W. P. Ker

Epic and Romance


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210 The Northern rationalism 212 Self-restraint and irony 213 The elegiac mood infrequent 215 The story of Howard of Icefirth—ironical pathos 216 The conventional Viking 218 The harmonies of Njála and of Laxdæla 219 222 The two speeches of Gudrun 223

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       Table of Contents

The Sagas not bound by solemn conventions 225
Comic humours 226
Bjorn and his wife in Njála 228
Bandamanna Saga: "The Confederates," a comedy 229
Satirical criticism of the "heroic age" 231
Tragic incidents in Bandamanna Saga 233
Neither the comedy nor tragedy of the Sagas is monotonous or abstract 234

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       Table of Contents

Organic unity of the best Sagas 235
Method of representing occurrences as they appear at the time 236
Instance from Þorgils Saga 238
Another method—the death of Kjartan as it appeared to a churl 240
Psychology (not analytical) 244
Impartiality—justice to the hero's adversaries (Færeyinga Saga) 245

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       Table of Contents

Form of Saga used for contemporary history in the thirteenth century 246
The historians, Ari (1067–1148) and Snorri (1178–1241) 248
The Life of King Sverre, by Abbot Karl Jónsson 249
Sturla (c. 1214–1284), his history of Iceland in his own time (Islendinga or Sturlunga Saga) 249
The matter ready to his hand 250
Biographies incorporated in Sturlunga: Thorgils and Haflidi 252
Sturlu Saga 253
The midnight raid (a.d. 1171) 254
Lives of Bishop Gudmund, Hrafn, and Aron 256
Sturla's own work (Islendinga Saga) 257
The burning of Flugumyri 259
Traces of the heroic manner 264
The character of this history brought out by contrast with Sturla's other work, the Life of King Hacon of Norway 267
Norwegian and Icelandic politics in the thirteenth century 267
Norway more fortunate than Iceland—the history less interesting 267
Sturla and Joinville contemporaries 269
Their methods of narrative compared 270

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