Greeks of Homeric times, and the comparison holds good to this day.
"Love of freedom and pride of weapons, simplicity of life—remember the love of mutton and wine, as described by Homer—hospitality, the superiority of man over woman, all these features, together with the fact that the heroes are themselves the singers of their deeds," says Kohl, "are to be found in the Montenegrins, as well as in the Greeks of Homer."
Woman takes a very inferior position in Montenegro. She is respected in a sense, and her position has improved greatly in recent times, chiefly owing to the example set by the Prince himself. At the official reception held on New Year's Day, when the humblest peasant can go to Cetinje and kiss the Prince's hand, Prince Nicolas places his wife to his right, and every man must first kiss her hand. Thus in the highest classes woman takes very nearly the same place as in civilised lands, but as the social scale descends, so does the position of woman.
In the lowest classes she is still not much more than a beast of burden, given to man to ease his lot. She carries heavy burdens to market, while her lord rides; she may not walk at his side, but a few paces to the rear; neither may she sit at table in the presence of strange men. The kiss with which men salute each other is not allowed to her, and she must kiss the hand only of the man. Likewise, she must rise to her feet when men pass by, and in some districts, should she meet a man on the way, she must stop and remain standing meekly at the side of the path; also, she must leave the room backwards. Neither of these last-mentioned customs is universal, but are to be found largely in the Brda.
The men are handsome and often of immense stature. Giants of 6 feet 8 inches are by no means uncommon; in fact, a few such men will be seen in every town. The average height is quite 5 feet 10 or 11 inches, broad-shouldered and deep-chested, with pleasant faces.
The women are often strikingly beautiful, especially when young, but hard work ages them very quickly; in the upper classes, however, middle-aged and elderly women of regal appearance can often be seen. It is the manners of such women and universally of the men which comes as the greatest surprise, when it is remembered that none or very few have ever seen anything of the outside world.
The faults of the nation are inordinate vanity in their appearance, causing them to impoverish themselves for the sake of gorgeous clothes, and gambling. They gamble to an excessive degree, heaping debt after debt upon their heads. Both these vices have caused an active legislation. Gold embroidery has been abolished on the uniforms of the army officers, and Prince Danilo has already declared that on coming to the throne he will abolish the national costume altogether, i.e. amongst the officials and the upper classes.
They love money and will do a good deal to get it, but when they have money, they spend it in a reckless and freehanded manner. Thus they will overcharge a stranger in an exorbitant fashion, thinking, in their simple minds, that travellers are possessed of unlimited means. Tourists are largely to blame for this, and pay, without audible comment, what is asked. If a strong remonstrance is made, the charge will be reduced in most cases. The dawn of civilisation has brought the love of money, the frugal Montenegrins are now awakening to what money will procure them, and they take as much as they can get without thought, and without swindling intentions. Perhaps the lack of banks or any institute where money can be saved up, may account for this. Merchants buy houses or increase their stock. The peasant, as often as not, gambles it away or buys fine clothes, a few thrifty ones purchasing an extra cow.
No doubt the influence of civilisation, and in particular the long-delayed prosperity of the land which is now slowly raising its head, will alter this.
They very rarely quarrel, never brawl, and are hardly ever to be seen in a state of intoxication.
On the other hand, they are merry, convivial, boon companions, and are never happier than when dancing, singing their war songs and love romances, or listening to the "guslar"—the national troubadour.
The characteristic bravery is still manifested in reckless deeds of "derring do" on the Albanian borders. Shepherds will deliberately drive their flocks across the frontier, thereby courting instant death. Many instances have been given illustrating their love of danger.
Privacy of dwellings is non-existent. Men walk in and out, seating themselves in the room and talking. In the evening the men will congregate, stand and squat in a large ring, and solemnly discuss the events of the day, or in towns will walk majestically up and down the main street swinging the graceful "struka" or shawl from their shoulders. Likewise, the drinking-houses are used as common meeting-places, and there is no need to order refreshment.
Marriages, baptisms, deaths are occasions for great feasting, when the national sheep is killed and roasted whole, and wine and spirits consumed in appalling quantities, without however affecting the heads of these iron people.
To keep order, there is a ridiculously small force of police or gendarmes, and their object is more to preserve the peace in places where different races meet, animated with fanatical hatred of each other. But during the whole time of our sojourn in Montenegro, we never witnessed a single case of men arrested for petty offences, or for breaking the peace by common brawling or drunkenness. The only cases that we did see were connected with the vendetta, which still flourishes. In the course of our travels in the land we have sufficiently illustrated this lamentable feature that no further comments are necessary.
Prince Nicolas is said to know the name of every one of his subjects, and will accost him by it. This is doubtless a great exaggeration, and probably means that he knows personally all those who fought under him in the last war, when the nation was considerably smaller than it is now.
No man is too humble but that the Prince will stop and speak to him, and ask him how the world is using him. The man rarely goes empty-handed away. In these latter days the Prince is not so open-handed as formerly, neither does he make so free with his presence, but still it is no difficult thing for any of his subjects to obtain an audience. He will stop a man at haphazard on the road and examine his weapons, and woe betide him if his revolver is carried empty. Every chamber but one must be loaded.
A characteristic instance of the Prince's observancy was once given in Cetinje. An incongruous habit is creeping into the country of carrying a huge cotton umbrella in the great heat. The Prince met a man carrying one open, and promptly broke it over his head, saying—
"Art thou a hero, to carry a woman's sunshade?"
For even to-day the youngest man will maintain that he is a "hero" by right of ancestry, and has no doubt of his capability to act up to the traditions of his country in the event of war.
The national costume is worn by all, and in the richer classes is very gorgeous. The combination of colour is in exquisite taste. There are many variations, but a description of the gala uniform will suffice.
The cap, or "kapa," is the same for Prince and peasant. It is red with a deep black border, which only leaves a small crown of the foundation colour. On this crown in one corner are the letters "Н.I." (in Latin characters "N.I." or Nicolas 1st) and five semicircles in gold. The explanations as to the meanings are slightly different. Both say the black border is symbolic of mourning for the losses at Kossovo, while the five lines are explained either as signifying the five centuries which have elapsed since that terrible battle or as symbolic of a rainbow—the sign of hope that one day the glories of the old Serb empire will be restored. The red crown signifies "the field of blood," as the Hebrews have it. Furthermore, the different insignia of rank are worn on the rim of the cap, from the double eagle and lion of the senator in brass, the different combinations of crossed swords of the officer, to the simple star of lead of the corporal.
The costume consists of a "džamadan," a red waistcoat, embroidered with gold or black silk—the former on gala occasions—over which the "gunj" is worn, a long, white or very pale blue coat, cut so that the breast is left open and free. Another sleeveless jacket is worn, again, over the gunj, called the "jelek," and is a mass of heavy gold and silk embroidery, quite stiff in fact, and a marvel of beautiful tracing and patterns.
Round the waist are three separate belts, the first a common belt, then the leather "kolan" for the support of the weapons, and over all a silk sash,