efforts of an apprentice learning to handle the tools of his craft, the mental gropings of his mind while waiting for this, his big idea. His work with the Indians was the mere testing and trying of certain photographic effects, certain camera limitations. He felt like an athlete taught and trained and tempered and just stepping out now for the big physical achievement of his life.
He grew chilled as the night advanced, but he did not know that he was cold. He was wondering, as a man always wonders in the face of an intellectual birth, why this picture had not come to him before; why he had gone on through these months and years of turning out reel upon reel of Western pictures, with never once a glimmering of this great epic of the range land; why he had clung to his Indians and his one-reel Indian pictures with now and then a three-reel feature to give him the elation of having achieved something; why he had left them feeling depressedly that his best work was in the past; why he had looked upon real range-men as a substitute only for those lean-bodied bucks and those fat, stupid-eyed squaws and dirty papooses.
With the spell of his vision deep upon his soul, Luck sat humiliated before his blindness. The picture he saw as he stared out across the moonlit plain was so clean-cut, so vivid, that he marvelled because